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The Perfect Vessel Of Grief: Women And Mourning Photography, Savannah Labbe
The Perfect Vessel Of Grief: Women And Mourning Photography, Savannah Labbe
The Gettysburg Compiler: On the Front Lines of History
After her father died, the girl in the photo above went through a highly ritualized and formalized process of Victorian mourning. This process radically changed with the invention of photography in 1839. Now one could record the grieving process, which is what the photograph above accomplished. The photograph is a typical mourning portrait, depicting the mourner (the little girl in this case), with the photo of her deceased loved one in her hands. Like so many other photographs, this one recorded the grieving process, allowing loved ones to keep a piece of that person even after their death. 19th-century photographs …
Beneath The Mulberry Tree: Sarah Edmonds And Women In Memory, Anika N. Jensen
Beneath The Mulberry Tree: Sarah Edmonds And Women In Memory, Anika N. Jensen
The Gettysburg Compiler: On the Front Lines of History
In her memoir Nurse and Spy in the Union Army, Sarah Emma Edmonds, a woman fighting in the Union Army disguised as a man, employed florid diction and a subtle romantic flare to illustrate an emotional and confounding moment in the aftermath of the Battle of Antietam: discovering another woman undercover. Edmonds writes of the “pale, sweet face of a youthful soldier,” of a boy trembling from blood loss who, she knew, had only a few more minutes on earth. He tasted his last sip of water, and with his remaining breaths the soldier beckoned Edmonds closer and uttered a …