History Commons^™

Historical Trauma: Literary And Testimonial Responses To Hiroshima, Mariam Ghonim

Theses and Dissertations

The concept of trauma is controversial in literature. While one may be able to come up with ways to describe trauma in fiction, representing historical trauma is a hard task for writers. Some argue that trauma can not be described through those who did not experience it, while others claim that, provided some elements are added, one can represent trauma to the reader. This thesis focuses on twentieth-century historical traumas related to a nuclear catastrophe and explores the different literary and testimonial responses to the catastrophic man-made event of Hiroshima (1945). In this thesis, Kathleen Burkinshaw’s historical fiction The Last …

Dulce Sueños De Tierra, Sweet Dreams Of Earth, Jordany Genao

Theses and Dissertations

Jordany's paper congregates their archival research into an art practice that examines the decolonial impulse to excavate the self and produce autonomy. Using ceramics to reference and re-animate Taino ritual objects found in museums, resulting in alternative museology, their work seeks to honor Caribbean ancestors by subverting colonial history.

Developing Mexico: History, Architecture, Photography, And Esther Born’S The New Architecture In Mexico, Tyler Considine

Theses and Dissertations

Esther Born’s The New Architecture in Mexico (1937) presents the first survey of Mexican modern architecture and documents early works by Luis Barragán, Juan O’Gorman, among other Mexican modernists. This thesis examines Born’s architectural photography alongside that of Lola Álvarez Bravo, Guillermo Kahlo, and other photographers and within discourses of modernity, history, and representation.

Pioneers Of Evacuation, Pioneers Of Resettlement: The Photographic Archive Of The Japanese American Incarceration And The Settler Colonial Imaginary, Christina Hobbs

Theses and Dissertations

This thesis reexamines the photographic archive of the Japanese American incarceration during World War II produced by the US government, arguing that these images “restage” the evacuation, incarceration, and resettlement periods through a settler colonial “pioneer” mythology, thereby obscuring the precarity of Japanese Americans' racial positionality between “settler” and “native.”

A Tale Of Two And A Half Mummies: An Intrusive Burial From The Tomb Of Karabasken (Tt 391), Hayley Ruth Goddard

Theses and Dissertations

In 2014, the South Asasif Conservation Project, directed by Elena Pischikova, discovered a previously unknown side chamber in the tomb of Karabasken (TT 391), a proto-Kushite tomb located in the South Asasif. Designated as Side Chamber 1A, it contained an intact burial assemblage. The contents of the tomb, all of which had suffered damage caused by repeated flooding, included three coffins which each contained a mummy. One of the mummies was most unusual, consisting of just the upper half of the body of a young man which was truncated at the waist.

This study is the first to assess and …

Ambiguity Of Vision: Reimagining The Hypervisible Void, Kiwha Lee Blocman

Theses and Dissertations

Asking questions about what Painting is in the 21st century and the dominant narratives it can challenge, my paintings complicate the viewer’s reading of pictorial hierarchy and the projection of human relations in the world. I de-hierarchize and decentralize the compositional components that make up a painting by using patterns to create spatial depth, not European perspectival conventions. In dialogue with modernists such as Matisse who drew from the visual vocabulary of “The Orient”, my central forms derived from architecture and ornamental fragments possess a body-like presence. Further, I reinvent ancient Asian printmaking processes with oil paint. Observing the tenets …

A Parar Para Avanzar: To Stop/To Stand/To Strike To Advance, Christina N. Barrera

Theses and Dissertations

This paper presents the first fragments of a political framework outlining how I situate my work, which lives between “craft” and “art” models of making and between colonized and colonizing traditions. My writing proposes ways of making and being informed by practices, strategies, and organizing that work towards greater autonomy and liberation under these conditions.

Rethinking Watteau In The Context Of Early Eighteenth-Century Bourgeois Culture, Bronwyn C. Roe

Theses and Dissertations

This thesis reexamines the work of Antoine Watteau through a social-art historical lens. Traditionally, Watteau's fêtes galantes have been closely aligned to the culture of the French nobility. However, a closer look into the artist's background, training, social milieu, and the class identity of his primary buyers reveals an alternative class alignment, inviting new interpretations for Watteau's most elusive work. This thesis challenges the close association between Watteau and the French nobility and aims to broaden the socio-visual landscape from which Watteau was drawing, namely that of a burgeoning bourgeois consumer culture. In particular, the culture of emulation, with its …

Off The Press: Exploring Reproducible War Art, Emily Rose Hankins

Theses and Dissertations

Aspects of modernity, such as the news cycle and ever-changing technologies, have played large roles in the construction of the history of wars through the power of reproducible war art imagery as seen in various public spheres and contexts. These include engravings and photographs of the war in news publications, propaganda posters promoting patriotism, protest posters pleading for peace, and prints and books made by artists for display in galleries. The inundation of these images become ubiquitous with the conflict, and the artists who have a hand in creating these images also have the power to construct and reconstruct histories, …

Millais’ Modern Christ: Religion And Critical Responses To The Pre-Raphaelite Brotherhood In Nineteenth Century England, Ashley Morse

Theses and Dissertations

This thesis explores how the press reviewed Pre-Raphaelite paintings in the years 1849 and 1850 with a partial review of 1851. In particular, the focus is on the controversial painting Christ in the House of his Parents by John Everett Millais. This painting became a physical symbol of the many fears that the new modern age brought to Victorian England. Catholic, Irish, and Protestant tensions had been mounting throughout the nineteenth century in England prior to the debut of the painting. Politics and law were beginning to relax restraints on Catholicism in addition to the increased immigration of Irish Catholics. …

The Morgan Group Of Bestiaries: An Analysis, Claire Frances Kittell

Theses and Dissertations

Trying to figure out where and when a medieval manuscript was made is one of the most contentious topics in book scholarship. Instead of limiting scholarship to textual contents, new work looks at manuscripts, including bestiaries, with a multifaceted and interdisciplinary approach, which leads to exciting new ideas. Bestiaries were among the most popular texts in medieval England and have consistently been viewed as only their textual contents. Starting in the 1980’s, bestiary scholarship expanded beyond text, but a textually and iconographically similar group of bestiaries had not yet received the same holistic treatment. The Morgan Group is the British …

All The King’S Horses: Stable Administration In New Kingdom Egypt, Tessa Genevieve David Litecky

Theses and Dissertations

Horses were an important part of Egyptian society during the New Kingdom as tools of warfare, status symbols of the elite, and an emblem of the power of kingship. However, little is known about how these animals were trained and cared for, or who was working in horse stables and their roles. There are no texts or images that explicitly explain methods of horse management. Therefore, this topic has been generally overlooked in the literature. This thesis combines two threads of evidence to create a more complete picture of the organization, purpose, and function of horse stables and the treatment …

Power Dressing: Feather Fans And The Visual Language Of Female Portraiture, Charlotte Svetkey

Theses and Dissertations

Feather fans in sixteenth-century portraiture not only allowed the female sitter to express her own claims to wealth, status, and power but also acted as a visual indicator of changes that were occurring on the global stage. Both fans and sitters will be evaluated through ideas of gender and class.

Yankee Go Home: Roci In Latin America, Vitoria Hadba

Theses and Dissertations

In 1984, at an event hosted by the United Nations, American artist Robert Rauschenberg announced his most ambitious and controversial project to date: the Rauschenberg Overseas Culture Interchange—or ROCI. Blending primary source documents with social art history, I retrace the artist’s steps—and missteps—during the first leg of his tour through Mexico, Chile, and Venezuela. This thesis investigates the convoluted political implications of ROCI in Latin America during the transitional period in which binary Cold War politics were ebbing amidst the rise of a global free-market economy.

Kinstitution: A Topia Between Archive And Proposal, Christopher Lineberry

Theses and Dissertations

Situating Topher Lineberry's work, this paper offers a primer on institutional critique, preliminary developments of "kinstitutional critique," and the cultivation of family-derived art history through the work of the artist's grandmother, Helen Lineberry. Feeding into a working understanding of family-and-kin-as-institution, the paper ultimately locates Topher Lineberry's work between relations to place, historical archives, and speculative proposals.

Power Through Patronage: Examining Margaret Of Navarre's Political Influence Through Sicily's Cathedral Of Monreale, Emmaleigh Anita Huston

Theses and Dissertations

This paper considers evidence for Queen Margaret of Sicily’s role in the construction and decoration of the Cathedral of Monreale, a royal foundation initiated c. 1172. For Margaret, support of Monreale was a means to counter the political ambitions of Walter Ophamil, Archbishop of Palermo. Medieval chroniclers name Margaret’s son, William II, as primary patron, and afford her only a minor role in the building campaign. However, the furnishing and decoration of the cathedral’s northern transept—a privileged space typically reserved for kings in royal Sicilian cathedrals and chapels yet at Monreale serves as the site of Margaret’s tomb—points to the …

Sara Rahbar And The Art Of Loving Otherwise, Michael Scott Lahti

Theses and Dissertations

Born in Iran and currently working in New York City, Sara Rahbar is a contemporary multimedia artist who gained some acclaim with her Flag series (2006-present), which was inspired by her experiences in the aftermath of 9/11. Many of these works merge Persian fabrics onto the American flag thus expressing her lived history and political views. To shed light on the political nature of Rahbar’s works writ large, I examine a textile from her War series (2009-2013), titled I Want to Shelter You (2013). Against a flat canvas bag, Rahbar attaches large-caliber bullet casings into a heart-shape to point out …

Performance, Representation, Reception, And The Lost Cause: Re-Framing The History Of Confederate Monuments Through Embodied Assemblies, Joshua Adam Rutherford

Theses and Dissertations

Discussion of Confederate monuments has been invigorated in academic, social, and political debates during the twenty-first century. As these monuments became entangled with police brutality following the George Floyd protests, scholars have tried to understand how this history connects with the systemic injustices faced by black Americans. Because financial inequities limited the ability of black Americans to erect monuments and photograph demonstrations during Reconstruction the archive is riddled with gaps in representation, which I close by following Diana Taylor’s suggestion that we turn to the “repertoire” of performance. My thesis turns away the monuments themselves by investigating the forms of …

Coffin Soul Portals Of The Female Xunren In Tomb Of Marquis Yi Of Zeng, Mary E. Blum

Theses and Dissertations

There is a significant void in scholarship concerning the Tomb of Marquis Yi of Zeng’s (Zeng Hou Yi), Leigudun M1, Suizhou, Hubei Province, dated to 433 BCE during the Eastern Zhou Dynasty (770-256 BCE) of Bronze Age China, specifically on the lacquer coffins of the female xunren. There is extensive research dedicated to its well-preserved ritual bronze vessels, lacquer wares, and musical instruments, but this tomb is not known for the lacquer designs of portals present on twelve of the twenty-one female companion’s coffins. In this paper, I argue the xunren coffin designs in tomb Leigudun M1 of Zeng Hou …

Judith Leyster: A Study Of Extraordinary Expression, Nicole J. Cardinale

Theses and Dissertations

Judith Leyster’s innovative application of expression in her Self Portrait serves as the focus, whereby she is shown to blend conventional painting categories, preserve a sense of innocence, and confidently flaunt her skills. In turn, Leyster challenged the male-centric art market and stood apart from her artistic predecessors and contemporaries.

Ethiopian Art: Christian Narratives From The Kebra Nagast, Morgan Ellsworth

Theses and Dissertations

King Ezana declared Christianity as Ethiopia’s state religion in 330 C.E. Ethiopia was the first country to mint a coin with the symbol of a cross. The Christian religion was established as a political move to strengthen economic ties with the Mediterranean world. Christianity has been used to keep Ethiopia independent. The Ethiopian artworks discussed here depict themes based on Christian narratives with multiple groupings of similar motifs and identical religious iconography. The Ethiopian art market still creates these motifs today to spread a repeated political message of the country’s pride, history, and represent their rulers’ legitimacy. I explore these …

“Noah Fires An Arrow!” The Rise Of Narrative Mechanics In Tabletop Role-Playing Games 1979-1989 And The Importance Of Archiving The Human Element, Cameron Jp Fontaine

Theses and Dissertations

Tabletop role-playing games (TRPG) emerged out of the war gaming and science fiction subcultures in the mid-1970s. During the latter half of the 1970s these games shifted away from their combat focused wargaming roots to forge their own identity separate from miniature wargaming. In the 1980s the industry expanded rapidly and many of the new games focused their efforts on crafting narrative rather than combat based mechanics. It was this focus on narrative mechanics and unique settings which enabled the industry to both directly and indirectly engage with the socio political and cultural movements of the 1980s in Reagan’s America. …

The Narrative Of Revolution: Socialism And The Masses 1911-1917, Stephen K. Walkiewicz

Theses and Dissertations

This thesis seeks to situate The Masses magazine (1911-1917) within a specific discursive tradition of revolution, revealing a narrative pattern that is linked with discourse that began to emerge during and after the French Revolution. As the term “socialism” begins to resonate again within popular American political discourse (and as a potentially viable course of action rather than a curse for damnable offense), it is worthwhile to trace its significance within American history to better understand its aesthetic dimensions, its radical difference, and its way of devising problems and answers. In short, this thesis poses the question: what ideological structures …

Adolf Wissel: Compliant Dissidence, A Nonbinary Reading Of Work Executed From 1933 – 1941, Jeremy Lyn Schrupp

Theses and Dissertations

Despite the vast amount of scholarship devoted to the Nazi era, there is very little dedicated to the analysis of its works of art. This paper aims to rectify that, by analyzing the work of Adolf Wissel. Aside from its didactic use amongst academia, there is only one academic analysis of his work. The intent of the present analysis is to build from that foundation and provide an additional layer of contextualization to an era that is relatively unexplored within our field. This analysis will establish that Adolf Wissel maintained specific subject, compositional, and stylistic choices that subtly opposed NSDAP …

Alexandre Cabanel's St. Monica In A Landscape: A Departure From Iconographic Traditions, Rebecca Ann Kidd

Theses and Dissertations

The iconography employed by Alexandre Cabanel in the 1845 work St. Monica in a Landscape drastically deviates from the established artistic tradition utilized in other depictions of St. Monica in Christian art. Cabanel’s work depicts a female saint accompanied by a derelict young child. This thesis considers an alternative identity for this female saint, proposing that St. Elizabeth may be the definite subject of the work, accompanied by a young St. John the Baptist. The visual content of St. Monica in a Landscape is analyzed in conjunction with other works depicting St. Monica, as well as St. Elizabeth with a …

Humor And Quiet Resistance: The Graphic Work Of Wilhelm Höpfner, Kelsey Jean Mccarey Soya

Theses and Dissertations

Humor and Quiet Resistance: The Graphic Work of Wilhelm Höpfner is an exhibition that was on display at the Emile Mathis II Art Gallery at the University of Wisconsin-Milwaukee November 15–December 20, 2018. The works consist of fine art prints produced Wilhelm Höpfner between 1921 and 1939 in Berlin and the smaller city of Magdeburg. The exhibition and this accompanying catalogue seek to introduce the reader to his work and to provide the cultural context for its interpretation. When discussing the artistic movements of Europe in the early twentieth century, there is a tendency to discuss them as discrete, contained …

Layered Histories, Interpretive Desires, Rachelle Dang

Theses and Dissertations

I aim to excavate source material from the past and reinterpret its significance in the present through art. I merge history with the contemporary through acts of appropriation and material exploration, creating conditions for the viewer to grapple with colonial legacies in an affective space of visual experience.

“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales

Theses and Dissertations

After-Ozymandias examines the visual rhetoric of American patriotism through its many symbols, including flags and monuments. My thesis project consists of photographs of empty plinths, objects, products and archival materials. Countless relics remain today memorializing leaders and empires that inevitably declined, from antiquity to modern times. Looking back at distant history feels like a luxury, though: the question for our time in America is whether we have the strength of mind as a society to scrutinize our history, warts and all.

The Romance Novel Cover, Jessica D. Spears

Theses and Dissertations

Romance novel covers dating from the 1980s and 1990s reflect complex and contradictory ideas about gender, power, and sexuality. The covers overflow with stereotypes of what women are attracted to such as enormous pink roses, lush folds of silk, and hair long enough for Rapunzel. To this socially acceptable women’s imagery, the covers add two less reputable aspects: sexual imagery and, occasionally, suggestions of female submission. Since the association of romance and conventional femininity is so strong, the covers make a visual argument that submission and sexuality are things that a conventional woman wants. Readers have to deal with what …

Women In Music: Letting A Long Story Be Long Contemplating Women’S Sonic, Musical, And Spiritual Experiences In Prehistory, Deborah J. Saidel

Theses and Dissertations

Situated within deep history, this study explores the auditory and spiritual lives of Paleolithic women. It considers their personal agency in mediating the spiritual power of sound and how doing so contributes to a multifaceted musicality. The theoretical framework involves a wide spectrum of topics, from ways of rethinking the writing of history and reckoning with time, to sound studies and the study of acoustics in ancient sites, to a critical examination through a feminist lens of normative disciplinary scholarship in anthropology and archaeology, religious studies, and musicology. I explore potential audio-visual-lithic relationships for their implications for deepening an understanding …