African History Commons^™

La Fiesta Del Espiritu Santo: An Original Work For Choir, Soloists, And Small Ensemble Influenced By The Santeria Music Of The African-Dominican Community In The Dominican Republic, Rafael Scarfullery

Electronic Theses and Dissertations

ABSTRACT

This study examines the role of Santería music as practiced by African Dominicans in Villa Mella, a neighborhood of Santo Domingo, Dominican Republic. This musical tradition comes from the culture and religion of the Yoruba people who were brought as slaves from Africa, and features complex drum rhythms and call-and-response chants. This paper deals with the historical and social context of Santería music within the Dominican Republic, but its principal objective is to adopt the musical language of this tradition and use it to create a new contemporary work for mixed choir and small ensemble.

One of the most …

Practicing Pan-Africanism: West Indians And Governance In Kwame Nkrumah's Ghana., Nicholas C. Mcleod

Electronic Theses and Dissertations

After gaining independence from England, Kwame Nkrumah, the first President of Ghana, was transparent in his embrace of the entire African diaspora and actively recruited a number of Pan-African West Indian intellectual-activists, who mentored and advised him as a student in London, to help build Ghana as a Pan-Africanist state. Among these West Indian intellectual-activists were George Padmore, W. Arthur Lewis, T. Ras Makonnen, and Jan Carew. For these West Indians the appeal of Ghana was neither symbolic nor ceremonial, but rather an opportunity to achieve the ultimate objective of the Pan-African movement, a free and self-governed African continent. In …

An Actor's Process In Bridging The Gap Between First-Generation And Multi-Generational African-American Identities., Mutiyat Ade-Salu

Electronic Theses and Dissertations

This thesis reflects my process assimilating into the role of Chelle in the production of Detroit '67 at the University of Louisville. Although there have been instances of actors crossing lines of gender, nationality, race, and even sexuality, to perform roles in contemporary theatre, discussion about generational differences is almost non-existent. Through historical research, first-hand interviews, and conventional acting methods, I explore the world of my role, searching for spirituality, authenticity, and identity. Additionally, I explain my use of The WAY Method ®, a process I began creating in 2014 to help actors be clear with who they are before …

Self-Executed Dramaturgy : A Journey With Miss Ida B. Wells., Sidney Michelle Edwards

Electronic Theses and Dissertations

This thesis presents my experience with the production of Miss Ida B. Wells by Endesha Ida Mae Holland. I used self-executed dramaturgy to enrich my process as an actor and create multiple vocally and physically dynamic historical characters. Throughout this document, I explore how my personal acting process and development as an artist are heavily influenced by the practices of the Alexander Technique. I discuss the unique challenges that I faced with scoliosis and vocal trauma and how I used the training I received during my graduate career to address those challenges. My personal account details the specific methods by …

Defying Convention: Atypical Perspectives Of Slavery In Antebellum New Orleans, Amanda N. Carr

Electronic Theses and Dissertations

During the first half of the nineteenth century, slavery became a vital economic component upon which the success of the southern states in America rested. Cotton was king, and slavery was the peculiar institution that ensured its dominance in the domestic and international markets of America. Popular portrayals, however, often neglect the complicated dynamics of American slavery and instead depict the institution in simplistic terms. The traditional view has emphasized an image of white southerners as slaveholders and blacks as slaves. In New Orleans, the lives of three men—all of whom were tied to slavery in varying capacities—reveal a much …

Race, Rebellion, And Arab Muslim Slavery : The Zanj Rebellion In Iraq, 869 - 883 C.E., Nicholas C. Mcleod

Electronic Theses and Dissertations

In the ninth century, enslaved Africans from the east coast of Africa, called the Zanj, revolted for nearly fifteen years in southern Iraq against their Arab slave masters and challenged the social order of the Abbasid Empire. This thesis is a socio-historical investigation on the role that race played in starting the Zanj Rebellion of 869 C.E. It examines the Arab Islamic slave trade and the racial stratification experienced by blacks in the early centuries of Islamic history in conjunction with the Zanj Rebellion. The thesis applies a structural framework for analyzing race, to demonstrate the racialization process, prevalent racial …