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Articles 1 - 7 of 7
Full-Text Articles in Women's History
Since The Time Of Eve : La Leche League And Communities Of Mothers Throughout History., Joanna Paxton Federico
Since The Time Of Eve : La Leche League And Communities Of Mothers Throughout History., Joanna Paxton Federico
Electronic Theses and Dissertations
La Leche League International (LLL) is the oldest and largest breastfeeding support group in the world. This thesis examines how, beginning in 1956, seven Catholic housewives from suburban Chicago built up the institutional knowledge to sustain a cohesive global network of breastfeeding mothers. It also explores how LLL managed this knowledge over time in response to developments in scholarship and changing social conditions. Based on a narrative analysis of LLL publications, this thesis argues that the League’s founders drew selectively from existing bodies of knowledge and from their own cultural perspectives to establish a sense of community among breastfeeding women. …
Three Women, Two Spheres, And A Contract: A Comparative Study Of Mary Astell And Mary Wollstonecraft Through The Lens Of Carole Pateman's "The Sexual Contract", Robyn Burke Dabora
Three Women, Two Spheres, And A Contract: A Comparative Study Of Mary Astell And Mary Wollstonecraft Through The Lens Of Carole Pateman's "The Sexual Contract", Robyn Burke Dabora
Dissertations, Masters Theses, Capstones, and Culminating Projects
This project examines the writings of Mary Astell (1666-1731) and Mary Wollstonecraft (1759-1797) regarding women in light of ideas articulated by Carole Pateman (1940- ) in her book, The Sexual Contract (1988). In her work, Pateman critiques the prescriptions for the management of society suggested by classic contract theorists such as Thomas Hobbes (1588-1679) and John Locke (1632-1704) and cites that their solutions focus solely on men in the public sphere of society. Pateman illuminates the condition of women in the private sphere of the home, and asserts that this realm operates by mechanisms radically different from those of the …
Women's Hit Cheating Songs: Country Music And Feminist Change In American Society, 1962-2015, Madeline Rachel Morrow
Women's Hit Cheating Songs: Country Music And Feminist Change In American Society, 1962-2015, Madeline Rachel Morrow
Electronic Theses and Dissertations
This thesis examines songs about cheating performed by women in country music that appeared on year-end country songs charts in Billboard magazine from 1962 through 2015. The study of a total of fifty qualifying songs included a focus on their lyrical and musical content, the performers' personae and careers, and the way the particular outside factors of feminism and changing gender relations in American society may have influenced them. These songs do not show a purely linear progression of or emphasis on social change, in spite of country music's pride in conveying the truth about the lives of its songwriters, …
Más Rudas Collective, 2009-2016 (An Archival Epilogue To An Epic Pachanga), Josh T. Franco
Más Rudas Collective, 2009-2016 (An Archival Epilogue To An Epic Pachanga), Josh T. Franco
Journal of Feminist Scholarship
Contemporary artists Más Rudas Collective (MRC) were active in San Antonio, Texas, from 2009 to 2016. This essay looks to primary source documents from preceding decades and keystone exhibitions of Chicana/o art to articulate MRC’s position in a network of art production and curatorial activity that takes Chicana/o identity as a conceptual framework and/or departure point. Specific examples of MRC members’ reappropriations of Mexican, Mexican American, and Chicana/o cultural elements are analyzed and considered as “weaponizations” against cultures of body shaming and misogyny. Their approach is compared to that of other artists and curators in order to highlight the variety …
Nonconsensual Collaborations, 2012-Present: Notes On A Shared Condition, Aliza Shvarts
Nonconsensual Collaborations, 2012-Present: Notes On A Shared Condition, Aliza Shvarts
Journal of Feminist Scholarship
"Nonconsensual Collaborations, 2012-present: Notes on a Shared Condition" is an extended performance text. It investigates the unmarked gendered dynamics of artistic collaboration, documenting a series of “nonconsensual collaborations”—that is, performances with other artists who did not agree to their participation. Presented here as written narratives, these nonconsensual collaborations frame everyday occurrences of violation, erasure, and misrecognition, exploring how discourses of consent arise from the raced and gendered histories of property relations. They call into question the politics of representation, the status of the document, the formation of evidentiary truth, and the interpenetration of sexual and aesthetic economies. These nonconsensual collaborations …
Not Mine Alone, Nor Mine To Own: Some Reflections On The Young Girl, Jacqueline Mabey
Not Mine Alone, Nor Mine To Own: Some Reflections On The Young Girl, Jacqueline Mabey
Journal of Feminist Scholarship
This essay looks at the role of the young girl in the curatorial practice of Jacqueline Mabey. Mabey reckons with the young girl as the signifier of a spectrum of mutable cultural signifieds and young girls as subjects on their own terms in the two exhibitions under review, Miss World and Utopia Is No Place, Utopia Is Process. In doing so, she recognizes a shift in motivations from an interest in what the young girls mean as a narcissistic reflection to how she could work in service of the development of young girls.
The Parton Paradox: A History Of Race And Gender In The Career Of Dolly Parton, Lindsey L. Hammers
The Parton Paradox: A History Of Race And Gender In The Career Of Dolly Parton, Lindsey L. Hammers
Electronic Theses and Dissertations
With a career that has spanned over five decades, country music artist Dolly Parton has continually redefined her image and her music to remain relevant. By incorporating the musical and lyrical stylings of disco and other popular music genres into her songs, Parton moved beyond music’s color line to increase her popularity as an artist. This thesis shows how Parton established a distinct career that catered to different audiences as she traversed the musical color line and repackaged what feminism looked like to country music fans during the Women’s Movement of the 1960s. Placing Parton’s actions in conversation with music’s …