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Full-Text Articles in History
Volume 37, Number 11 (November 1919), James Francis Cooke
Volume 37, Number 11 (November 1919), James Francis Cooke
The Etude Magazine: 1883-1957
Echoes of Musical Czecho-Slovakia (interview with Josef Stransky)
Real Tendencies of Czecho-Slovak Music
If at First You Don't Succeed
Playing Without Looking at the Keys
Birth of the Czecho-Slavék Republic through Song
Invitation to Song: A Literal Translation of a Poem by Tablonsky
How the Name Bohemian Came Into False Repute
Bedrich Smetana, Founder of Modern Czecho-Slovak Music
Thumbnail Biography of Antonin Dvorék
Dvorák as I Knew Him
Great Masters as Music Teachers
Do Your Fingers Follow Your Eye?
Marks of Expression
Why Music is the Soul of Czechoslovakia
Neckache
Working Through Opposites
Czecho-Slovak Popular Music
How to Make a …
Volume 37, Number 10 (October 1919), James Francis Cooke
Volume 37, Number 10 (October 1919), James Francis Cooke
The Etude Magazine: 1883-1957
National and Radical Impressions in the Music of To-day and Yesterday (interview with Sergei Rachmaninoff)
Rudoph E. Schirmer
Interpretation
Few Teaching Hints
Appreciations of Rachmaninoff from Famous Musicians in America
New Thoughts on Memorizing Music
Beethoven—Iconoclast, Democrat, Genius
Joiners in Music
Psychology and the Child
The Art Spiritual: A Fine, Reflective Article Upon the Possibilities of the Tonal Art
Studio Problem (A Dialogue)
Less Nervousness Now
Musical Monkeys and the Piano Touch
Authentic Biography of Rachmaninoff
Let the Parents Know
How to Administer Rewards
Secret of Success of Great Musicians
Don't Sit Too Close
New Method of Piano Practice
Minor …
Volume 37, Number 09 (September 1919), James Francis Cooke
Volume 37, Number 09 (September 1919), James Francis Cooke
The Etude Magazine: 1883-1957
Strong Fingers, Strong Arms, Strong Technic: Physical Culture Exercises Backed with Right Living Help to Build Sound Technical Background
Musical Pharmacopoeia
Pacemaker
Year in the Fundamentals of Musical Composition: The Minor Key and Other Musical Matters
Leaving Out Notes
Be True to Your Own Musical Tastes
Rules and Scales
Favorite Instruments of Great Composers
How to Learn a Short Passage Quickly
Secrets of the Success of Great Musicians
Practical Study of Arpeggios: How the Least Possible Contraction of the Muscles, Combined with the Greatest Possible Control of Weight, Will Produce the Best Results in the Shortest Time
Why Rhythm is …
Volume 37, Number 08 (August 1919), James Francis Cooke
Volume 37, Number 08 (August 1919), James Francis Cooke
The Etude Magazine: 1883-1957
Intimate Glimpses of Grieg and Dvorák
Cause of Satisfactory Piano Playing
Beethoven's Tardy Fame
Habit Lessens Fatigue
That Awkward Fourth Finger
Ten Famous Rules Ten Years After: A Thoroughly Democratic Artistic Senate of Men and Women of Experience Epitomize Their Best Thoughts on Piano Practice
New Ideals of Pianistic Art
Mentally Photographing Music
Let There Be Tunes
Luck and Success
Plan of Musical Study for the Busy
Birds as Inspiration for Great Composers
American Opera One Hundred Years Ago
What Jazz Is, and Why
One Great Source of Mastery
Pianist and the Relaxation Fad
Music Teacher's Prescription Box
Origin of …
Volume 37, Number 07 (July 1919), James Francis Cooke
Volume 37, Number 07 (July 1919), James Francis Cooke
The Etude Magazine: 1883-1957
Pathetique of Tschaikowski
Opening Number of Our Recital
How to Choose a Piano
Making the Pupil's Interest Wider
Don't Give Up Music at the Altar: A Symposium by Noted Women in Music
Year in the Fundamentals of Musical Composition
What Do You Put Into Your Music?
Jamie's First Piano Lesson
Drudgery of Teaching
Ear Imperial: Why Ear Training is of Paramount Importance
Moods of Temperament
Time Directions and Their Meaning
How the Art of Playing the Piano Developed
Enthusiastic Teaching
Prosperity and Business Methods of Great Composers
Some Facts About the Nocturne
Interest Through Opera
Secrets of Success of Great …
Volume 37, Number 06 (June 1919), James Francis Cooke
Volume 37, Number 06 (June 1919), James Francis Cooke
The Etude Magazine: 1883-1957
Professional Accompanist
Ten Golden Rules for Piano Study
Pianist and Time Values
Imperfection of the Musical Scale
Silent Rhythm
How to Study the Two-Voiced Inventions of Bach
Rock Bottom of Pianistic Progress
Talking and Doing
Muscular Action in Piano Playing
Make Technic Your Servant—Not Your Master
Practical and Helpful Ideas from the National Convention of the Music Teachers' National Association: What Active Teachers are Thinking and Saying
When Nero was Studying Singing
Out—Back at 2.30
Bible Operas
Cultivating Confidence in the Child
Famous Salon Compositions and Their Composers: Pieces Everybody Knows and the Musicians Who Wrote Them
Making the Summer …
Volume 37, Number 05 (May 1919), James Francis Cooke
Volume 37, Number 05 (May 1919), James Francis Cooke
The Etude Magazine: 1883-1957
Helps in Teaching Note Reading
Launching the Beginner
Practical Examinations at Home
Individualism in Piano Study (interview with Ethel Leginska)
Setting the Standard
Silly? Or No Ear for Music?
Confidence in One's Art
Are You One of These?
Golden Age of Singing
Fall of the Walls of Jericho
Program Making
Year in the Fundamentals of Musical Composition: The Dominant Seventh
Music in the Wilds
Like Attracts Like
Getting Results in Arpeggio Teaching
Why Some American Artists Don't Get On: From a Manager's Point of View
What Do You Want, Big Names or Real Music?
Memorizing Your Piece
Most Powerful Effect …
Volume 37, Number 04 (April 1919), James Francis Cooke
Volume 37, Number 04 (April 1919), James Francis Cooke
The Etude Magazine: 1883-1957
Characteristic Mistakes of Young Piano Pupils
Teaching Children to Play
Inspiration of Ensemble Playing
Where Music Comes From
I Don't Like This Piece
Correct Position at the Key Board
More About Raising the Teacher's Income: Why the Music Teacher is Entitled to Larger Fees for Services
Awakening the Disinterested Pupil
What's in a Bell
True Reward of Good Work
Secrets of Success of Great Musicians
Proper Understanding of the Style of Several Master Composers
How to Practice Broken Chords: Modern Ideas Upon the Principle of the Minimum of Muscular Contraction and the Maximum of Controlled Weight Applied to an Everyday …
Volume 37, Number 03 (March 1919), James Francis Cooke
Volume 37, Number 03 (March 1919), James Francis Cooke
The Etude Magazine: 1883-1957
Anton Dvorák in the Class Room
Who is the Composer?
Marvelous Hand
Question of the Virtuoso Conductor
Music Teachers, Awake!
Has the Art of the Piano Reached Its Zenith or Is it Capable of Further Development? A Historic Conference Conducted through the Co-Operation of a Group of the Foremost Pianists of the Day in the Interests of Etude Readers
Practical Repertoire
Small Children and Big Words
Year in the Fundamentals of Musical Composition
What Are You Getting Out of Your Music Lessons?
Your Pupil's First Year in Scale Work
Little Discoverers
Proper Understanding of the Style of Several Master Composers …
Volume 37, Number 02 (February 1919), James Francis Cooke
Volume 37, Number 02 (February 1919), James Francis Cooke
The Etude Magazine: 1883-1957
Are You Loyal to Your Art?
How to Play Two Notes Against Three and Other Unusual Rhythmic Combinations
What Helped Me Most in My Career
How to Correct Common Rhythmic Blunders
Weak Spot in Piano Teaching
String Wind Instrument
Technical Roads to Piano Success
Pieces that Advertise the Teacher
He Didn't Have to Learn
Secrets of Success of Great Musicians
Touch in Piano Playing
Leo Ornstein, Composer and Pianist
Overtures, Past and Present
When and How to Begin the Study of Bach
Bach for Beginners
Neglected Bass Note
Telling the Pupil How to Practice
Has the Art of the Piano …
Volume 37, Number 01 (January 1919), James Francis Cooke
Volume 37, Number 01 (January 1919), James Francis Cooke
The Etude Magazine: 1883-1957
Imitation in Teaching Music
Scales Two Octaves Apart
What Kind of Accompanist Are You?
Learning How to Compose
Two Pianos vs. One
Don't Discourage Your Pupils
Look Out for the Second Finger
America's Greatest Musical Opportunity
Put Sixty Minutes Into Your Hour
Has the Art of the Piano Reached Its Zenith or Is it Capable of Further Development? A Historic Conference Conducted through the Co-Operation of a Group of the Foremost Pianists of the Day in the Interests of Etude Readers
Eye Strain and Mind-Wandering
Broken Chords Disguised by Changing Notes
What Octave Studies Should Follow Those of Czerny?
Are …