History Commons^™

Lessons From The Treblinka Archive: Transnational Collections And Their Implications For Historical Research, Chad S.A. Gibbs

Journal of Contemporary Archival Studies

In work for his 1979 book The Death Camp Treblinka, Alexander Donat began the process of locating survivors of the camp and recording their histories. In a telling testament to the lethality of this place, he could identify only sixty-eight survivors. Analysis of Donat’s early findings—emerging six years prior to the publication of any major academic monograph on the subject—offers a window into the difficulties of conducting research on this Nazi extermination camp and its widely-scattered witnesses.

Treblinka’s disembarkation ramp was effectively the eye of a transnational needle through which so many passed and so few emerged. Victims of …

Bonding Images: Photography And Film As Acts Of Perpetration, Christophe Busch

Genocide Studies and Prevention: An International Journal

Historical and contemporary cases of collective violence show an incremental use of photography and film to capture and disseminate violent acts. Recording cruelty during conflict seems to be a highly ritualised practice that urges the question what communicative and psychological functions these acts have? Why and how does perpetrator photography shape a binding moral world that divides 'us' versus 'them'? These visualising acts are commonly seen as proof of power that desensitises the perpetrators and dehumanises the victims. This contribution focuses on the imagery of the Holocaust, looks into the functions that capturing and sharing cruelty has on the evolution …

Cockroaches, Cows And "Canines Of The Hebrew Faith": Exploring Animal Imagery In Graphic Novels About Genocide, Deborah Mayersen

Genocide Studies and Prevention: An International Journal

Graphic novels about genocide feature a surprisingly rich array of animal imagery. While there has been substantial analysis of the anthropomorphic animals in Maus, the roles and functions of non-anthropomorphised animals have received scant attention. In this article, I conduct a comparative analysis of ten graphic novels about genocide to identify and elucidate the archetypical functions of non-anthropomorphised animals. These animals can play a symbolic role, providing insight into the human condition. More commonly, they provide crucial emotional cues to the reader. Animal imagery can be a powerful technique for creating an affective context, communicating both simple and complex …

Tolerance As A Way To Remember, Natalie Figueroa

Voces Novae

This project examines the topic of Holocaust memorialization with a specific focus on the Simon Wiesenthal Center and their Los Angeles Museum of Tolerance. It posits that the mission and design of the museum were shaped by two major factors, first, the values of Nazi hunter Simon Wiesenthal for whom the Center was named, and second, racial and ethnic tensions within the City of Los Angeles during the late 1980s and early 1990s, which culminated in the Los Angeles riots in 1992 following the acquittal of four white police officers in the 1991 beating of Rodney King. The museum opened …

Through The Eyes Of Children: Social Oppression Under Nazi Rule From 1933 To 1938 Reflections Of Three Holocaust Survivors, Lauren Ashley Bradford

The Gettysburg Historical Journal

This paper discusses the experiences of three Berlin native child survivors of the Holocaust through analysis of their oral testimonies. Their unique voices help shed light on the various ways in which lives were forever changed for those who were legally identified as Jewish in Nazi Germany by way of social oppression. This paper highlights three key years that each survivor discussed at length in their testimonies: Hitler’s Chancellorship in 1933, the Nuremberg Laws in 1935, and Kristallnacht in 1938. Ultimately, this paper argues for the importance of these years and labels them as being a crucial part in the …

Art, Music, And Poetry: Artistic Documentation During The Holocaust, Lauren Beauregard

SWOSU Journal of Undergraduate Research

According to Theodor Adorno, “to write poetry after Auschwitz is barbaric.”¹ Of course, poetry was written during the Holocaust as well as after. More accurately, Nina Apfelbaum argued that “reading the memoirs, diaries and works of fiction written by Holocaust survivors provides another dimension to an understanding of the Holocaust.”² During the Holocaust, Jewish artists used their abilities to create works as a way to both document their everyday lives as well as to reclaim humanity in the German concentration camps.

Gettysburg Historical Journal 2018

The Gettysburg Historical Journal

No abstract provided.