History Commons^™

Guide To The Godwin Sadoh Collection, Columbia College Chicago

CBMR Collection Guides / Finding Aids

Dr. Godwin Sadoh is a Nigerian composer, educator, church musician, organist, pianist, choral conductor, and ethnomusicologist. He holds music degrees from the Obafemi Awolowo University, Nigeria; the University of Pittsburgh; the University of Nebraska-Lincoln; and Louisiana State University, Baton Rouge, where he became the first African to receive a doctoral degree in organ performance from any institution in the world. The collection holds scores, publications, books, and recorded music

Guide To The Jean Stor Collection, Columbia College Chicago

CBMR Collection Guides / Finding Aids

Jean Stor was the pseudonym of William Astor Morgan, a composer, choral conductor, and playwright, who worked mainly in New York City. The collection contains manuscripts and scores for a number of symphonies, tone poems, concertos and other classical works, along with choral works, spiritual arrangements, art songs, popular songs, and theatrical numbers as well as several play scripts, short stories, and photographs.

Guide To The Andrew “Andy” Gibbons Collection, Columbia College Chicago

CBMR Collection Guides / Finding Aids

Focused on jazz trumpeter and vocalist, Louis Armstrong, the Andrew H. Gibbons collection consists of sound recordings, papers, and books related to Louis Armstrong, collected by the donor, Dr. Andy Gibbons, whose research focus centered on the performer.

Guide To The Reginald L. Davenport House Music Collection, Columbia College Chicago

CBMR Collection Guides / Finding Aids

Reginald L Davenport came of age to the sound of hot mixing Chicago radio DJs during the 1980s and he carried his love of house music to the United Kingdom when he left home to serve in the armed forces abroad, DJ’ing around England when he wasn’t on base. The collection contains flyers primarily from the United Kingdom of house music venues in which he DJ’ed, tapes of his mixes, and documents related to his work.

Guide To The Helen Walker Hill Collection, Columbia College Chicago

CBMR Collection Guides / Finding Aids

The Helen Walker-Hill Collection is composed of musical compositions by black women composers throughout the United States and England. This collection was compiled by pianist and musicologist, Dr. Helen Walker-Hill. Duplicates and/or originals also held at University of Colorado at Boulder American Music Research Center.

Guide To The Edmund Thornton Jenkins Collection, Columbia College Chicago

CBMR Collection Guides / Finding Aids

Edmund Thornton Jenkins was a composer, music publisher, and musician. The collection contains manuscripts of his musical compositions, printed music of his compositions published at his own press in Paris, France, and biographical information. Also included are clippings and a program (1940) concerning his sister, Mildred Jenkins Haughton, and sheet music (1917–1937 and undated) belonging to her.

[Introduction To] Soda Goes Pop: Pepsi-Cola Advertising And Popular Music, Joanna K. Love

Bookshelf

From its 1939 “Nickel, Nickel” jingle to pathbreaking collaborations with Michael Jackson and Madonna to its pair of X Factor commercials in 2011 and 2012, Pepsi-Cola has played a leading role in drawing the American pop music industry into a synergetic relationship with advertising. This idea has been copied successfully by countless other brands over the years, and such commercial collaboration is commonplace today—but how did we get here? How and why have pop music aesthetics been co-opted to benefit corporate branding? What effect have Pepsi’s music marketing practices in particular had on other brands, the advertising industry, and popular …

Ms – 208: The Jim Henderson Papers, Class Of 1971, Devin Mckinney

All Finding Aids

This collection contains documents, photographs, and other material, mostly relating to Jim Henderson’s career at Gettysburg College. There are various writings, and a scrapbook with images covering Henderson’s life from just before to just after his time in Gettysburg. A significant subset of material concerns Henderson’s commencement address, and the subsequent controversy. The bulk of the material is in the form of handwritten scores and program notes created for various musical performances between 1966 and 1973. Most of these are rock or jazz arrangements of religious themes, and most premiered at Gettysburg College.

Special Collections and College Archives Finding Aids …

Volume 68, Number 06 (June 1950), John Briggs

The Etude Magazine: 1883-1957

Tanglewood: A Mountain Holiday, Summer Study for Gifted Students and One of America's Most Glorious Music Festivals

Opportunities for the Music Counselor

What is Singing?

Master Your Flute Tone (interview with Julius Baker)

Athletes at the Keyboard Wedding

Etiquette for the Organist

Deafness Comes Hard to Music-Lovers, but They Can Hear Now

Master Lesson on Chopin's Waltz in A-Flat Major, Op. 69, No. 1