History Commons^™

Erotic Grotesque Nonsense: Veiled Criticism Through Extreme Entertainment, Thoby Jeanty

Seton Hall University Dissertations and Theses (ETDs)

This thesis examines the writings of Meiji novelists living during a time of transition. Their writings became known as part of a genre called Erotic Grotesque Nonsense. The genre became defined as engaging in extremes to entertain an audience captivated by the eroticism, grotesque, or even the nonsensical nature of the stories being told. The thesis discovers there is a pressing social commentary on the tumultuous transition to modernity hidden within these works. The traditions established during the Tokugawa era starting from 1603 and lasting until 1867 came under pressure with the start of the Meiji era in 1868. Each …

Of Spies And Assassins, Haddon Smead

Honors Theses

This thesis explores the possibility of a connection between the Shinobi of Japan and the Order of Assassins from the Middle East. There is evidence that these two secret societies of antiquity are related and that there might have been some level of interaction and/or connection between them. The aligning methodologies, the geopolitical circumstances, the transmission of culture, and the other organizations resembling these two groups establish a frightening level of similarity between them and support the existence of a historical connection. It is hoped that additional study will be undertaken with regards to this subject, and the author of …

Aesthetics & Politics: A Brief History Of Japan & The Us’S 20th Century, Ricky Brown

Theatre Thesis - Written Thesis

This paper is a look at the combination of aesthetics and politics and how that combination effected the lives of black Americans, Japanese women and the people of Korea under Japanese occupation during the early 1900s.

Imagined Realities: The Rise Of New Wave Cinema In Post-War Japan, Asia Miro Smudde Tom

Senior Projects Spring 2022

Project Submitted to the Division of Social Studies of Bard College.

My thesis explores cinematic representation in post-war Japan leading up the the New Wave movement. I examine the work of Yasujiro Ozu and Sun Tribe youth films and their relationship with conventions of cinema to bring awareness to narrative constructions of historical periods.