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Cultural History Commons

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Full-Text Articles in Cultural History

Strangers With Cameras: The Consequences Of Appalachian Representation In Pop Culture, Chelsea L. Brislin Jan 2017

Strangers With Cameras: The Consequences Of Appalachian Representation In Pop Culture, Chelsea L. Brislin

Theses and Dissertations--English

Representations of the Appalachia region in literature, art and pop culture have historically shifted between hyperbolic, colorful caricatures to grotesque, sensationalized, black and white photography. This wide spectrum of depictions continually resonates within the North American psyche due to its shared commonality of Appalachia as the cultural “other.” This othering frequently leaves audiences with a kind of relief that this warped representation of backwards, rural poverty is not their own progressive, present-day reality. Countless artists have exploited the region in order to show the impoverished side of rural Appalachia and spin a failed capitalistic way of life into a romanticized, …


"Do Not Fashion The Other": Representing Contemporary Haudenosaunee Literature 2016, Michael Patrick Brewster May 2016

"Do Not Fashion The Other": Representing Contemporary Haudenosaunee Literature 2016, Michael Patrick Brewster

Master's Theses

Historically, the issue of representation in postcolonial studies is one of some contention. While scholarship might recognize the necessity for highlighting the plights and struggles attendant to postcolonial societies, the primary literature being studied is most often written by natives of those societies themselves. This gap is especially evident with Indigenous cultures, because there are relatively few Indigenous scholars working in the academy. We are at the point now when we have a multiplicity (but not a plurality) of Indigenous voices writing literature (poetry, memoir, fiction, film, etc.) and academic criticism. However, there is value in non-Natives reading and writing …


Who We Are: Incarcerated Students And The New Prison Literature, 1995-2010, Reilly Hannah N. Lorastein May 2013

Who We Are: Incarcerated Students And The New Prison Literature, 1995-2010, Reilly Hannah N. Lorastein

Honors Projects

This project focuses on American prison writings from the late 1990s to the 2000s. Much has been written about American prison intellectuals such as Malcolm X, George Jackson, Eldridge Cleaver, and Angela Davis, who wrote as active participants in black and brown freedom movements in the United States. However the new prison literature that has emerged over the past two decades through higher education programs within prisons has received little to no attention. This study provides a more nuanced view of the steadily growing silent population in the United States through close readings of Openline, an inter-disciplinary journal featuring …


Dismantling The Cult Of Manliness, Peter Capalbo May 2010

Dismantling The Cult Of Manliness, Peter Capalbo

Master's Theses, Dissertations, Graduate Research and Major Papers Overview

Explores the argument that several of Virginia Woolf's male characters, including Septimus Smith, Mr. Ramsay, and Bernard (in The Waves), challenge traditional male gender expectations in Britain after World War I. Examines Woolf's use of the concept of manliness in structuring her novels and her presentation of a series of men who do not conform to the British ideal of masculinity and who, thereby, allow her to expose the multiple fallacies of that ideal and a culture supported by such a concept. Posits that Woolf's work suggests that a new, more inclusive, understanding of gender is an important first step …