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Centering The Black Woman As A Subject Of Portraiture In Nineteenth-Century French Art, Llyleila Richardson
Centering The Black Woman As A Subject Of Portraiture In Nineteenth-Century French Art, Llyleila Richardson
XULAneXUS
Until the 19th century, artistic depictions of black women by European artists were rare. Often they were relegated to the background as domestic attendants to European noblewomen, serving as symbols of the latter’s colonial wealth and further provide contrast with the darkness of their skin against the aristocratic fairness of their white mistresses. The transition into the 19th century was a turbulent period in European history, especially for France, as the country saw multiple revolts and governmental changes at home. Simultaneously colonization overseas continued to expand, creating previously unheard-of access to foreign cultures and ideas.
Black women became an interesting …