African History Commons^™

Santería In A Globalized World: A Study In Afro-Cuban Folkloric Music, Nathan Montgomery

Lawrence University Honors Projects

The Yoruban people of modern-day Nigeria worship many deities called orichas by means of singing, drumming, and dancing. Their aurally preserved artistic traditions are intrinsically connected to both religious ceremony and everyday life. These forms of worship traveled to the Americas during the colonial era through the brutal transatlantic slave trade and continued to evolve beneath racist societal hierarchies implemented by western European nations. Despite severe oppression, Yoruban slaves in Cuba were able to disguise orichas behind Catholic saints so that they could still actively worship in public. This initial guise led to a synthesis of religious practice, language, and …

The Study Of Afro-Cuban Religions, Ella Shipp

The Student Researcher: A Phi Alpha Theta Publication

The scholarship of Afro-Cuban syncretic religions such as Santería/La Regla de Ocha and Palo Montewas powerfully affected by the disruption of the Cuban Revolution. Unlike other disciplines whose growth and maturation have progressed naturally since the development of modern scholarship in the 1900s, the study of Cuban orisha-based religion derived from the traditions of the Lucumí and Yoruba has only recently come into its own. During the 1800s and 1900s, there were some accounts of slave religion in novels, travel accounts, and some encyclopedic works by US and European authors. These accounts were mostly negative and strongly biased against slaves, …

Spiritual Journeys: A Study Of Ifá /Òrìṣà Practitioners In The United States Initiated In Nigeria, Tony Van Der Meer

Antioch University Dissertations & Theses

The purpose of this study is to understand the culture of one of the newest branches of traditional Yorùbá Ifá/Òrìṣà practice in the United States from practitioners born in the United States that were initiated in Nigeria, West Africa.The epistemology of the Ifá/Òrìṣà belief system in the United States has been based on the history and influence of Regla de Ocha or Santeria that developed out of Cuban innovation and practice.This is an ethnographic and auto-ethnographic study that pulls from participant observation, field notes, interviews, and photos as data.The central question of this dissertation is what are the challenges and …

Lucumí (Yoruba) Culture In Cuba: A Reevaluation (1830s -1940s), Miguel Ramos

FIU Electronic Theses and Dissertations

The status, roles, and interactions of three dominant African ethnic groups and their descendants in Cuba significantly influenced the island’s cubanidad (national identity): the Lucumís (Yoruba), the Congos (Bantú speakers from Central West Africa), and the Carabalís (from the region of Calabar). These three groups, enslaved on the island, coexisted, each group confronting obstacles that threatened their way of life and cultural identities. Through covert resistance, cultural appropriation, and accommodation, all three, but especially the Lucumís, laid deep roots in the nineteenth century that came to fruition in the twentieth.

During the early 1900s, Cuba confronted numerous pressures, internal and …