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Full-Text Articles in Cultural History
African American History Since Emancipation, Laurie Woodard
African American History Since Emancipation, Laurie Woodard
Open Educational Resources
This syllabus is designed for a lecture course on Post-Emancipation African American history.
Aa Ms 19 Eugene Jackson Papers, Emily Margaret Newell
Aa Ms 19 Eugene Jackson Papers, Emily Margaret Newell
Search the Manuscript Collection (Finding Aids)
This collection is comprised of family photographs, photo albums, bibles, hymnals, and newspaper from the early 20th century onward. The collection is organized into three series:
Series 1: Photographs
This series includes the personal photographs of Eugene Jackson’s friends and family as far back as the early 1900s. The most common themes and activities found in these photographs are leisure activities such as trips to the beach or the mountains, family get-togethers, professional portraits, and Christmas greeting cards.
Subseries 1.1: Loose Photographs
Loose photographs are organized into topical folders.
Subseries 1.2: Ruby Family Photograph Album
The photograph album includes black-and-white …
The Afroethnic Impulse And Renewal: African American Transculturations In Afro-Latino Bildung Narratives, 1961 To 2013, Trent Masiki
The Afroethnic Impulse And Renewal: African American Transculturations In Afro-Latino Bildung Narratives, 1961 To 2013, Trent Masiki
Doctoral Dissertations
Until now, there has been little sustained critical attention to the way African American literature, history, culture, and politics influence transculturation and ethnoracial identity formation in Afro-Latino bildung narratives. This dissertation addresses that oversight. The Afroethnic Impulse and Renewal: African American Transculturations in Afro-Latino Bildung Narratives, 1961 to 2013, examines a long, but often neglected, history of intercultural affinities and literary encounters between African Americans and Afro-Latinos from the twentieth to the twenty-first century. In The Afroethnic Impulse and Renewal, I explore African American literary and cultural influences in the personal essays, memoirs, and autobiographically inspired fiction of …
"It's Now We've Crossed Pease River" Themes Of Voyage And Return In Texas Folk Songs, Ken Baake
"It's Now We've Crossed Pease River" Themes Of Voyage And Return In Texas Folk Songs, Ken Baake
Great Plains Quarterly
Stories of development from childhood to adulthood or of journeying through a 1ifechanging experience to gain new knowledge are replete in oral and written tradition, as exemplified by the Greek epic of Odysseus and countless other tales. Often the hero journeys naively to an alien land and then, with great difficulty, returns home wiser but forever scarred. Such a journey can take the hero to a terrible place, from which he may escape physically, but from which he can never escape emotionally. The hardship of travel and its ensuing lessons is a common theme in human narratives, its protean form …
'Roots Run Deep Here': The Construction Of Black New Orleans In Post-Katrina Tourism Narratives, Lynnell L. Thomas
'Roots Run Deep Here': The Construction Of Black New Orleans In Post-Katrina Tourism Narratives, Lynnell L. Thomas
American Studies Faculty Publication Series
This article explores the emergent post-Katrina tourism narrative and its ambivalent racialization of the city. Tourism officials are compelled to acknowledge a New Orleans outside the traditional tourist boundaries – primarily black, often poor, and still largely neglected by the city and national governments. On the other hand, tourism promoters do not relinquish (and do not allow tourists to relinquish) the myths of racial exoticism and white supremacist desire for a construction of blacks as artistically talented but socially inferior.
“'Roots Run Deep Here': The Construction Of Black New Orleans In Post-Katrina Tourism Narratives", Lynnell L. Thomas
“'Roots Run Deep Here': The Construction Of Black New Orleans In Post-Katrina Tourism Narratives", Lynnell L. Thomas
Lynnell Thomas
This article explores the emergent post-Katrina tourism narrative and its ambivalent racialization of the city. Tourism officials are compelled to acknowledge a New Orleans outside the traditional tourist boundaries – primarily black, often poor, and still largely neglected by the city and national governments. On the other hand, tourism promoters do not relinquish (and do not allow tourists to relinquish) the myths of racial exoticism and white supremacist desire for a construction of blacks as artistically talented but socially inferior.
“‘The City I Used To...Visit’: Tourist New Orleans And The Racialized Response To Hurricane Katrina”, Lynnell Thomas
“‘The City I Used To...Visit’: Tourist New Orleans And The Racialized Response To Hurricane Katrina”, Lynnell Thomas
Lynnell Thomas
This article explores the connections between New Orleans’s late 20th-century tourism representations and the mainstream media coverage and national images of the city immediately following Hurricane Katrina. It pays particular attention to the ways that race and class are employed in both instances to create and perpetuate a distorted sense of place that ignore the historical and contemporary realities of the city’s African American population.
An Appeal For Racial Justice : The Civic Interest Progressives' Confrontation With Huntington, West Virginia And Marshall University, 1963-1965, Bruce A. Thompson
An Appeal For Racial Justice : The Civic Interest Progressives' Confrontation With Huntington, West Virginia And Marshall University, 1963-1965, Bruce A. Thompson
Theses, Dissertations and Capstones
In 1963, the shock waves of the sit-in movement and the growing black unrest throughout the country reached Huntington. This growing discontent with the status quo of segregation and racial discrimination and the impulse from the sit-in movement for direct, non-violent protest combined to mobilize several students at Marshall University who formed the Civic Interest Progressives (CIP), a biracial civil rights group.