African History Commons^™

Powerful And Powerless: Reconfiguring The Agency And Supremacy Of Women In Selected Festivals In The Yoruba Town Of Isaga Orile, 1900-1958, Olusegun Olatunji

Electronic Theses and Dissertations

This thesis discusses how the gender dynamics and religious festivals of the Yoruba people in Isaga Orile were not affected by colonialism. The study draws on various accounts, particularly from the Church Missionary Society’s journals, to attest to colonialism's restructuring of male political hegemony. Focusing on two major festivals, Gelede and Oro, the study argues that men's inclusion in Gelede reinforces female supremacy, while the Oro society shows men's hegemony and restrains women from its activities. The study found that gender dominants in these festivals played complementary roles by mirroring female and male roles within the Isaga Orile political system. …

Perspective Of Nyerere On Self-Reliance: A Transformational Rhetorical For Liberating African Identity In Tanzanian Context, Ayub Mwampela

Electronic Theses and Dissertations

Julius Kambarage Nyerere (1922–1999) was the first president of Tanganyika in 1961 and the founding father of the United Republic of Tanzania, after having merged Tanganyika and Zanzibar in 1964. He died from leukemia on October 14, 1999, in London. He was 77 years old. Among the most memorable events in the life of Nyerere is his involvement in the struggle for the freedom of African people from foreign influences.

The goal of this research is to ask and answer to the following question: How does the perspective of Nyerere on self-reliance contribute to the effort of liberating African identity? …

Shifting Sands., Rachid Tagoulla

Electronic Theses and Dissertations

Shifting Sands is a re-exploration of the presentation of North Africans in colonial postcards, an examination of identity, and a critique of the modern Western museum. Since the inception of photography, colonizers used this medium- especially in the form of postcards- to categorize and exoticize Eastern peoples in order to more easily subjugate them. Shifting Sands is a series of reconstructed colonial postcards which challenges colonial-era stereotypes of North African peoples. The colonial gaze, represented by the camera lens, is subverted through a lensless image-making process in which sand is used to remove the subject from the colonial gaze and …

An Actor's Process In Bridging The Gap Between First-Generation And Multi-Generational African-American Identities., Mutiyat Ade-Salu

Electronic Theses and Dissertations

This thesis reflects my process assimilating into the role of Chelle in the production of Detroit '67 at the University of Louisville. Although there have been instances of actors crossing lines of gender, nationality, race, and even sexuality, to perform roles in contemporary theatre, discussion about generational differences is almost non-existent. Through historical research, first-hand interviews, and conventional acting methods, I explore the world of my role, searching for spirituality, authenticity, and identity. Additionally, I explain my use of The WAY Method ®, a process I began creating in 2014 to help actors be clear with who they are before …