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Articles 1 - 7 of 7
Full-Text Articles in Cultural History
The Afroethnic Impulse And Renewal: African American Transculturations In Afro-Latino Bildung Narratives, 1961 To 2013, Trent Masiki
The Afroethnic Impulse And Renewal: African American Transculturations In Afro-Latino Bildung Narratives, 1961 To 2013, Trent Masiki
Doctoral Dissertations
Until now, there has been little sustained critical attention to the way African American literature, history, culture, and politics influence transculturation and ethnoracial identity formation in Afro-Latino bildung narratives. This dissertation addresses that oversight. The Afroethnic Impulse and Renewal: African American Transculturations in Afro-Latino Bildung Narratives, 1961 to 2013, examines a long, but often neglected, history of intercultural affinities and literary encounters between African Americans and Afro-Latinos from the twentieth to the twenty-first century. In The Afroethnic Impulse and Renewal, I explore African American literary and cultural influences in the personal essays, memoirs, and autobiographically inspired fiction of …
Moving Against Clothespins:The Poli(Poe)Tics Of Embodiment In The Poetry Of Miriam Alves And Audre Lorde, Flávia Santos De Araújo
Moving Against Clothespins:The Poli(Poe)Tics Of Embodiment In The Poetry Of Miriam Alves And Audre Lorde, Flávia Santos De Araújo
Doctoral Dissertations
This dissertation examines literary representations of the black female body in selected poetry by U.S. African American writer Audre Lorde and Afro-Brazilian writer Miriam Alves, focusing on how their literary projects construct and defy notions of black womanhood and black female sexualities in dialogue with national narratives and contexts. Within an historical, intersectional and transnational theoretical framework, this study analyses how the racial, gender and sexual politics of representation are articulated and negotiated within and outside the political and literary movements in the U.S. and Brazil in the 1970s and 1980s. As a theoretical framework, this research elaborates and uses …
Providential Capitalism: Heavenly Intervention And The Atlantic’S Divine Economist, Ian F.P. Green
Providential Capitalism: Heavenly Intervention And The Atlantic’S Divine Economist, Ian F.P. Green
Dissertations, Theses, and Capstone Projects
Providential capitalism names the marriage of providential Christian values and market-oriented capitalist ideology in the post-revolutionary Atlantic through the mid nineteenth century. This is a process by which individuals permitted themselves to be used by a so-called “divine economist” at work in the Atlantic market economy. Backed by a slave market, capital transactions were rendered as often violent ecstatic individual and cultural experiences. Those experiences also formed the bases for national, racial, and classed identification and negotiation among the constellated communities of the Atlantic. With this in mind, writers like Benjamin Franklin, Olaudah Equiano, and Ukawsaw Gronniosaw presented market success …
Literary Theories Of Circumcision, A. W. Strouse
Literary Theories Of Circumcision, A. W. Strouse
Dissertations, Theses, and Capstone Projects
“Literary Theories of Circumcision” investigates a school of thought in which the prepuce, as a conceptual metaphor, organizes literary experience. In every period of English literature, major authors have employed the penis’s hood as a figure for thinking about reading and writing. These authors belong to a tradition that defines textuality as a foreskin and interpretation as circumcision. In “Literary Theories of Circumcision,” I investigate the origins of this literary-theoretical formulation in the writings of Saint Paul, and then I trace this formulation’s formal applications among medieval, early modern, and modernist writers. My study lays the groundwork for an ambitious …
“That Dark Parade”: Emily Dickinson And The Victorian "Cult Of Death”, Carol M. Degrasse
“That Dark Parade”: Emily Dickinson And The Victorian "Cult Of Death”, Carol M. Degrasse
English Department Theses
The elegiac poems of Emily Dickinson provide what is perhaps the clearest depiction of the conflicting emotions inherent to the death-conscious nineteenth century. In one such poem, Dickinson’s oxymoronic phrase, “Dark Parade,” encapsulates the spirit of a social movement that was born of a desire to comfort the grief-stricken and to beautify the horrific. Throughout Dickinson’s corpus of elegiac poetry, the speaker echoes these sentiments and crafts an insightful portrait, juxtaposing the stark horror of death with the ethereal beauty of ceremony. As Dickinson’s elegies are traced over time, the poems develop as microcosmic representations of a grieving nation, as …
True Crime As A Literature Of Advocacy, Leslie Rowen
True Crime As A Literature Of Advocacy, Leslie Rowen
Undergraduate Theses
True crime is often dismissed as a genre of cheap paperbacks with little literary merit and highly sensational, pornographic content. By contrast, my paper proposes an alternative literary history of true crime which merits further investigation because of its focus on advocating for justice where the justice system failed. I begin with Catharine Williams’ 1833 piece Fall River: An Authentic Narrative, an early example from true crime literature. The text disputes the acquittal of a Methodist preacher for the murder of a female mill worker, arguing that the trial was unfairly slanted in the defendant’s favor. More than a century …
Strangers With Cameras: The Consequences Of Appalachian Representation In Pop Culture, Chelsea L. Brislin
Strangers With Cameras: The Consequences Of Appalachian Representation In Pop Culture, Chelsea L. Brislin
Theses and Dissertations--English
Representations of the Appalachia region in literature, art and pop culture have historically shifted between hyperbolic, colorful caricatures to grotesque, sensationalized, black and white photography. This wide spectrum of depictions continually resonates within the North American psyche due to its shared commonality of Appalachia as the cultural “other.” This othering frequently leaves audiences with a kind of relief that this warped representation of backwards, rural poverty is not their own progressive, present-day reality. Countless artists have exploited the region in order to show the impoverished side of rural Appalachia and spin a failed capitalistic way of life into a romanticized, …