Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 4 of 4
Full-Text Articles in History
"Between Two Fires": Gender And American Socialism In The Progressive Era, Elisia Harder
"Between Two Fires": Gender And American Socialism In The Progressive Era, Elisia Harder
Senior Theses
The Progressive Era (1890-1920) in the United States was a time of immense change in both the political and private spheres. Movements which sought to fundamentally upend the political status quo gained in popularity, including that of socialism. Socialism promised equality for workers regardless of gender, something that appealed to many American women at the time. A myriad of upper/middle-class and working-class women were thus initially drawn to the socialist movement. These women, however, would not find the salvation they were promised. Instead, they would confront the very same misogyny they experienced in mainstream political parties, as their struggle was …
From King To Mandela And Beyond: A Personal History Of Black Economic Empowerment, Aisha Asare
From King To Mandela And Beyond: A Personal History Of Black Economic Empowerment, Aisha Asare
The Journal of Traditions & Beliefs
No abstract provided.
Madiba And Martin: A Bibliography Compiled By Martha Ruff, Martha Huff
Madiba And Martin: A Bibliography Compiled By Martha Ruff, Martha Huff
The Journal of Traditions & Beliefs
No abstract provided.
Just A Buncha Clowns: Comedic-Anarchy And Racialized Performance In Black Vaudeville, The Chop Suey Circuit, And Las Carpas, Michael Shane Breaux
Just A Buncha Clowns: Comedic-Anarchy And Racialized Performance In Black Vaudeville, The Chop Suey Circuit, And Las Carpas, Michael Shane Breaux
Dissertations, Theses, and Capstone Projects
While the practice of white musical variety clowns embodying stereotypes of African, Chinese, and Mexican Americans has been widely documented and theorized in scholarship on US American popular performance, it has been done largely in segregated studies that maintain the idea that racial impersonations in musical variety is a privilege of white performers. For instance, no study exists that focuses on more than one stereotype at a time, and the performer’s body is always either white or of the same “color” as the type being played. In addition, very little has been written about the tours and circuits run by …