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Articles 1 - 5 of 5
Full-Text Articles in History
Airplane Hangars And Triple Hills: Renovation, Demolition, And The Architectural Politics Of Local Belonging At The Our Lady Of Csíksomlyó Hungarian National Shrine, Marc Roscoe Loustau
Airplane Hangars And Triple Hills: Renovation, Demolition, And The Architectural Politics Of Local Belonging At The Our Lady Of Csíksomlyó Hungarian National Shrine, Marc Roscoe Loustau
Journal of Global Catholicism
In 2019, Pope Francis, leader of the global Catholic Church, celebrated an outdoor Mass at the Our Lady of Csíksomlyó Hungarian national shrine in Romania. When the Franciscan Order that runs the shrine published renovation plans for the altar where the pope would appear, the Facebook post received over 800 outraged comments, including one man who asked, “How can such a beautiful Hungarian symbol, so perfectly integrated into the landscape, be humiliated like this?” By situating these expressions of outrage in the history of Eastern European material politics, I argue that the aesthetic value the commentators were defending – a …
Politique Culturelle : Tradition, Modernité Et Arts Contemporains Au Sénégal, 1960-2000, Kinsey Katchka
Politique Culturelle : Tradition, Modernité Et Arts Contemporains Au Sénégal, 1960-2000, Kinsey Katchka
Présence Francophone: Revue internationale de langue et de littérature
This essay approaches contemporary arts in Senegal and their exhibition from the perspective of cultural policy. This is an especially salient approach in Senegal, where policy has played a significant role in exhibition and creative practice since the colonial period. This history is conventionally examined through a distinctly nationalist framework that reveals the government’s clear distinction between "tradition" and "modernity". State exhibition practice and rhetoric have reinforced this dichotomy, serving to position the Senegalese state as purveyor, definer, and arbiter of cultural heritage. However, diverse creative expressions throughout the capital city of Dakar call into question nationalist rhetoric’s rigid distinction …
L’Intertextualité Géopolitique Dans Le Petit Chat Est Mort De Fejria Deliba, Sarah B. Buchanan
L’Intertextualité Géopolitique Dans Le Petit Chat Est Mort De Fejria Deliba, Sarah B. Buchanan
Présence Francophone: Revue internationale de langue et de littérature
In this article, Buchanan examines how Fejria Deliba’s short film, Le petit chat est mort, questions the ideas that conservative members of North African and French communities mobilize to separate themselves from each other. Using theories of intertextuality and geopolitical conscience, Buchanan illustrates how “imagined communities” are always influenced by other national narrations, and how “home” is never isolated, pure or preserved. On the contrary, Buchanan highlights how Deliba presents the French and North African cultures as spaces of intersection and interface, that is, of intertext.
Gommage Et Résistance Dans Le Processus De Mythification Postcoloniale, Robert Fotsing Mangoua
Gommage Et Résistance Dans Le Processus De Mythification Postcoloniale, Robert Fotsing Mangoua
Présence Francophone: Revue internationale de langue et de littérature
Using the central figures of Um Nyobe and Patrice Lumumba, this paper aims to show that postcolonial mythology is a confrontation of two tendencies: on one hand, the colonial and postcolonial States, whose efforts tend to rub out history and its great faces, and on the other, artists and thinkers from Africa or abroad who want to establish the memory and the deeds of the missing as a source of inspiration for the present and next generation.
Mango Beti Et Les Mythologies Postcoloniales : Héritier Et Inspirateur, Nathalie Etoke
Mango Beti Et Les Mythologies Postcoloniales : Héritier Et Inspirateur, Nathalie Etoke
Présence Francophone: Revue internationale de langue et de littérature
Mango Beti belongs to a nationalist tradition embodied by Ruben Um Nyobe, the Cameroonian revolutionary. This paper analyzes how the writer manages to rebuild the aborted Rubenist ideal through fictional devices. Charismatic leaders such as Martin Luther King and Nelson Mandela, who have been able to bring about social change and improve the living conditions of their people, also nurture Beti's political commitment. What is the link between the writer and these inspiring men? Is Mongo Beti himself a similar inspiration for other African writers?