History Commons^™

Putting Down Roots: A Tolkienian Conception Of Place, Kayla Snow

Masters Theses

This thesis explores the way in which J.R.R. Tolkien's develops and expresses his nuanced sense of place through his major literary works--namely, The Silmarillion, The Hobbit, and The Lord of the Rings trilogy. Tolkien's sense of place, as expressed through his fiction, encompasses both metaphysical and geographical relational structures that are operative at both the local and global levels. As Tolkien develops his sense of place in his fiction, he draws from the Distributist principles--largely informed by Catholic social policy of the late nineteenth century and popularized by G.K. Chesterton--to build the economy in Middle-earth. The resulting economy resists industrialization …

Conforming To Conventions In Jane Austen's Northanger Abbey, Pride And Prejudice, And Emma, Veronica Olson

Masters Theses

A major part of Jane Austen's novels consists of a critique of the societal conventions that were prevalent in Regency England. Through a study of Northanger Abbey, Pride and Prejudice, and Emma, it can be seen that Austen marginalizes those characters who chose conformity to social conventions. Contrariwise, the characters who exhibit a greater degree of autonomy within their patriarchal culture become the focus of the narrative. In looking at societal conventions concerning money, gender roles, and class status in conjunction with Austen's portrayal of various characters in the three novels, Austen's own views about conformity to societal conventions are …

Weaver Of Allegory: John Bunyan's Use Of The Medieval Theme Of Vice And Virtue As Devotional Writer And Social Critic In The Holy War, David Madsen

Masters Theses

The literary artistry of Bunyan's The Holy War is overshadowed by the longstanding popularity of his greatest-known work The Pilgrim's Progress. However, The Holy War displays an impressive intricately-woven story with several complex strands of allegorical meaning. One such strand is its emphasis on the theme of virtue and vice in literature of the Middle Ages. In The Holy War, Bunyan applies this thematic thread from the Medieval Psychomachia and morality plays to his allegory in seventeenth-century Restoration England. The present research begins with an exploration of allegory as story with emphasis on Bunyan's role as storyteller in general and …

You Sir Are A Fine Young Gentleman. Thank You, My Lady: A Rhetorical Analysis Of Eighteenth Century Conversations Regarding Gentility And Gender, Kati Overbey

Masters Theses

This study rhetorically analyzed the eighteenth century work of Richard Steele and Joseph Addison's The Spectator and Eliza Haywood's The Female Spectator using Kathleen Turner's framework for rhetorical history as social criticism integrating text and context. Ten essays from The Spectator as well as ten essays from The Female Spectator were selected based on content and subject matter regarding manners and gentility. When Turner's framework for analysis was applied to the essays, defining characteristics of gentility were revealed. A presentation of the results of the textual and contextual analysis of these twenty selected essays is provided. An analysis of the …

Mars And Venus: Symbols Of The Chaotic And Conflicted Human Passions And The Reestablishment Of Order In “The Knight’S Tale.”, Olivia L. Blessing

Senior Honors Theses

During the Middle Ages, Europe experienced a period when philosophers attempted to separate and analyze the passionate and rational elements of the soul. Some supported strict reason as the sole moral basis for living, while others looked to the tempestuous passionate emotions. Geoffrey Chaucer’s “The Knight’s Tale” portrays this conflict between reason and the passions through the depicted relationship between Mars and Venus and the uncontrolled passions of Arcite and Palamon.

Determining that a world controlled by passions results in chaos, Chaucer offers three different solutions—negating the passions, subjugating the passions to reason, and a balance between passion and reason. …