Cultural History Commons^™

Chopin Mazurkas And Its Influence On Polish Nationalsim, Pablo Cintron

Masters Theses

The innovative character of Chopin Mazurkas is forever linked with Polish culture. This thesis examines how the unmistakable sound of the Mazurka captures the Polish sound more than any other work written by the composer and how it contributes to Polish cultural nationalism during the Polish diaspora of the nineteenth-century.

In this study, the author presents a brief examination on Chopin's traditional interpretation of his mazurkas as well as isolating the characteristics of Polish interpretation that sets the Mazurka performance apart from the non-traditional style. A research case is made when contrasting the current concept of the classical execution of …

Old Gods In New Clothes: The French Revolutionary Cults And The "Rebirth Of The Golden Age", Jennifer Boyet

Masters Theses

The French Revolution's state cults were possible because of French intellectuals' preference for pre-Christian Greco-Roman civilization, as well as France's history of heterodoxy. The philosophes endorsed ancient Greco-Roman civilization as embodying mankind's ideal and more "natural" state; French revolutionary leaders avidly read these ideas of the Enlightenment philosophers. This Enlightenment Classicalism influenced the designers of the French state religions to mirror Greco-Roman paganism in the new regime's festivals and iconography. The French people's fascination with the Occult further created the cultural and intellectual climate for the creation and acceptance of these new religions of the dechristianized republic. Under this worldview, …

Scientism, Satire, And Sacrificial Ceremony In Dostoevsky's "Notes From Underground" And C.S. Lewis's "That Hideous Strength", Jonathan Smalt

Masters Theses

Though the nineteenth-century Victorian belief that science alone could provide utopia for man weakened in the epistemological uncertainty of the postmodern era, this belief still continues today. In order to understand our current scientific milieu--and the dangers of propagating scientism--we must first trace the rise of scientism in the nineteenth-century. Though removed, Fyodor Dostoevsky, in Notes From Underground (1864), and C.S. Lewis, in That Hideous Strength (1965), are united in their critiques of scientism as a conceptual framework for human residency. For Dostoevsky, the Crystal Palace of London's Great Exhibition (1862) embodied the nineteenth-century goal to found utopia through the …

Chopin Mazurkas And Its Influence On Polish Nationalism, Pablo Cintron

Masters Theses

The innovative character of Chopin Mazurkas is forever linked with Polish culture. This thesis examines how the unmistakable sound of the Mazurka captures the Polish sound more than any other work written by the composer and how it contributes to Polish cultural nationalism during the Polish diaspora of the nineteenth-century. In this study, the author presents a brief examination on Chopin's traditional interpretation of his mazurkas as well as isolating the characteristics of Polish interpretation that sets the Mazurka performance apart from the non-traditional style. A research case is made when contrasting the current concept of the classical execution of …

Victorian Domesticity And The Perpetuation Of Childhood: An Examination Of Gender Roles And The Family Unit In J. M. Barrie's Peter Pan, Abigail Nusbaum

Masters Theses

This work examines JM Barrie's Peter Pan in light of its cultural context. It works to show how the Victorian ideology of the separate spheres narrowed the scope of roles for men and women within the home, which ultimately led to an obsession with childhood that manifested itself strongly in the works of the children of the Victorians, the Edwardians. A study of the Victorian society in which Barrie grew up and first imagined Peter Pan, accompanied by a close reading of the text, reveals Barrie using the various characters' interactions with the title character as cultural artifacts that illuminate …