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- Keyword
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- 1852-1913; Prints; Printmaking; Prints--Technique; Rivera (1)
- 1886-1959; Sculpture; Woodcut; Wood-engraving; Wood-engraving--Printing; Wright State University. Humanities (1)
- 1910-1920; Mexican Revolution (1)
- 1910-1920; Painting; Pickett (1)
- Art; Collograph; Culture--Study and teaching; Etching; Linocut; Mexico--History--Revolution (1)
- Publication Type
Articles 1 - 3 of 3
Full-Text Articles in History
“María Llena Eres De Gracia” Y Una Desconocida: La Fortaleza Del Espíritu Humano, Yaakov Oliveira
“María Llena Eres De Gracia” Y Una Desconocida: La Fortaleza Del Espíritu Humano, Yaakov Oliveira
Best Integrated Writing
The compassion for, and understanding of, The Other, without bias, is the most revealing attribute of this paper. Given that immigration, and undocumented people constantly coming to the US, has become a national issue, it is inspiring to see that there still are ways of evaluating the problematic--with objectivity--yet with admiration. This writer is capable of seeing with the inner eyes, perceiving the colloquialisms of the Spanish language, the traits of the culture, and the emotion of both narratives that he is comparing. At the end of the day, film and art remain as the bridge between cultures.
The Bello Chavez Family: A Reflection Of Health In The Mexican American Community Through A Family Nursing Assessment, Vanessa Bello Chavez
The Bello Chavez Family: A Reflection Of Health In The Mexican American Community Through A Family Nursing Assessment, Vanessa Bello Chavez
Best Integrated Writing
Vanessa Bello Chavez provides an in-depth, personal look into the health problems that affect Hispanic families across the United States. The writing takes a personal view and makes it relatable to all.
Art As A Venue For Political Commentary: The Modern Mexican Printmaker And Social Consciousness, Gabriela Pickett
Art As A Venue For Political Commentary: The Modern Mexican Printmaker And Social Consciousness, Gabriela Pickett
Master of Humanities Capstone Projects
This master’s project addresses the relationship between the Mexican roots of the author and her personal artistic expression. Growing up in México, the author was greatly influenced by the artistic talent of her father, as well as the work of many iconic Mexican artists. From a very early age she recognized how the political climate surrounding the Mexican Revolution and the visual arts complimented each other. The murals of Diego Rivera (1886-1959) are evidence of the fusion of art and a visual depiction of the history of México. This exposure helped her appreciate the process of defining cultural identity through …