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Articles 1 - 6 of 6
Full-Text Articles in Women's History
Bibliography For Women’S History Month, Hakeem Wakil
Bibliography For Women’S History Month, Hakeem Wakil
Library Displays and Bibliographies
A bibliography created to accompany a display in honor of Women's History Month at the Leatherby Libraries at Chapman University.
Toward Culturally Competent Archival (Re)Description Of Marginalized Histories, Annie Tang, Dorothy Berry, Kelly Bolding, Rachel E. Winston
Toward Culturally Competent Archival (Re)Description Of Marginalized Histories, Annie Tang, Dorothy Berry, Kelly Bolding, Rachel E. Winston
Library Presentations, Posters, and Audiovisual Materials
Influenced by the radical archives movement, panelists discuss their (re)processing projects for which they wrote or rewrote descriptions in culturally competent approaches. Their case studies include materials regarding underrepresented peoples and historically oppressed groups who are marginalized from or maligned in the archival record. Targeted to processors, this session aims to teach participants to apply their cultural competencies in writing finding aids through an introduction to cultural competency framework, the case study examples, and a short audience-participation exercise.
Mansplaining Vietnam: Male Veterans And America's Popular Image Of The Vietnam War, Gregory A. Daddis
Mansplaining Vietnam: Male Veterans And America's Popular Image Of The Vietnam War, Gregory A. Daddis
History Faculty Articles and Research
Of the more than 3 million Americans who deployed to Southeast Asia during the United States' involvement in the Vietnamese civil war, only some 7,500 were women. Thus, it seems reasonable that memoirs, novels, and film would privilege the male experience when remembering the Vietnam War. Yet in the aftermath of South Vietnam's collapse, Americans' memory of the war narrowed even further, equating the conflict as a whole to the male combat veteran's story. This synthetic literary review examines some of the more lasting works sustaining the popular narrative of Vietnam, one that was constructed, in substantial part, by veterans …
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
Student Scholar Symposium Abstracts and Posters
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …
Call To Duty: Women And World War I, Jennifer D. Keene
Call To Duty: Women And World War I, Jennifer D. Keene
History Faculty Articles and Research
"Watching loved ones depart, uncertain if they would return—this was an experience that women around the world shared during the Great War. The continual scene of women sending men off to fight was troubling; paradoxically, it was also a familiar, traditional ritual that reinforced gender roles within western societies. "
"Spectacular Opacities": The Hyers Sisters' Performances Of Respectability And Resistance, Jocelyn Buckner
"Spectacular Opacities": The Hyers Sisters' Performances Of Respectability And Resistance, Jocelyn Buckner
Theatre Faculty Articles and Research
This essay analyzes the Hyers Sisters, a Reconstruction-era African American sister act, and their radical efforts to transcend social limits of gender, class, and race in their early concert careers and three major productions, Out of Bondage and Peculiar Sam, or The Underground Railroad, two slavery-to-freedom epics, and Urlina, the African Princess, the first known African American play set in Africa. At a time when serious, realistic roles and romantic plotlines featuring black actors were nearly nonexistent due to the country’s appetite for stereotypical caricatures, the Hyers Sisters used gender passing to perform opposite one another as heterosexual lovers in …