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Academic Feminists Analyses Of Female Celebrities From The 1980s To Today, Brittany A. Carey Aug 2019

Academic Feminists Analyses Of Female Celebrities From The 1980s To Today, Brittany A. Carey

Honors Theses

This thesis examines the history of academic feminists and their changing debates over race, class, sexism, and sexual preference from the 1980s to the present. In the 1980s, white feminists tended to focus on sexism in the workplace and class discrimination, while black feminists focused instead on the racism and classism that black women faced both inside and outside of academia. More recently, millennial feminists, in both third- and fourth-wave feminism, have continued to focus on racial discrimination within feminism (and broader society) while also examining women’s sexual preferences. However, they have stopped focusing on sexism in the workplace and …


What Do Women Want? The Feminist Pursuit Of Happiness, Hannah Ruth Ellen May 2019

What Do Women Want? The Feminist Pursuit Of Happiness, Hannah Ruth Ellen

Honors Theses

“What do Women Want?” My thesis asks whether women can genuinely seek freedom while also hoping for happiness. I look closely at how male theorists define happiness and liberty for themselves and for others, and in particular for feminized others. My two central chapters focus on theories of individual happiness, happiness sought through another or others, and the ways feminist thinkers reimagine happiness in relationship to women’s freedom. I apply feminist critiques to the concept of psychodynamic therapy as an anti-revolutionary tool designed to isolate and silence women into believing that coping with oppression is equivalent to genuine happiness. I …


The Ralph Mueller Health Galleries: Uncovering The Lost History Of Unl’S Morrill Hall, Eleanor Schmidt Mar 2019

The Ralph Mueller Health Galleries: Uncovering The Lost History Of Unl’S Morrill Hall, Eleanor Schmidt

Honors Theses

The Birth Series sculptures portrayed human development from fertilization through birth and were created by Robert Latou Dickinson, an obstetrician-gynecologist, and Abram Belskie, an artist. The sculptures were commission by the Maternity Center Association and were exhibited in 1939, at the Word’s Fair in New York City. Extremely popular at the fair, the sculptures were displayed all over the world, were used as educational models, and were the subject of the Birth Atlas.

In 1952, a set made their way to Morrill Hall as part of the Great Plain’s first health exhibit where they would remain on display for …