Women's History Commons^™

Making The Violin Fashionable: Gender And Virtuosity In The Life Of Camilla Urso, Maeve Nagel-Frazel, Petra Meyer Frazier, Antonia Banducci

DU Undergraduate Research Journal Archive

In the late nineteenth century, the violinist Camilla Urso (1840-1902) was widely recognized as the preeminent female violinist in the United States. As a nationally famous celebrity, Urso became a pedagogue and role model to subsequent generations of female violinists. Both the wide-ranging geographic spread of Urso’s career and her direct advocacy for women violinists played a pivotal role in changing cultural ideals of violin performance from a militant and masculine bravura tradition into a fashionable pursuit for young women. A classmate of HenrykWieniawski (1835-1880) and a concert rival of the Norwegian virtuoso Ole Bull (1810-1880), Urso’s career rested on …

Oral Interview: Contextualizing The Women's Rights Movement In Tunisia Through Family History, Walid Zarrad

Papers, Posters, and Presentations

In their path towards emancipation and equal rights, Tunisian women have gone through a number of phases that seem to be directly linked to legal changes and cultural factors. In fact, the Code of Personal Status (CPS) of 1956 seems to be a milestone in the women’s movement, and its following amendments continued on this path. However, it is a lot more complex than that. A piece of legislation officially passing is not a simple determinant of the state of Women’s Rights in a country.

Through Dorra Mahfoudh Draoui’s “Report on Gender and Marriage in Tunisian Society” and my interview …

"Our Women Are Made Of The Right Stuff": Gender, Politics, And Conflict In Civil War West Virginia, Amanda Romain Shaver

Theses, Dissertations and Capstones

“’Our Women Are Made of the Right Stuff:’ Gender, Politics, and Conflict in Civil War West Virginia” examines the lives and contributions of white West Virginia women and argues that they were not merely victims of the war, but dynamic participants whose opinions were influential and whose actions determined the ability of both the Union and Confederate armies to wage war in Appalachia. Striking a balance between the antebellum standards of “True Womanhood” and the emerging ideals of the women’s rights movement, West Virginia women became politically engaged in both the statehood movement and the Civil War. They transformed their …

The Space Between “Seen” And “Unseen:” Queer People And The 1915-1945 New Negro Renaissance, Claudia R. Campanella

Dissertations and Theses

In November 1926, a group of Black artists, writers, and activists created the first and only edition of Fire!!, edited by novelist Wallace Thurman. Fire!! was created by a younger generation of New Negroes and “devoted to the younger Negro artists” who dissented from the mainstream ideas of the New Negro Movement and used the magazine to spread their own views on the 1915-1945 New Negro Renaissance. Fire!! and other texts speaking to this dissent against a Black intellectual middle class image of the movement will be studied in reference to showcasing the multi-faceted elements of the movement touching …