History Commons^™

Ix Jornadas Internacionales De Textiles Precolombinos Y Amerindianos / 9th International Conference On Pre-Columbian And Amerindian Textiles, Carolina Orsini , Editora, Federica Villa , Editora

Zea E-Books Collection

Milan, 19-22 octubre de 2022: Textiles arqueológicos de los Andes centrales – Archaeological textiles from the Central Andes / Textiles arqueológicos de los Andes sur - Archaeological textiles from the Southern Andes / Iconografía y simbolismo - Iconography and Symbolism / Estudios de colecciones - Collection Studies/ Conservación – Conservation / Textiles etnográficos - Ethnographic Textiles

Marina Pugliese / Carolina Orsini / Federica Villa / Daniela Biermann / Amy Oakland / Lizbeth Pariona, Carlos Rengifo y Moisés Tufinio / Rommel Angeles Falcón / Lourdes Chocano Mena / Rommel Ángeles, Susana Abad y Janet Oshiro / Lucrezia Milillo / Sabine Hyland …

Technology & Tradition: Shaping Indigenous Collections For The Future, Gretchen Faulkner, Harold Jacobs, Alex Cole, Jonathan Roy, Reed Hayden, Anna Martin, Duane Shimmel

Technical Publications

The Hudson Museum received a UMAI seed grant to support
a collaboration with the Advanced Structures and Composites
Center and Intermedia Programs to replicate a culturally -
sensitive object in our collection. This is a technical publication to describe the process of replicating a Tlingit Frog Clan Helmet (HM5040) requested for repatriation by the Central Council of Tlingit and Haida Indian Tribes of Alaska (CCTHITA).

2. Excavation Of The Northeast Insulae, Mark Schuler

The Final Report

Presented in this volume are revised copies of the annual reports submitted for each of the excavation seasons (2002-2016, 2019). Revisions provide consistent terminology and presentation of graphic materials. These reports serve as the basis for the summaries and synthesis in the report, Northeast Insulae Project: Context and Analysis.

Reading Plague Images: Visual Literacy In The History Classroom, Katherina Fostano

Developing Pedagogy Graduate Student Showcase

In 2016 Peter Felten, Director of the Center for Advancement of Teaching and Learning at Elon University, wrote, “Our students live in a highly visual world, where images are fundamental in shaping their understandings of history before they ever enter our classrooms.” This observation prompted me to create a series of exercises that introduce students to general visual literacy skills in the History classroom. These exercises aim to help students use visual sources to make evidence-based interpretations of the past with rigor and efficacy. In this presentation, I focused on images of past plagues since the recent proliferation of plague-related …

Teaching The Black Death During Covid-19, Rachel Podd

Developing Pedagogy Graduate Student Showcase

On the 13th of November 2020, the Renaissance Society of America, in conjunction with Fordham University, hosted on a symposium, “Plagues, Pandemics, and Outbreaks of Disease in History”, including a series of presentations focused on pedagogical strategies related to the topic of disease in Early Modern History. As part of this pedagogy roundtable, Rachel Podd developed a variety of materials suitable for educators in secondary or higher education; these materials use the current pandemic, COVID-19, as a teaching tool and analytical lens for the study of historical pandemics and, more specifically, of the Black Death of the fourteenth century. Conceived …

Laboratory For Suburbia, Emily Bryan, Jess Deangelo

Studio Books, Office for Socially Engaged Practice

This publication is an atlas of interrogative art and design practices. As an outgrowth of the Spring 2020 Laboratory for Suburbia course at the Sam Fox School of Design and Visual Arts, this exhibition in the form of a book maps a series of student projects that speculatively approach suburban sites and communities. Organized into “neighborhoods” of resonant practices, it traces connections between individual projects and invites the reader to engage with the propositions they make.

Supported by the Divided City Initiative, Laboratory for Suburbia is a paradigm-shifting art and design project addressing the political possibilities of American suburbs. Members …

Salvatdre Dali. La Conquette Du Cosmos, Ii, University Archives And Special Collections, Prescott Memorial Library, Louisiana Tech University

Manuscript Finding Aids

This boxed set of numbered chromolithographs is apparently the work of the famed Spanish artist Salvador Dali (1904-1988) although we have been unable to identify this title within his total work and the accessions record is lacking

Women At The Dawn Of History, Agnete Wisti Lassen, Klaus Wagensonner

Occasional Publications

This lavishly illustrated volume gives a voice to women who lived millennia ago in Mesopotamia, present-day Iraq, Syria and Turkey, and explores their roles, representations and contributions to society.

Tens of thousands of cuneiform texts, monumental sculptures, and images on terracotta reliefs and cylinder seals cast light on the fates of women at the dawn of history, from queens to female slaves. In the patriarchal world of ancient Mesopotamia, women were often represented in their relation to men—as mothers, daughters, or wives—giving the impression that a woman’s place was in the home. But, as we explore in this volume, they …

The Frontispiece Woodcut In The Fasciculus Temporum In Portland State University’S Codex, Amanda Bonilla

Extra-Textual Elements

The frontispiece image in the PSU codex is in the tradition of ‘the education of the prince,’ a popular choice for early printed works, particularly historical chronicles and similar manuscripts related to ancient times.

A portal with columns provides an entrance into the book, and also encloses and protects its contents. This shape, echoing the triumphal arches of classical antiquity, was a popular motif in renaissance publishing. Along with the king’s crown worn on top of a turban-like head wrap, the columns and arches suggest a connection to classical antiquity. Although most images do not reference an artist, making it …

"History Of The Printed Book" Sheet Collection, University Archives And Special Collections, Prescott Memorial Library, Louisiana Tech University

Manuscript Finding Aids

Sheets featuring examples of printer's art from the History of the Printed Book.

Kata Kapcevic, Marija Maracic, Josipa Karaca

SICANJE

No abstract provided.

Nevenka Vazgec, Marija Maracic, Josipa Karaca

SICANJE

No abstract provided.

Janja Majstorovic, Marija Maracic, Josipa Karaca

SICANJE

No abstract provided.

Mara Bojic, Marija Maracic, Josipa Karaca

SICANJE

No abstract provided.

Anica Maric, Marija Maracic, Josipa Karaca

SICANJE

No abstract provided.

The Plains Of Mars, European War Prints, 1500-1825, Melissa Casale, Bailey R. Harper, Felicia M. Else, Shannon Egan

Schmucker Art Catalogs

Over fifty original prints by renowned artists from the sixteenth through the early nineteenth century, including Albrecht Dürer, Lucas Cranach, Théodore Géricault, and Francisco de Goya, among many others, are featured inThe Plains of Mars: European War Prints, 1500-1825. On loan from the Sarah Campbell Blaffer Foundation at the Museum of Fine Arts, Houston, the works of art included in this exhibition examine the topics of war and peace, propaganda, heroism, brutal conflicts, and the harrowing aftermath of battle. Spanning from the Renaissance to the Romantic periods and encompassing a wide geographic scope including Italy, Germany, France, Spain, the Low …

Face To Face, Carl Beam And Andy Warhol, Keira B. Koch

Schmucker Art Catalogs

Keira Koch ’19 examines representations of indigenous cultures in prints and photographs by American artist Andy Warhol and First Nations artist Carl Beam. In this comparative study, Koch considers the topic of appropriation and re-appropriation of Native imagery. Warhol, as a non-Indigenous artist, is using this imagery to highlight the dominant narrative of the American West. Beam, however, incorporates photographs of Native subjects and traditional narratives by re-appropriating those images to tell a distinctly Native narrative. This exhibition invites discussion about the role of contemporary indigenous artists and how indigenous identities are expressed in contemporary art. This exhibition intersects with …

The City: Art And The Urban Environment, Angelique J. Acevedo, Sidney N. Caccioppoli, Abigail A. Coakley, Chris J. Condon, Alyssa Dimaria, Carolyn Hauk, Lucas Kiesel, Noa Leibson, Erin E. O'Brien, Elise A. Quick, Sara E. Rinehart, Emily N. Roush, Shannon Egan

Schmucker Art Catalogs

The City: Art and the Urban Environment is the fifth annual exhibition curated by students enrolled in the Art History Methods class. This exhibition draws on the students’ newly developed expertise in art-historical methodologies and provides an opportunity for sustained research and an engaged curatorial experience. Working with a selection of paintings, prints, and photographs, students Angelique Acevedo ’19, Sidney Caccioppoli ’21, Abigail Coakley ’20, Chris Condon ’18, Alyssa DiMaria ’19, Carolyn Hauk ’21, Lucas Kiesel ’20, Noa Leibson ’20, Erin O’Brien ’19, Elise Quick ’21, Sara Rinehart ’19, and Emily Roush ’21 carefully consider depictions of the urban environment …

Memorializing The Middle Classes In Medieval And Renaissance Europe, Anne C. Leader

Studies in Medieval and Early Modern Culture

Memorializing the Middle Classes in Medieval and Renaissance Europe investigates commemorative practices in Cyprus, Flanders, France, Germany, Italy, Poland, and Spain between the twelfth and seventeenth centuries. Offering a broad overview of memorialization practices across Europe and the Mediterranean, individual chapters examine local customs through particular case studies. These essays explore complementary themes through the lens of commemorative art, including social status; personal and corporate identities; the intersections of mercantile, intellectual, and religious attitudes; upward (and downward) mobility; and the cross-cultural exchange of memorialization strategies.

The Holy Cross: Symbol Of Victory And Sign Of Salvation (Research Materials), Holy Cross Libraries

Library Resources for Campus Events

A bibliography of resources available through the Holy Cross Libraries which provide additional information related to "The Holy Cross: Symbol of Victory and Sign of Salvationr," a lecture by Robin Jensen. The lecture was sponsored by the Rev. Michael C. McFarland, S.J. Center for Religion, Ethics and Culture as a 175th Anniversary Event and was held at the College of the Holy Cross on September 17, 2018.

Portraits Of Human Monsters In The Renaissance: Dwarves, Hirsutes, And Castrati As Idealized Anatomical Anomalies, Touba Ghadessi

Monsters, Prodigies, and Demons: Medieval and Early Modern Constructions of Alterity

At the center of this interdisciplinary study are court monsters - dwarves, hirsutes, and misshapen individuals - who, by their very presence, altered Renaissance ethics vis-à-vis anatomical difference, social virtues, and scientific knowledge. These monsters evolved from objects of curiosity, to scientific cases, to legally independent beings. Although many images of and writings about these individuals depict them as jokes of nature or indices of courtly wit, others transcend these categories, combining a vocabulary of courtly self-fashioning with close observations akin to dissections that humanize monsters, while simultaneously stressing their anatomical difference. More importantly, the works examined in this book …

Connecting Continents: Archaeology And History In The Indian Ocean World, Krish Seetah

Ohio University Press Open Access Books

Winner, Society for American Archaeology Book Award

In recent decades, the vast and culturally diverse Indian Ocean region has increasingly attracted the attention of anthropologists, historians, political scientists, sociologists, and other researchers. Largely missing from this growing body of scholarship, however, are significant contributions by archaeologists and consciously interdisciplinary approaches to studying the region’s past and present.

Connecting Continents addresses two important issues: how best to promote collaborative research on the Indian Ocean world, and how to shape the research agenda for a region that has only recently begun to attract serious interest from historical archaeologists. The archaeologists, historians, and …

Coronal Plane: Cristin Millett, Grace Linden, Shannon Egan

Schmucker Art Catalogs

Coronal Plane is the culmination of Millett’s research on the anatomical theater at the University of Padua built in 1594, the oldest surviving anatomy theater in the world. The installation allows viewers to walk into and through a space that evokes physical, emotional, and psychological reactions similar to those experienced in the historic anatomy theater in Padua by audiences of the past. Illustrations depicted on red “windows” in Millett’s work are appropriated from De Formato Foetu, a text written by Girolamo Fabrizi d’Acquapendente (Hieronymus Fabricius), the Chair of Anatomy at the University of Padua. It was under his leadership that …

11, The Three-Faced Representation Of The Holy Trinity, Zoe Goedecke

Kerver Book of Hours: 2018 Senior Capstone

In the thirteenth century, artists began depicting the Holy Trinity as a single tricephalic figure, likely in an attempt to convey that the Father, the Son, and the Holy Spirit are One. This essay discusses the three-faced image of the Trinity in the Book of Hours and the history of tricephalic imagery in Christian representations, from its early appearances to eventual condemnation by the papacy.

Ancient China And Its Eurasian Neighbors: Artifacts, Identity, And Death In The Frontier, 3000-700 Bce, Katheryn M. Linduff, Yan Sun, Wei Cao, Yuanqing Liu

Gettysburg College Faculty Books

This volume examines the role of objects in the region north of early dynastic state centers, at the intersection of Ancient China and Eurasia, a large area that stretches from Xinjiang to the China Sea, from c.3000 BCE to the mid-eighth century BCE. This area was a frontier, an ambiguous space that lay at the margins of direct political control by the metropolitan states, where local and colonial ideas and practices were reconstructed transculturally. These identities were often merged and displayed in material culture. Types of objects, styles, and iconography were often hybrids or new to the region, as were …

Wonders Of Nature And Artifice, Schmucker Art Gallery

Schmucker Art Catalogs

A stuffed blowfish, a meticulously-drawn insect, a ravishing lily, and a rhinoceros horn carved with scenes of plants and animals—these were among the wonders of nature and artifice, the marvels that fueled the Renaissance quest for knowledge. This exhibition explores the intellectual and aesthetic motivations of Renaissance naturalists and collectors, whose wonders of nature and artifice were displayed in elaborate gardens, illustrated books, and remarkable cabinets of curiosities. Collectors were driven by curiosity and a sense of wonder about what seemed to be an ever-expanding world. Students from Prof. Felicia Else’s upper-level art history course and Kay Etheridge’s First Year …

Guide To The Raymond Brandes Papers, Raymond Brandes

University Records

The Raymond Brandes papers largely pertain to Brandes' work as University of San Diego Dean of Graduate and Continuing Education, particularly related to his involvement with Archaeology courses. Under Brandes' direction, USD offered an Archaeology Technician Program to USD students, graduates, and community members. These included genealogy, historic site survey, and historic site preservation courses. Brandes led many of these courses with USD colleague James Moriarty. These records include fliers and brochures for the archaeology courses as well as correspondence and planning materials. Also included are materials Brandes collected to assist students beyond their graduation from USD. These materials include …

The Murals Of The Dewey Graduate Library, Kristen Thornton-De Stafeno

Dewey Graduate Library History

The history and descriptions of the Great Depression-era Works Progress Administration Murals created by artist William Brantley Van Ingen, a student of Louis Comfort Tiffany, depicting the history of Albany, New York State.

The Stained Glass Windows Of The Dewey Graduate Library, Kristen Thornton-De Stafeno

Dewey Graduate Library History

The history and description of the ten 20th century stained glass windows given to the Dewey Graduate Library of the University at Albany by the senior classes of the State Normal College and the New York state college of Teachers.

Patterns Of Enslavement And Economic Oppression Of Central Virginia, Hannah Bedwell

Undergraduate Research Posters

I address how anthropologists can identify the patterns and development of slavery and economic oppression through archaeology and the visualization of Virginia enslavement. I focus on the enslaved people of James Madison's Montpelier. I use 3D modeling as a foundation for integrating enhanced visuals with the goal of presenting a tangible understanding of the enslaved individuals in relation to the artifacts and history of the archaeological sites. I intend to show a common theme in economic oppression by comparing modern themes in slavery and examining Fraser D. Neiman's synthesis of the evolutionary perspective of slavery, and how little has changed …