History Commons^™

Historical Trauma: Literary And Testimonial Responses To Hiroshima, Mariam Ghonim

Theses and Dissertations

The concept of trauma is controversial in literature. While one may be able to come up with ways to describe trauma in fiction, representing historical trauma is a hard task for writers. Some argue that trauma can not be described through those who did not experience it, while others claim that, provided some elements are added, one can represent trauma to the reader. This thesis focuses on twentieth-century historical traumas related to a nuclear catastrophe and explores the different literary and testimonial responses to the catastrophic man-made event of Hiroshima (1945). In this thesis, Kathleen Burkinshaw’s historical fiction The Last …

(Re)Constructing National Memory In Neoliberal Chile Through Patricio Guzman's The Cordillera Of Dreams (2019), Mica Barrett

Scripps Senior Theses

One of the most renowned Chilean exile filmmakers is Patricio Guzmán. Best known for his documentary work regarding the Allende years, Guzmán has continued to make films regarding his homeland in the decades following his initial exile.

The Cordillera of Dreams is the concluding film in a trilogy exploring the natural lands of Chile and their relationship to physical remnants of the human past. The initial and most renowned film in the series, Nostalgia for the Light, centers the Atacama Desert and Chileans’ relationship to the geography as a gateway to revealing artifacts of Chile’s recent history of genocide …

Dreamcatcher From Mao's Last Revolution: My Venture Into Creative Social Documentary Video, Christopher Shea Howard

Student Publications

Dreamcatcher From Mao’s Last Revolution is a filmmaking venture into creative social documentary production undertaken by this filmmaker as his own experimental departure from narrative feature film production and the fiction genre. This thesis report not only describes aspects of this film production that are specific to the methodology of documentary film production, but also describes the film’s cinematic expression of memory and the filmmaker’s telling of the story. Some cinematic and conceptual aspects of the story are related to the film’s influences, specifically to those theoretical concepts and techniques employed by documentary filmmaker, Werner Herzog.

The documentary story is …