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Cumulative Grief, Xuan Pham
Cumulative Grief, Xuan Pham
Masters Theses
A written thesis to accompany the M.F.A. Exhibition Cumulative Grief, in which the artist's personal and familial narrative explores the complexity and nuances of racial grief.
Kofifi/Covfefe: How The Costumes Of "Sophiatown" Bring 1950s South Africa To Western Massachusetts In 2020, Emma Hollows
Kofifi/Covfefe: How The Costumes Of "Sophiatown" Bring 1950s South Africa To Western Massachusetts In 2020, Emma Hollows
Masters Theses
This thesis paper reflects upon the costume design process taken by Emma Hollows to produce a realist production of the Junction Avenue Theatre Company’s musical Sophiatown at the Augusta Savage Gallery at the University of Massachusetts in May 2020. Sophiatown follows a household forcibly removed from their homes by the Native Resettlement Act of 1954 amid apartheid in South Africa. The paper discusses her attempts as a costume designer to strike a balance between replicating history and making artistic changes for theatre, while always striving to create believable characters.
Our Souls Are Already Cared For: Indigenous Reactions To Religious Colonialism In Seventeenth-Century New England, New France, And New Mexico, Gail Coughlin
Masters Theses
This thesis takes a comparative approach in examining the reactions of residents of three seventeenth-century Christian missions: Natick in New England, Kahnawake in New France, and Ohkay Owingeh, New Mexico in New Spain, to religious colonialism. Particular attention is paid to their religious beliefs and participation in colonial warfare. This thesis argues that missions in New England, New France, and New Mexico were spaces of Indigenous culture and autonomy, not due to differing colonial practices of colonizing empires, but due to the actions, beliefs, and worldviews of Indigenous residents of missions. Indigenous peoples, no matter which European powers they interacted …