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Full-Text Articles in Intellectual History
The Divine Comedy: A Work Of Medieval Mythology, Jamie Alexander
The Divine Comedy: A Work Of Medieval Mythology, Jamie Alexander
Undergraduate Honors Theses
Prior to The Divine Comedy (1308-1321), ideas about Purgatory were in the early stages of development. Purgatory had loose rituals surrounding its existence and it lacked depiction in written works. Yet in the following centuries, the fear of Purgatory and the practices of penance and indulgences reached a fever pitch, ultimately leading to the Protestant Reformation. Purgatory as a celestial location, and not just the “purgatorial fires” of the Bible, only began to develop in the twelfth century, but its fearful description and imagery in The Divine Comedy not only solidified previously nebulous understandings of Purgatory, but also increased anxiety …
The Roaring Lion Of Berlin: The Life, Thought, And Influence Of Eugen Dühring, Arden Roy
The Roaring Lion Of Berlin: The Life, Thought, And Influence Of Eugen Dühring, Arden Roy
Undergraduate Research Symposium
The life and influence of 19th-century German polymath Eugen Dühring remain but a mere footnote in the history of ideas, being primarily relegated to the status of little more than a theoretical rival to Marxism in the German socialist movement and the occasional object of Freidrich Nietzsche's rhetorical flogging. Despite the current consensus on the subject, Eugen Dühring was a scholar of vast, remarkable learnedness, contributing greatly to philosophy, economics, and the natural sciences. The aim of this talk will be to clear the fog surrounding the life and work of the controversial blind scholar and give an account of …
Scientism, Satire, And Sacrificial Ceremony In Dostoevsky's "Notes From Underground" And C.S. Lewis's "That Hideous Strength", Jonathan Smalt
Scientism, Satire, And Sacrificial Ceremony In Dostoevsky's "Notes From Underground" And C.S. Lewis's "That Hideous Strength", Jonathan Smalt
Masters Theses
Though the nineteenth-century Victorian belief that science alone could provide utopia for man weakened in the epistemological uncertainty of the postmodern era, this belief still continues today. In order to understand our current scientific milieu--and the dangers of propagating scientism--we must first trace the rise of scientism in the nineteenth-century. Though removed, Fyodor Dostoevsky, in Notes From Underground (1864), and C.S. Lewis, in That Hideous Strength (1965), are united in their critiques of scientism as a conceptual framework for human residency. For Dostoevsky, the Crystal Palace of London's Great Exhibition (1862) embodied the nineteenth-century goal to found utopia through the …