Cultural History Commons^™

Gettysburg's New Dawn, 1864, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

The first few days of January are usually crisp and cold in Gettysburg. Sometimes there is frost or snow, sometimes not. Sometimes there is a bitter wind, sometimes not. Sometimes there is sun bleeding across the horizon and splashing a cloudless sky, sometimes there is not. But the new year here, like everywhere else, stands as a symbol of promise and hope for the future. [excerpt]

Hopkins And Anthony: A Struggle Over Freedom, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

This piece is the original draft of a piece I wrote for the Philadelphia Inquirer, which appeared last week as part of the paper's Gettysburg sesquicentennial coverage. Here's the full, uncut piece for your perusal.

Choice Poetry: Valiant Manhood's Flinch, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Throughout the war, the front page of Gettysburg's newspapers, regardless of your political stripe, had an evergreen column. Poetry graced the upper left corner each week. Sometimes raucous, often love-lorn, chiefly patriotic, the poems must have buoyed many a Pennsylvanian spirit as America floundered in the depth of Civil War.

Most of the poems were mainstream schmaltz, passed from paper to paper as each editor read a line or two he liked and thought his readers might appreciate. The poems spread like a particularly odd malignant cancer from organ to organ. [excerpt]

In Plain Black And White: Race & Gettysburg, Winter 1863, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

"Kinkyheads," the Gettysburg Compiler gleefully quipped at the bottom of a column in its February 23rd edition, "is the new title used for Abolitionists." This was, of course, "in contradiction to 'Copperheads.'"

Race was the live wire of Gettysburg's political scene. For the roughly 10% of the borough's population that was black, that live wire must have shocked daily. [excerpt]