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Introduction: A Glorious Phantom: Insurrections In Scottish Literature, Tony Jarrells
Introduction: A Glorious Phantom: Insurrections In Scottish Literature, Tony Jarrells
Studies in Scottish Literature
Introduces the SSL symposium on Insurrections by tracing themes from James Kelman's play Hardie and Baird: the Last Days (1978), about the Scottish Insurrection of 1820.
'You Must Fire On Them': Protest And Repression In Pulteneytown, Caithness, In 1847, James Hunter
'You Must Fire On Them': Protest And Repression In Pulteneytown, Caithness, In 1847, James Hunter
Studies in Scottish Literature
Examines based on contemporary accounts the protests in the small coastal town Pulteneytown, Caithness, on Wednesday, 24 February, 1847, against the export of grain; the circumstances in which a small detachment from the British Army’s 76th Regiment opened fire on the protesters; and local and London newspaper comments about the confrontation and the military response.
Joe Corrie’S In Time O’ Strife, The General Strike Of 1926, And The Impasse Of Insurgent Masculinity, Paul Malgrati
Joe Corrie’S In Time O’ Strife, The General Strike Of 1926, And The Impasse Of Insurgent Masculinity, Paul Malgrati
Studies in Scottish Literature
Examines the ex-miner and labour journalist Joe Corrie's three-act play In Time o’ Strife, set in West Fife ("the most significant working-class play written about the 1926 General Strike"), setting it in the context of Corrie's writing career, and exploring the psychological, familial, and political conflicts, including conflicts of gender roles, which it dramatizes.
Afterword: 'A Wrong-Resenting People': Writing Insurrectionary Scotland, Christopher A. Whatley
Afterword: 'A Wrong-Resenting People': Writing Insurrectionary Scotland, Christopher A. Whatley
Studies in Scottish Literature
A broadranging review of "conflictual events" in Scottish history from the late 17th to the early 20th centuries, exploring attitudes towards protest or insurrection, both on the part of the protesters and of the local and central governmental authorities, arguing for the value of interdisciplinary research on the sources, and providing references for literary students to some of the relevant historical scholarship.
'Poetry That Does Not Die': Andrew Lang And Walter Scott’S 'Immortal' Antiquarianism, Lucy Wood
'Poetry That Does Not Die': Andrew Lang And Walter Scott’S 'Immortal' Antiquarianism, Lucy Wood
Studies in Scottish Literature
The late 19th century essayist Andrew Lang, born in the Scottish borders, shared with Walter Scott a passionate devotion for the Borders landscape, mapped and mediated by Scott’s fictions; in his introductions to the Border Edition of Scott's novels, Lang argued that, by “immortalising” national antiquities, Scott ensured that Scotland's geographical and architectural heritage would be preserved.
Preventing Revolution: Cato Street, Bonnymuir, And Cathkin, John Gardner
Preventing Revolution: Cato Street, Bonnymuir, And Cathkin, John Gardner
Studies in Scottish Literature
Argues, from a range of evidence including popular poetry and woodcuts, that popular risings in 1820 in Scotland, England, and Ireland were produced as a coordinated strategy by central government in the aftermath of Peterloo to instigate (through agents provocateurs) local popular uprisings and then brutally suppress them, with show trials and public executions, in order to deter or forestall larger social unrest or revolution.