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Full-Text Articles in History
Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, Meghan A. Dellacrosse
Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, Meghan A. Dellacrosse
Theses and Dissertations
"Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press and Fluxus," positions Knowles’ Big Book (1966) as a case study of historical methodology and interdisciplinary artistic practice in the post-war period. This comprehensive analysis of Big Book, a work of art no longer extant, contextualizes its publisher, Something Else Press through Dick Higgins’ concept of “intermedia,” and important lesser-known junctures relevant to Fluxus and the group’s leader George Maciunas are illuminated. Knowles' early and lesser-known silkscreen paintings are also examined.
The Struggle Is Real: Propaganda And Workers Songbooks Published By The Workers Music League, 1934-35, Jennifer Meixelsperger
The Struggle Is Real: Propaganda And Workers Songbooks Published By The Workers Music League, 1934-35, Jennifer Meixelsperger
Theses and Dissertations
In New York City, the 1930s saw an explosion of artistic activity through the growth of literary John Reed Clubs, Workers Theatres, and in music: the Composers Collective and Pierre Degeyter Club. These music organizations can trace their roots ultimately back to the Communist Party of the United States, and then to Comintern. They worked together with the goal of creating a distinctly “proletarian music,” which arguably culminated in the 1934 and 1935 releases of two Workers Songbooks. Together, these Songbooks serve as examples of the organizations’ attempts to create proletarian music, and also as examples of neutral propaganda, as …
That's Debatable!: Genre Issues In Troubadour Tensos And Partimens, Kelli Mcqueen
That's Debatable!: Genre Issues In Troubadour Tensos And Partimens, Kelli Mcqueen
Theses and Dissertations
The troubadour repertory consists of an elaborate complex of genres, some of which are dialogs that employ argumentation in the form of a debate or contest. The precise classification of these debate songs, especially the tenso and partimen genres, involves a measure of controversy that arose in the fourteenth century and continues today. Modern scholars in both literary and musical disciplines reference the dispute in their study of these songs, but largely gloss over the controversy to uphold the traditional parameters of their own disciplines. For literary scholars, this means treating these dialogs as lyric poetry, and musicologists tend to …