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Full-Text Articles in History

"Does Beethoven Have To Roll Over? Not If We Flip Him!” Paper For Session: “Who’S Afraid Of High Culture?”, David B. Dennis Sep 2014

"Does Beethoven Have To Roll Over? Not If We Flip Him!” Paper For Session: “Who’S Afraid Of High Culture?”, David B. Dennis

History: Faculty Publications and Other Works

No abstract provided.


Morality And Nonviolent Protest: The Birmingham Campaign, Lindsey A. Mahn Jul 2014

Morality And Nonviolent Protest: The Birmingham Campaign, Lindsey A. Mahn

Pell Scholars and Senior Theses

Birmingham, Alabama was a racially segregated city up until 1963 when members of Southern Christian Leadership Conference (SCLC) began a movement to stop discrimination against the African American population. Though the movement itself was conducted in a peaceful nonviolent manner, opposition from the white civic authorities was often cruel and bloody. Images of protesters both young and old were projected across the news and made the American people think deeply about the problems within their country. Eventually, the protests paid off and the Civil Rights Act of 1964 passed, prohibiting racial discrimination in public accommodations, facilities, transportation and the workplace. …


Scientism, Satire, And Sacrificial Ceremony In Dostoevsky's "Notes From Underground" And C.S. Lewis's "That Hideous Strength", Jonathan Smalt May 2014

Scientism, Satire, And Sacrificial Ceremony In Dostoevsky's "Notes From Underground" And C.S. Lewis's "That Hideous Strength", Jonathan Smalt

Masters Theses

Though the nineteenth-century Victorian belief that science alone could provide utopia for man weakened in the epistemological uncertainty of the postmodern era, this belief still continues today. In order to understand our current scientific milieu--and the dangers of propagating scientism--we must first trace the rise of scientism in the nineteenth-century. Though removed, Fyodor Dostoevsky, in Notes From Underground (1864), and C.S. Lewis, in That Hideous Strength (1965), are united in their critiques of scientism as a conceptual framework for human residency. For Dostoevsky, the Crystal Palace of London's Great Exhibition (1862) embodied the nineteenth-century goal to found utopia through the …