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Full-Text Articles in Women's History
Stranger Compass Of The Stage: Difference And Desire In Early Modern City Comedy, Catherine Tisdale
Stranger Compass Of The Stage: Difference And Desire In Early Modern City Comedy, Catherine Tisdale
Doctoral Dissertations
In periods of social and political upheaval like ours, it is more important than ever to interrogate constructions of identity and difference and to understand the histories of alterity that separate us from one another. Stranger Compass of the Stage: Difference and Desire in Early Modern City Drama reimagines the cultural and social effect of alien, foreign, and stranger characters on the early modern stage and re-envisions how these characters contribute to, alter, and imaginatively build new epistemologies for understanding difference in early modern London. Resisting the field’s current critical inclination toward English identity formation, this project works intersectionally to …
Theatre Women And Cultural Diplomacy In The Transatlantic Anglophone World (1752-1807), Sandra Perot
Theatre Women And Cultural Diplomacy In The Transatlantic Anglophone World (1752-1807), Sandra Perot
Doctoral Dissertations
Anglophone theatre provided a solid cultural bridge between Britain and America and served as an influential, informative, and accessible mode of social, political and cultural exchange transported throughout the eighteenth-century transatlantic world. Unlike works focusing on colonial American restrictions on theater, or examining its subsequent role in constructing American nationhood and identity, I explore how theatre served to both cultivate and challenge transatlantic connections. I show that actresses and women playwrights played a distinctive role in this process; they exercised agency in helping shape Anglo identity, influenced the formation of the cult of celebrity, challenged physical gendered spaces and normative …
Cat On A Hot Tin Roof: 60 Years Of American Dialogue On Sex, Gender, And The Nuclear Family, Amy Brooks
Cat On A Hot Tin Roof: 60 Years Of American Dialogue On Sex, Gender, And The Nuclear Family, Amy Brooks
Masters Theses
This thesis is a two-part work. Its components, a written paper and a one-night symposium/film screening event entitled Tennessee Williams: Gender Play in 2015 and Beyond, have been closely coordinated with my dramaturgical research for the February 2015 University of Massachusetts Amherst Department of Theater production of Cat on a Hot Tin Roof. The written inquiry is structured around a chronological, selected American production history of Cat; this history, rendered in a series of three case studies, will (1) synthesize preexisting analyses of Cat’s dramaturgical profile, its impact on American theater, and its position in Williams’s oeuvre; …