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Madame De Staël, The Protestant Reformation And The History Of ‘Private Judgement’, Helena Rosenblatt Jan 2007

Madame De Staël, The Protestant Reformation And The History Of ‘Private Judgement’, Helena Rosenblatt

Publications and Research

It is a well-known fact that Madame de Staël held the Protestant Reformation in high regard and preferred Protestantism to all other religions. To her, Protestantism was the most moral and the most enlightened religion available; it was the the religion most compatible with, and even conductive to, progress.

But why was this so, and what exactly did Madame de Staël mean by Protestantism? It is an important question, because answering it will shed light on the nature of her liberalism and, more particularly, on the interconnectedness of her religious and her political views.


On The Intellectual Sources Of Laïcité: Rousseau, Constant, And The Debates About A National Religion, Helena Rosenblatt Jan 2007

On The Intellectual Sources Of Laïcité: Rousseau, Constant, And The Debates About A National Religion, Helena Rosenblatt

Publications and Research

That French Protestants gave strong support to laïcité is by now well established. In recent work, Patrick Cabanel has even made a compelling case for the Protestant sources of laïcité, placing particular emphasis on the Protestant entourage of Jules Ferry (1832-1893) and stressing the inspiration provided by the pro-Protestant intellectual, Edgar Quinet (1803-1875.)

This article suggests that we look even earlier in time for the intellectual sources of laïcité. Seminal ideas can be found in the writings of two liberal Protestants, Jean-Jacques Rousseau (1712-1778) and Benjamin Constant (1767-1830.) Rousseau is usually counted among the opponents, and not the …


Edward Said And The Study Of Music, Kofi Agawu Jan 2007

Edward Said And The Study Of Music, Kofi Agawu

Publications and Research

My first encounter with Edward Said’s work was in the 1980s with the book, Beginnings: Intention and Method (1975). I was exploring a semiotic approach to late 18th-century music, specifically, a beginning-middle-ending paradigm (an Aristotelian paradigm) that seemed to me to capture the rhetorical intentions of Classic composers. Said’s wide-ranging reflections and ruminations on beginnings – as inaugural moments, as sites for the establishment of difference, as authorially privileged moments, and as "first steps in the intentional production of meaning" – proved inspiring. My enduring impression of him at the time was that he was a very good …