Women's History Commons^™

"So Long As I Can Read": Farm Women's Reading Experiences In Depression-Era South Dakota, Lisa Lindell

Lisa R. Lindell

During the Great Depression, with conditions grim, entertainment scarce, and educational opportunities limited, many South Dakota farm women relied on reading to fill emotional, social, and informational needs. To read to any degree, these rural women had to overcome multiple obstacles. Extensive reading (whether books, farm journals, or newspapers) was limited to those who had access to publications and could make time to read. The South Dakota Free Library Commission was valuable in circulating reading materials to the state's rural population. In the 1930s the commission collaborated with the USDA's Extension Service in a popular reading project geared toward South …

The Akron Offering: A Ladies' Literary Magazine, 1849-1850, Jon Miller

Jon Miller

FREE FULL-TEXT PDF DOWNLOAD From 1849 to 1850, Calista Cummings edited and published Akron's first literary magazine, The Akron Offering. At the time, Akron was a booming canal town on the verge of even greater prosperity. By turns religious, comic, romantic, and political, this extraordinary collection of early midwestern creative literature expresses a wide range of sometimes contradictory opinions on both the important questions of its day and the important questions of today: historical events such as the California Gold Rush of 1849 and the 1848 revolutions in Europe are considered alongside more timeless contemplations on truth, justice, and beauty. …

Bridging The Distances: Women Writers Exploring The Nightmare Of Vietnam, Christina Triezenberg

Christina Triezenberg

This essay seeks to challenge the now-common practice of excluding Vietnam-era antiwar verse from contemporary literary anthologies by exploring the works produced by professional and amateur female poets who, in many cases, had witnessed the war firsthand and reflected on their experiences in verse that depicts the often harsh realities of this still-contested conflict. By exploring poetry written by women who served in a variety of capacities during the war, this essay underscores the repeated attempts made by women writers to bridge the distances between the home front and the battlefront and offers a compelling argument about the importance of …

Rave Reviews The History Of Akron's Tuesday Musical, Thomas Bacher, Cynthia Harrison, Sharon Cebula

Thomas Bacher

The Tuesday Musical Club was founded in 1887 by thirteen young Akron women who had an overwhelming desire to share their love of music. With further support of Gertrude Penfield Seiberling, the wife of industrialist Frank Seiberling, the organization grew like many other musical organizations across the country. Unlike similar clubs, the Akron-based entity continued to expand and is one of a very few that have survived. Among the artists who have appeared as a part of the rich history of Akron's Tuesday Musical Organization are Vladimir Horowitz, Artur Rubinstein, Yehudi Menuhin, Yascha Heifetz, Glenn Gould, Van Cliburn, Isaac Stern, …

The Young White Faces Of Slavery, Mary Niall Mitchell

Mary Niall Mitchell

No abstract provided.

Mapping An Unfinished Masterpiece: Mary Chesnut's Civil War Epic By Julia Stern (Book Review), Christina Triezenberg

Christina Triezenberg

No abstract provided.

Romancing The Fan-Girl: Early Film Fan Magazines And American Girls’ Longing For Stardom., Diana Anselmo-Sequeira

Diana Anselmo-Sequeira

Looking at “Beauty and Brains,” the first nationwide beauty competition issued by a film fan magazine (Photoplay Magazine) and a producing company (World Film Co.), this paper explores how early American cinema was shaped by female adolescence. In 1904, American psychologist G. Stanley Hall first described the “budding girl” as psychologically impermanent, malleable, and lacking self-awareness. A decade later, as the film industry became organized under an institutionalized star system, the figure of the growing girl linchpined the cult of the individual movie star.

I argue that, throughout the 1910s, adolescent girls were not only some of the best paid …

Romancing The Fan-Girl: Early Film Fan Magazines And American Girls’ Longing For Stardom., Diana Anselmo-Sequeira

Diana Anselmo-Sequeira

No abstract provided.

"The Real Ida May: A Fugitive Tale In The Archives", Mary Niall Mitchell

Mary Niall Mitchell

No abstract provided.

Silent Subversions, Derek Dubois

Derek M Dubois

Explores the concept of spectatorship in relation to gender in the earliest period of film history in the United States known as the silent era. Argues that a new mode of spectatorship emerges for women during the 1920s, which employs to advantage the extra-diegetic components of spectacle in theater design, new customized genres for female filmgoers, fandom, and exotic male film stars, such as Rudolph Valentino. Focuses primarily on feminist film theory and on cultural studies as methodological models.

Review Of Innovation In History: The New Woman Resources Book, Madeleine K. Charney

Madeleine K. Charney

No abstract provided.

Movable Pillars: Organizing Dance 1956-1978, Katja Kolcio

Katja Kolcio Ph.D.

Movable Pillars traces the development of dance as scholarly inquiry over the course of the 20th century, and describes the social-political factors that facilitated a surge of interest in dance research in the period following World War II. This surge was reflected in the emergence of six key dance organizations: the American Dance Guild, the Congress on Research in Dance, the American Dance Therapy Association, the American College Dance Festival Association, the Dance Critics Association, and the Society of Dance History Scholars. Kolcio argues that their founding between the years 1956 and 1978 marked a new period of collective action …

Memoir Of Sister Cecilia O'Conway: Sisters Of Charity Of St. Joseph's, Betty Ann Mcneil

Betty Ann McNeil, D.C.

Rosebloom And Pure White, Or So It Seemed, Mary Niall Mitchell

Mary Niall Mitchell

No abstract provided.

"'Rosebloom And Pure White,' Or So It Seemed", Mary Niall Mitchell

Mary Niall Mitchell

No abstract provided.