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Full-Text Articles in History

Saint Brigit And Her Habits: Exploring Queerness In Early Medieval Ireland, Jacqueline K. Stephenson Jun 2024

Saint Brigit And Her Habits: Exploring Queerness In Early Medieval Ireland, Jacqueline K. Stephenson

Undergraduate Theses, Capstones, and Recitals

Saint Brigit's behavior and reception by society highlight an avenue by which women in the early medieval period could escape societal strictures, exercising agency over their bodies and their romantic choices, and carve out a distinct and unexpected place for themselves in a Christian patriarchal society. In Saint Brigit’s case, this is especially demonstrated by the breadth of her portrayed power as not just a nun but a saint, her extreme resistance to marriage, and her frequent comparisons to men. Indeed, her hagiography, written by Cogitosus in the seventh century, positioned her as one of the three principal and earliest …


Becoming Camilla Urso: A Female Celebrity Violinist And The Transformation Of American Musical Culture, Maeve Nagel-Frazel Nov 2022

Becoming Camilla Urso: A Female Celebrity Violinist And The Transformation Of American Musical Culture, Maeve Nagel-Frazel

Undergraduate Theses, Capstones, and Recitals

Camilla Urso (1840-1902) was the first nationally famous female violinist in the United States. Between 1852-1902, Urso gave over a thousand concerts in the United States, becoming a musical celebrity on par with the Swedish soprano Jenny Lind. Through her public visibility, Urso transformed nineteenth-century American violin playing from a male-dominated field into an acceptable and even fashionable field for women. Despite her nineteenth-century fame, today Urso is mostly forgotten. Over the course of six chronological chapters, this thesis presents a contextual biography of Urso’s American concert career. Utilizing archival sources, digitized newspapers, and digital mapping methodologies, I argue Urso’s …


Making The Violin Fashionable: Gender And Virtuosity In The Life Of Camilla Urso, Maeve Nagel-Frazel, Petra Meyer Frazier, Antonia Banducci Jan 2021

Making The Violin Fashionable: Gender And Virtuosity In The Life Of Camilla Urso, Maeve Nagel-Frazel, Petra Meyer Frazier, Antonia Banducci

DU Undergraduate Research Journal Archive

In the late nineteenth century, the violinist Camilla Urso (1840-1902) was widely recognized as the preeminent female violinist in the United States. As a nationally famous celebrity, Urso became a pedagogue and role model to subsequent generations of female violinists. Both the wide-ranging geographic spread of Urso’s career and her direct advocacy for women violinists played a pivotal role in changing cultural ideals of violin performance from a militant and masculine bravura tradition into a fashionable pursuit for young women. A classmate of HenrykWieniawski (1835-1880) and a concert rival of the Norwegian virtuoso Ole Bull (1810-1880), Urso’s career rested on …


“Don't Forget”: The Life And Role Of Arab American Women In The Early 20th Century, Caitlin Gannam, Jonathan Sciarcon Jan 2020

“Don't Forget”: The Life And Role Of Arab American Women In The Early 20th Century, Caitlin Gannam, Jonathan Sciarcon

DU Undergraduate Research Journal Archive

While Arab American women have often been excluded from the narrative of the Arab American community, they have had lasting influence on the nature and development of the American identity. As mothers, teachers, and supporters of the community, Arab American women have been active cultural influences, despite social restrictions and a lack of formal power.


Women's Hit Cheating Songs: Country Music And Feminist Change In American Society, 1962-2015, Madeline Rachel Morrow Jan 2017

Women's Hit Cheating Songs: Country Music And Feminist Change In American Society, 1962-2015, Madeline Rachel Morrow

Electronic Theses and Dissertations

This thesis examines songs about cheating performed by women in country music that appeared on year-end country songs charts in Billboard magazine from 1962 through 2015. The study of a total of fifty qualifying songs included a focus on their lyrical and musical content, the performers' personae and careers, and the way the particular outside factors of feminism and changing gender relations in American society may have influenced them. These songs do not show a purely linear progression of or emphasis on social change, in spite of country music's pride in conveying the truth about the lives of its songwriters, …