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African History Commons

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Full-Text Articles in African History

“The Community For Educational Experiments”: The Alliance Israélite Universelle, Gender, And Jewish Education In Casablanca, Morocco 1886-1906, Selene Allain-Kovacs May 2020

“The Community For Educational Experiments”: The Alliance Israélite Universelle, Gender, And Jewish Education In Casablanca, Morocco 1886-1906, Selene Allain-Kovacs

University of New Orleans Theses and Dissertations

At the end of the nineteenth century, the Alliance Israelite Universelle (AIU) opened boys’ and girls’ schools in Casablanca, Morocco, introducing ideas of European-inflected modernity and secular education to the local Jewish community. Letters and reports from the founding directors provide insight into the problems, social and practical, they encountered and reveal the ways in which both Moroccan and European gender norms affected this “educational experiment.”


Transnational Terrorism And The African Union: From Ideal Aspirations To Harsh Realities In Somalia And Mali, Vincent Pierre Cheramie May 2017

Transnational Terrorism And The African Union: From Ideal Aspirations To Harsh Realities In Somalia And Mali, Vincent Pierre Cheramie

Senior Honors Theses

This paper will question why the African Union has been unsuccessful in confronting the rising issue of transnational terrorism. It looks at the history of both the Organization of African Unity and the African Union and examines the measures the two organizations have taken in preventing and combating terrorism. The particular history of African States and their relation to the term “terrorism” is discussed in this section. In this light, I analyze the African Union’s peacekeeping missions in both Somalia and Mali to determine why they have failed to stop the spread of transnational terrorism. In conclusion, I will discuss …


“Art Had Almost Left Them:” Les Cenelles Society Of Arts And Letters, The Dillard Project, And The Legacy Of Afro-Creole Arts In New Orleans, Derek Wood May 2016

“Art Had Almost Left Them:” Les Cenelles Society Of Arts And Letters, The Dillard Project, And The Legacy Of Afro-Creole Arts In New Orleans, Derek Wood

University of New Orleans Theses and Dissertations

In 1942, in New Orleans a group of intellectual and artistic African-Americans, led by Marcus B. Christian, formed an art club named Les Cenelles Society of Arts and Letters. Les Cenelles members both looked to New Orleans’s Afro-Creole population as the pinnacle of African American artistic achievements and used their example as a model for artists who sought to effect social change. Many of the members of Les Cenelles wrote for the Louisiana Federal Writers’ Program (FWP). A key strategy the members of Les Cenelles used to accomplish their goals was gaining the support of white civic leaders, in particular …


The Adversity Pop Culture Has Posed, Darel Joseph Aug 2014

The Adversity Pop Culture Has Posed, Darel Joseph

University of New Orleans Theses and Dissertations

I am a collage artist working with multiple mediums such as paint, photography, video, audio, and performance. As a New Orleans’ native, I have a unique history that is unflattering, for my history echoes that of America’s historical misdeeds. I make sociopolitical art because I am of a historically oppressed people. I make art that celebrates my diverse culture that is a collage of Native American, African, and New Orleans’ French Creole.


Defining “Third Force” Activity: The South African Truth And Reconciliation Commission And Eugene De Kock, John Grimes May 2012

Defining “Third Force” Activity: The South African Truth And Reconciliation Commission And Eugene De Kock, John Grimes

University of New Orleans Theses and Dissertations

This paper examines claims about a purported “third force,” individuals and organizations that operated in South Africa during the “transitional period,” from 1990 to1994, who aimed to destabilize the country and prevent a democratic election. This paper focuses on the findings of the Truth and Reconciliation Commission and testimony contained in the official Amnesty Committee’s transcripts of former Colonel Eugene de Kock. This paper argues that the “third force” was not a designated government agency and former President F.W. de Klerk did not order “third force” violence. This paper further argues that numerous governmental and non-governmental organizations worked collectively to …