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- Department of History: Dissertations, Theses, and Student Research (3)
- College of Education and Human Sciences: Dissertations, Theses, and Student Research (1)
- Department of Textiles, Merchandising, and Fashion Design: Dissertations, Theses, and Student Research (1)
- School of Art, Art History, and Design: Theses and Student Creative Work (1)
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Articles 1 - 6 of 6
Full-Text Articles in History
The Making Of Everyday Hollywood: 1930s Film Influence On Everyday Women’S Fashion In Nebraska, Anna Naomi Kuhlman
The Making Of Everyday Hollywood: 1930s Film Influence On Everyday Women’S Fashion In Nebraska, Anna Naomi Kuhlman
Department of Textiles, Merchandising, and Fashion Design: Dissertations, Theses, and Student Research
This research examines the influence of film fashions on middle-class, Nebraskan women’s dress during the Great Depression (1932-1940). The Great Depression challenged the middle class: while standards of living remained high, the economic means to achieve those standards diminished. Despite the crisis, women strove to keep up with current fashion trends. While previous literature has examined how Hollywood directly affected trends and styles of the 1930s in major American metropolitan contexts, the manifestation of trends in the dress of middle to lower socio-economic classes in Middle America remains under-examined. Against the backdrop of Depression-era hardships specific to Nebraska’s agricultural economy, …
“She’S Been Her Own Mistress...”: The Long History Of Charlotte Dupee V. Henry Clay, 1790-1830, William Kelly
“She’S Been Her Own Mistress...”: The Long History Of Charlotte Dupee V. Henry Clay, 1790-1830, William Kelly
Department of History: Dissertations, Theses, and Student Research
In February 1829, Charlotte Dupee, an enslaved woman, sued for her freedom in the Circuit Court of the District of Columbia. The defendant was her enslaver, United States Secretary of State Henry Clay. Situating her as the main historical actor, this research illustrates how Dupee’s life experiences as an enslaved woman directly informed the decisive timing of her freedom suit. By expanding Dupee’s story beyond 1829 to reconstruct her life from girlhood to manumission, we also gain a greater understanding of the nuanced and precarious nature of alternative pathways to freedom.
Death Became Them: The Defeminization Of The American Death Culture, 1609-1899, Briony D. Zlomke
Death Became Them: The Defeminization Of The American Death Culture, 1609-1899, Briony D. Zlomke
Department of History: Dissertations, Theses, and Student Research
Focusing specifically on the years 1609 to 1899 in the United States, this thesis examines how middle-class women initially controlled the economy of preparing the dead in pre-industrialized America and lost their positions as death transitioned from a community-based event to an occurrence from which one could profit. In this new economy, men dominated the capitalist-driven funeral parlors and undertaker services. The changing ideology about white middle-class women’s proper places in society and the displacement of women in the “death trade” with the advent of the funeral director exacerbated this decline of a once female-defined practice. These changes dramatically altered …
A Memory Forgotten: Representation Of Women And The Washington D.C. Arsenal Monument, Melissa Sheets
A Memory Forgotten: Representation Of Women And The Washington D.C. Arsenal Monument, Melissa Sheets
School of Art, Art History, and Design: Theses and Student Creative Work
The Arsenal Monument in the Congressional Cemetery in Washington D.C. commemorates the twenty-one women who died while working as cartridge makers in the Washington Arsenal on June 17th, 1864. It utilizes both traditional and idealized memorial imagery, represented by an allegorical figure of Grief who stands atop the Monument’s shaft, as well as a realistic representation of the Arsenal explosion carved into the base. Erected only a year after the incident, the Monument can be interpreted as commemorating all twenty-one women by the inclusion of their names on the sides of the base. From this listing of names and the …
Chintz Appliqué Albums: Memory And Meaning In Nineteenth Century Quilts Of The Delaware River Valley, Carolyn K. Ducey
Chintz Appliqué Albums: Memory And Meaning In Nineteenth Century Quilts Of The Delaware River Valley, Carolyn K. Ducey
College of Education and Human Sciences: Dissertations, Theses, and Student Research
This study examined two sub-sets of a unique style of chintz appliqué album quilt that developed in the 1840s in Delaware River Valley, specifically Philadelphia, Pennsylvania, and Trenton, New Jersey. The two groups provide examples of two distinct roles that the album quilts played in the lives of their makers: one acting as a literal record of familial ties, serving to preserve memory and reinforce family structure and the other representing the work of the members of the First Baptist Church of Philadelphia, providing a vehicle to recognize and appreciate dedicated service and playing a role in encouraging interest and …
Proper Women/Propertied Women: Federal Land Laws And Gender Order(S) In The Nineteenth-Century Imperial American West, Tonia M. Compton
Proper Women/Propertied Women: Federal Land Laws And Gender Order(S) In The Nineteenth-Century Imperial American West, Tonia M. Compton
Department of History: Dissertations, Theses, and Student Research
This study explores the relationship between federal land policy and women’s property rights in the nineteenth-century American West, analyzing women’s responses to expanded property rights under the 1850 Oregon Donation Act, the Homestead Act of 1862, and the 1887 General Allotment Act, and the ways in which the demands of empire building shaped legislators’ decisions to grant such rights to women. These laws addressed women’s property rights only in relation to their marital status, and solely because women figured prominently in the national project of westward expansion. Women utilized these property rights to both engage in the process of empire …