Cultural History | Open Access Articles | Digital Commons Network™

Manuel 'Opi' Delgado, Csusb Nov 2016

Manuel 'Opi' Delgado, Csusb

South Colton Oral History Project Collection

No abstract provided.

Chinese Cubans: Transnational Origins And Revolutionary Integration, Kevin J. Morris Oct 2016

Chinese Cubans: Transnational Origins And Revolutionary Integration, Kevin J. Morris

Russell Library Undergraduate Research Award

As a transnational group, Chinese Cubans or “colonos asiaticos” existed neither within the black-white racial binary standard in Cuban culture nor within the niche this paradigm provided to "mulatto" Cubans or other “mixed” Cubans of African-descent. While assimilation and various racial re-classifications offered some degree of integration, Chinese Cubans often appeared as wholly foreign to Cuban society until the extensive participation of Chinese Cubans in the Communist Revolution. This paper demonstrates that the extensive participation of Chinese Cubans in the Communist Revolution as well as implemented Revolutionary racial policies finally legitimized and normalized the Cuban peoplehood and nationhood …

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Attitudes About Work And Time In Los Angeles, 1769-1880, Tyler D. Lachman Mr. Aug 2016

Attitudes About Work And Time In Los Angeles, 1769-1880, Tyler D. Lachman Mr.

Theses

This thesis argues that the industrious Californio people continued to prosper in Los Angeles after statehood in 1850. Certain historians have emphasized the hardworking Californio culture at various points in Los Angeles history. But no one has defended their overall work ethic. Thus, this thesis goes farther than other historians in discrediting the notion that Californio Angelinos died out quickly because they could not sustain success under American leadership.

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The Symphony Of State: São Paulo's Department Of Culture, 1922-1938, Micah J. Oelze Jun 2016

The Symphony Of State: São Paulo's Department Of Culture, 1922-1938, Micah J. Oelze

FIU Electronic Theses and Dissertations

In 1920s-30s São Paulo, Brazil, leaders of the vanguard artistic movement known as “modernism” began to argue that national identity came not from shared values or even cultural practices but rather by a shared way of thinking, which they variously designated as Brazil’s “racial psychology,” “folkloric unconscious,” and “national psychology.” Building on turn-of-the-century psychological and anthropological theories, the group diagnosed Brazil’s national mind as characterized by “primitivity” and in need of a program of psychological development. The group rose to political power in the 1930s, placing the artists in a position to undertake such a project. The Symphony of State …

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Angie Martinez, Nick Martinez Jr., And Lorna Martinez-Garcia, Csusb May 2016