History Commons^™

Seventeen Pieces: Displacement, Misplacement, And Conservation, Yasmin Merali, Kevork Mourad, Manas Ghanem

New England Journal of Public Policy

This article explores the systemic importance of art in the conservation of images, historical reference, and cultural meaning as displaced victims of humanitarian crises make the transition from the land of their birth to a new country with a different history and cultural landscape. In presenting the work of Kevork Mourad, an artist of Armenian descent displaced from Syria, we show the essential, layered interplay of visceral, lived individual experiences and the historic collective memory of real and imagined pasts that survive the destruction of physical artifacts.

Covid-19_Jack Pine Project Webpage, University Of Maine

Teaching, Learning & Research Documents

Screenshot of the webpage of the University of Maine Jack Pine Project which sought to connect artists, art educators, and art therapists with residents from around Maine during the COVID-19 pandemic. The Jack Pine Project was a collaboration of the Maine Folklife Center and Maine Studies Program at the University of Maine, and the Hutchinson Center in Belfast.

Covid-19_Umaine News_University Of Maine Project Tells Story Of Covid-19 Pandemic Through Arts, University Of Maine Division Of Marketing And Communications

Division of Marketing & Communications

Screenshot of Maine News release regarding the Jack Pine a Maine Folklife Center, Maine Studies Program, and the Hutchinson Center project that used arts to tell the story of the COVID-19 pandemic.

Grider, Dorothy, 1915-2012 (Mss 709), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Collection 709. Correspondence, papers, sketches, drawings, mockups and other artwork documenting the career of Bowling Green, Kentucky native Dorothy Grider, an artist and illustrator of greeting and playing cards, filmstrips, advertisements for magazines, and numerous activity, coloring and story books for children.

Imaging The Great Irish Famine: Representing Dispossession In Visual Culture, Preface & Introduction, Niamh Ann Kelly

Books/Book Chapters

‘Niamh Ann Kelly's lavishly illustrated book throws new light on the visual culture commemorative of hunger, famine and dispossession in mid-nineteenth-century Ireland. Located within the discipline of International Memorial Studies, the text and images both challenge and extend our understanding of Famine history. Examining the visual culture since the time of the Famine until the present, Kelly asks, how do we view, experience and represent the past in the present? To what extent does the viewer insert themselves in this complex process? Is there such a thing as ethical spectatorship? Kelly’s sophisticated yet sympathetic study of the “grievous history” …

Downing, Joseph Dudley, 1925-2007 (Sc 3538), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Small Collection 3538. Letter, 28 October 1964 of Joseph Dudley “Joe” Downing, Paris, France, to WKU president Kelly Thompson and his wife Sarah. He writes about his painting “And Forever After,” recently sent to them as a gift, and thanks them for a recent exhibition of his work at WKU. He also describes the dinner party he gave that centered around their gift of a country ham, the full menu, and the reactions of his French friends. He also describes the improvements made to his apartment using an honorarium from WKU.

Requisitioned: American War Art Of The Second World War, Spenser Carroll-Johnson

War, Diplomacy, and Society (MA) Theses

The United States requisitioned artists to assist with military objectives and servicemen requisitioned art as a form of rhetoric. This research reexamines the role of “official artists” and thereby extends its definition to include the multitude of art they produced during the Second World War. The underpinnings of this thesis reside during the economic crises of the 1930s that brought about American emergency relief initiatives for artists under the direction of Holger Cahill and, by extension, Edward Bruce. For the first time in history, the American public engaged with state-sponsored art. Due to a symbiotic relationship that formed between the …

Art And Terror: Vergangenheitsbewältigung In Relation To The Red Army Faction, Joanie Lange

Calvert Undergraduate Research Awards

Advanced Undergraduate Winner

The Red Army Faction, active from 1970-1998, was an infamous West German far-left terrorist group. Its ideology and numerous terrorist acts not only left a lasting impact upon the politics and culture of Germany, but noteworthy is also the fact that the group inspired the creation of countless works of art. This research paper seeks to understand and explain this phenomenon. It argues that the artworks inspired by the RAF are a form of Vergangenheitsbewältigung, a peculiarly German concept “coming to terms with the past,” most often used in relation to fiction and art exploring the …

Museum Of Art_Home Webpage, University Of Maine Zillman Art Museum

Museum of Art

Screenshot of the University of Maine Museum of Art website homepage, with a statement regarding being closed to the public and showing options for virtual tours during the COVID-19 pandemic.

Downing, Joseph Dudley "Joe," 1925-2007 - Relating To (Mss 686), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Collection 686. Correspondence, news clippings, and excerpts from magazines and other print sources related to Kentucky native and artist Joseph Dudley Downing and exhibitions of his art at the Kentucky Museum, Western Kentucky University and other venues worldwide.

Indigenous Woman., Annabelle R. Broeffle

Senior Art Portfolios

Abstract three-piece series created by Annabelle Broeffle in the fall of 2019. It includes sculpture and installation art. The series is focused on indigenous social issues.

A Tale Of Triumph Amidst Tragedy: C-Section In Furini's The Birth Of Benjamin And The Death Of Rachel, Alexandra Carlile

AWE (A Woman’s Experience)

No abstract provided.

Journal, Untitled, Angelo Chammah

Senior Projects Spring 2020

This journal has no owner.
It is simply out there.
It belongs to me, it belongs to you.
It is about personal moments but universal experiences.
What do you see when you drive with the window open?
What can you find in your own house?
What light is on at midnight?

Angelo Chammah