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Articles 1 - 5 of 5
Full-Text Articles in Women's History
An Intergenerational Photo Exploration Of Self Care Actions In Self-Identifying Strong Black Women, Vanessa Patrice Goodar
An Intergenerational Photo Exploration Of Self Care Actions In Self-Identifying Strong Black Women, Vanessa Patrice Goodar
Dissertations
The current study sought to expand upon the Giscombé Superwoman Schema (2010) specifically exploring the role of vulnerability resistance and help obligation as potential barriers to changing comprehensive self-care health commitments in self-identifying Strong Black Women (SBW). The Superwoman Schema characteristics of vulnerability resistance and help obligation along with socio-economic factors of income, religious affiliation and marital status were assessed in the project using a visual-ethnography approach to Photo Voice methods and five intergenerational focus groups of SBW's born between 1946 and 2002. The collective self-care knowledge of these eighteen participants was analyzed using a participatory action research discussion framework …
The Embroidered Tablecloth: How Locale Influences Eastern European Jewish Textile Production, Elena Solomon
The Embroidered Tablecloth: How Locale Influences Eastern European Jewish Textile Production, Elena Solomon
Electronic Thesis and Dissertation Repository
Recent scholarship frames craft as distinct from art and as an encapsulation of cultural expression at a given moment. Building on that framework, this thesis analyzes the shifting attitudes towards the production of handmade textiles among Eastern European Jews in the US in the twentieth century, as influenced by their migration. To demonstrate the textile environment at that time, this thesis examines pre- and post-migration primary sources and autobiographical writing, including Mary Antin’s The Promised Land, supplemented with interviews of first- and second-generation immigrants to Chicago. In contrast with stereotypes about craft as historically stable, defining craft as regional …
Material Encounters: Making Memory Beyond The Mind, Ariel Wills
Material Encounters: Making Memory Beyond The Mind, Ariel Wills
Masters Theses
Can acts of making carry the memories of our embeddedness within the world? This thesis explores how making things can nurture a sense of kinship that cuts across the organic and inorganic, erasing the distinction between living and dead, material and spiritual. Through handwork such as art-making, sewing, knitting, cooking, woodworking, and beyond, the burden of remembering and of archiving is shared across human and non-human bodies, cultivated through practices of making, and through the materials themselves. By recounting the stories of my family’s experience as Jewish immigrants in the United States, I aim to reveal how their domestic practices …
We, Too, Have Deeds Of Heroism To Tell Our Children: The Role Of The United Daughters Of The Confederacy In The Perpetuation Of The Confederate Lost Cause In Fayetteville, Arkansas, Madison Whipple
History Undergraduate Honors Theses
The conversation surrounding Confederate memorialization has become increasingly relevant, especially as it relates to public monuments. One of the groups that perpetuated Confederate memorialization was the United Daughters of the Confederacy. In the early twentieth century, this organization was prolific in not only memorializing the Old South, but also in seeking to vindicate the Confederacy. While this topic has been discussed and analyzed by scholars on the national level, and even regionally, the conversation skips over Fayetteville. Fayetteville’s history is considered more progressive due to the presence of the University, but there is little coverage of Fayetteville’s memorialization of the …
These Are My People: An Ethnography Of Quiltcon, Kristin Barrus
These Are My People: An Ethnography Of Quiltcon, Kristin Barrus
Department of Textiles, Merchandising, and Fashion Design: Dissertations, Theses, and Student Research
This thesis presents the first ethnography of QuiltCon, the annual fan and artist convention for quiltmakers who identify with and participate in a social phenomenon called the Modern Quilt Movement (MQM) within the 21st century quilt world. QuiltCon (QC) is one product of this movement. This study considers the following questions: What kinds of people attend QC, and what types of experiences and encounters do they expect at the convention? What needs are met at QC for this subset of quiltmakers who attend and for the greater community of Modern quiltmakers? What role does QC play in cementing the identity …