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Full-Text Articles in History

Persons And Sovereigns In Ethical Thought, Ladelle Mcwhorter Jan 2017

Persons And Sovereigns In Ethical Thought, Ladelle Mcwhorter

Women, Gender and Sexuality Studies Faculty Publications

Contemporary concepts of moral personhood prevent us from grappling effectively with contemporary social, political, and moral problems. One way to counter the power of such concepts is to trace their lineage and shifting political investments. This article presents a genealogy of personhood, focusing on the crisis of both personhood and sovereignty in seventeenth-century England. It demonstrates the optionality of personhood for moral thinking and exposes personhood’s functions in political dividing practices.


Pleasure In Atrocity, Ladelle Mcwhorter Jan 2016

Pleasure In Atrocity, Ladelle Mcwhorter

Women, Gender and Sexuality Studies Faculty Publications

As Foucault says, genealogical work can be tedious and gray, but it is also pleasurable, even when the archives one delves into are filled with hatred, violence, and injustice. This article explores that pleasure, both in dangers and its possibilities, and in the process offers a partial genealogy of corporate personhood in U.S. legal history.


Censorship In Black And White: The Burning Cross (1947), Band Of Angels (1957) And The Politics Of Film Censorship In The American South After World War Ii, Melissa Ooten Mar 2013

Censorship In Black And White: The Burning Cross (1947), Band Of Angels (1957) And The Politics Of Film Censorship In The American South After World War Ii, Melissa Ooten

Women, Gender and Sexuality Studies Faculty Publications

In 1806, Richmond entrepreneurs built the city’s first theater, the New Theater, at the present-day juncture of Thirteenth and Broad streets. This theater was likely the first in Virginia, and Richmonders of all colors, classes, and genders attended, although a three-tiered system of seating and ticket pricing separated attendees by race and class. Wealthy white patrons paid a dollar or more to sit in boxes thoroughly separated from the rest of the audience. Their middle and working class counterparts paid two or three quarters for orchestra seating. For a quarter or less, the city’s poorest citizens, any people of color, …