Cultural History Commons^™

“And So My Soul Shall Rise”: Enslaved And Free African American Christianity Before Emancipation, Holly J. Lawson

Montview Journal of Research & Scholarship

The Christianity of enslaved and free African Americans in the years immediately following the first Great Awakening through the end of the Civil War (roughly 1750-1850) evidences a complex cultural fusion and a complicated theological depth. There were many different aspects of the religious and spiritual practices of these African American Christians, including preaching, baptism, ecstatic spiritual experiences, evangelism, violent and non-violent forms of resistance to slavery, and, possibly the most prevalent of all, music and singing. The hundreds of thousands of African people unwillingly brought to America brought with them their African heritage, but the survival of their African …

Crossing The 'Color Bar': African American Soldiers In Britain And Australia During The Second World War, Joseph A. Dickinson

War, Diplomacy, and Society (MA) Theses

During the Second World War, African American soldiers were stationed all over the world as part of the American war effort. During these deployments, African Americans encountered a number of white societies, such as those in Britain and Australia, which they generally interacted with cordially. Good relations between African American soldiers and the local white populations angered many white servicemembers, who saw the lack of Jim Crow style segregation as a threat to the racial status quo, and attempted to enforce segregation overseas themselves. These attempts were often resisted fiercely by African American soldiers and the local white populations, both …

Aa Ms 19 Eugene Jackson Papers, Emily Margaret Newell

Search the Manuscript Collection (Finding Aids)

This collection is comprised of family photographs, photo albums, bibles, hymnals, and newspaper from the early 20th century onward. The collection is organized into three series:

Series 1: Photographs

This series includes the personal photographs of Eugene Jackson’s friends and family as far back as the early 1900s. The most common themes and activities found in these photographs are leisure activities such as trips to the beach or the mountains, family get-togethers, professional portraits, and Christmas greeting cards.

Subseries 1.1: Loose Photographs

Loose photographs are organized into topical folders.

Subseries 1.2: Ruby Family Photograph Album

The photograph album includes black-and-white …

The Arena Players, Inc.: The Oldest Continuously Operating African American Community Theatre In The United States, Alexis Michelle Skinner

LSU Doctoral Dissertations

Hay (1994) gave the Arena Players the moniker, “the oldest continuously operating African American community theatre company” in the U.S. But, if Black Theatre is increasingly found in mainstream venues in regional theatre and Broadway while Black Drama is relegated to syllabi, where is the living practice of African American, or black, community theatre? And what guarantees its survival? Craig (1980) and Fraden (1994) give voice to black critics, like Locke (1925), in co-creating objectives for black theatre during the FTP which took stage as the Negro Little Theatre continued. Hill & Hatch (2003) solidify the geographical and ideological connections …

The Afroethnic Impulse And Renewal: African American Transculturations In Afro-Latino Bildung Narratives, 1961 To 2013, Trent Masiki

Doctoral Dissertations

Until now, there has been little sustained critical attention to the way African American literature, history, culture, and politics influence transculturation and ethnoracial identity formation in Afro-Latino bildung narratives. This dissertation addresses that oversight. The Afroethnic Impulse and Renewal: African American Transculturations in Afro-Latino Bildung Narratives, 1961 to 2013, examines a long, but often neglected, history of intercultural affinities and literary encounters between African Americans and Afro-Latinos from the twentieth to the twenty-first century. In The Afroethnic Impulse and Renewal, I explore African American literary and cultural influences in the personal essays, memoirs, and autobiographically inspired fiction of …

Assessing Reconstruction: Did The South Undergo Revolutionary Change?, Lauren H. Sobotka

Student Publications

With the end of the Civil War, came a number of unanswered questions Reconstruction would attempt to answer for the South. While the South underwent economic, political and social changes for a short period, old traditions continued to persist resulting in racist sentiment.

Link Racial Past To The Present, Jill Ogline Titus

Civil War Institute Faculty Publications

Americans have been putting a great deal of energy into commemorating the 50th anniversary of some of the key moments of the civil rights movement. This burst of memorialization has inspired one new museum in Atlanta and the redesign of another in Memphis. The Smithsonian and Library of Congress are launching a new oral-history initiative, and films like Selma bring the movement to life for those who rarely read a history book or visit a museum.

This year brings more anniversaries: the Selma-to-Montgomery March, the passage of the Voting Rights Act, and the Watts rebellion. And the commemorative stakes are …

Art, Artifact, Archive: African American Experiences In The Nineteenth Century, Shannon Egan, Lauren H. Roedner, Diane Brennan, Maura B. Conley, Abigail B. Conner, Nicole A. Conte, Victoria Perez-Zetune, Savannah Rose, Kaylyn L. Sawyer, Caroline M. Wood, Zoe C. Yeoh

Schmucker Art Catalogs

Angelo Scarlato’s extraordinary and vast collection of art and artifacts related to the Civil War, and specifically to the Battle of Gettysburg, the United States Colored Troops, slavery and the African American struggle for emancipation, citizenship and freedom has proved to be an extraordinary resource for Gettysburg College students. The 2012-14 exhibition in Musselman Library’s Special Collections, curated by Lauren Roedner ’13, entitled Slaves, Soldiers, Citizens: African American Artifacts of the Civil War Era and its corresponding catalogue provided a powerful and comprehensive historical narrative of the period.

This fall, students in my course at Gettysburg College “Art and Public …

Learning The Fighting Game: Black Americans And The First World War, S. Marianne Johnson

The Gettysburg Historical Journal

The experience of African American veterans of the First World War is most often cast through the bloody lens of the Red Summer of 1919, when racial violence and lynchings reached record highs across the nation as black veterans returned from the global conflict to find Jim Crow justice firmly entrenched in a white supremacist nation. This narrative casts black veterans in a deeply ironic light, a lost generation even more cruelly mistreated than the larger mythological Lost Generation of the Great War. This narrative, however, badly abuses hindsight and clouds larger issues of black activism and organization during and …

I'Ve Seen The Promised Land: A Letter To Amelia Boynton Robinson, Mauricio E. Novoa

SURGE

You asked if I had any thoughts or comments at the end of our visit, and I stood and said nothing. I opened my mouth, but instead of giving you words my throat was sealed by a dam of speechlessness while my eyes wept out all the emotions and heartache that I wanted to share with you. The others in my group were able to express their admiration, so I wanted to do the same. [excerpt]

Glenn Ligon: Narratives, Shannon Egan, Kimberly Rae Connor

Schmucker Art Catalogs

The exhibition on display at Schmucker Art Gallery, a suite of nine prints entitled Narratives by prominent contemporary artist Glenn Ligon, has been made possible by a generous gift to Gettysburg College by Dr. Kimberly Rae Connor ’79. Ligon’s works have been exhibited widely at major museums, and Gettysburg College is fortunate to have the opportunity to engage with work that examines issues of race, sexuality, history and representation. The artist is well known for his use of quotations and texts from a variety of literary writers and cultural critics such as James Baldwin, Frantz Fanon, bell hooks and Ralph …

'Roots Run Deep Here': The Construction Of Black New Orleans In Post-Katrina Tourism Narratives, Lynnell L. Thomas

American Studies Faculty Publication Series

This article explores the emergent post-Katrina tourism narrative and its ambivalent racialization of the city. Tourism officials are compelled to acknowledge a New Orleans outside the traditional tourist boundaries – primarily black, often poor, and still largely neglected by the city and national governments. On the other hand, tourism promoters do not relinquish (and do not allow tourists to relinquish) the myths of racial exoticism and white supremacist desire for a construction of blacks as artistically talented but socially inferior.

“'Roots Run Deep Here': The Construction Of Black New Orleans In Post-Katrina Tourism Narratives", Lynnell L. Thomas

Lynnell Thomas

This article explores the emergent post-Katrina tourism narrative and its ambivalent racialization of the city. Tourism officials are compelled to acknowledge a New Orleans outside the traditional tourist boundaries – primarily black, often poor, and still largely neglected by the city and national governments. On the other hand, tourism promoters do not relinquish (and do not allow tourists to relinquish) the myths of racial exoticism and white supremacist desire for a construction of blacks as artistically talented but socially inferior.

Adams County History 2008

Adams County History

No abstract provided.

“‘The City I Used To...Visit’: Tourist New Orleans And The Racialized Response To Hurricane Katrina”, Lynnell Thomas

Lynnell Thomas

This article explores the connections between New Orleans’s late 20th-century tourism representations and the mainstream media coverage and national images of the city immediately following Hurricane Katrina. It pays particular attention to the ways that race and class are employed in both instances to create and perpetuate a distorted sense of place that ignore the historical and contemporary realities of the city’s African American population.

An Appeal For Racial Justice : The Civic Interest Progressives' Confrontation With Huntington, West Virginia And Marshall University, 1963-1965, Bruce A. Thompson

Theses, Dissertations and Capstones

In 1963, the shock waves of the sit-in movement and the growing black unrest throughout the country reached Huntington. This growing discontent with the status quo of segregation and racial discrimination and the impulse from the sit-in movement for direct, non-violent protest combined to mobilize several students at Marshall University who formed the Civic Interest Progressives (CIP), a biracial civil rights group.