Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Aesthetics (1)
- Art Practice (1)
- Art and Design (1)
- Art and Materials Conservation (1)
- Ceramic Arts (1)
-
- Creative Writing (1)
- European History (1)
- Feminist Philosophy (1)
- Feminist, Gender, and Sexuality Studies (1)
- Fiber, Textile, and Weaving Arts (1)
- Fine Arts (1)
- Furniture Design (1)
- History of Art, Architecture, and Archaeology (1)
- History of Gender (1)
- Interior Design (1)
- Lesbian, Gay, Bisexual, and Transgender Studies (1)
- Metal and Jewelry Arts (1)
- Other Feminist, Gender, and Sexuality Studies (1)
- Painting (1)
- Philosophy (1)
- Philosophy of Language (1)
- Philosophy of Mind (1)
- Poetry (1)
- Printmaking (1)
- Sculpture (1)
Articles 1 - 2 of 2
Full-Text Articles in History
Adolf Wissel: Compliant Dissidence, A Nonbinary Reading Of Work Executed From 1933 – 1941, Jeremy Lyn Schrupp
Adolf Wissel: Compliant Dissidence, A Nonbinary Reading Of Work Executed From 1933 – 1941, Jeremy Lyn Schrupp
Theses and Dissertations
Despite the vast amount of scholarship devoted to the Nazi era, there is very little dedicated to the analysis of its works of art. This paper aims to rectify that, by analyzing the work of Adolf Wissel. Aside from its didactic use amongst academia, there is only one academic analysis of his work. The intent of the present analysis is to build from that foundation and provide an additional layer of contextualization to an era that is relatively unexplored within our field. This analysis will establish that Adolf Wissel maintained specific subject, compositional, and stylistic choices that subtly opposed NSDAP …
A Spectacle And Nothing Strange, Taylor Z. King
A Spectacle And Nothing Strange, Taylor Z. King
Theses and Dissertations
Working through methods of abstraction and comedic mimicry I choreograph awkwardly balanced sculpture with objects of adornment as a means to defuse personal sensitivities surrounding my experiences of gender, desire, and home. The research that follows is concerned with the adjacent, the in between, above and underneath, because I feel that this kind of looking means that you are, to some degree, aware of what lies at the edges. Maybe this is what Gertrude Stein means to act as though there is no use in a center—because this concerns a way of relating, though there are many things in the …