History Commons^™

Back To Nature: Marie Antionette And The Cottagecore Fantasy, Rose Caughie

Anthós

This essay is an examination of the legacy of Marie Antionette's Chemise a la Reine. At the end of the 18th century, a portrait of the queen in this dress caused scandal and outrage. Despite, or perhaps because of this, the Chemise a la Reine became a staple in the wardrobe of the Western woman. Today, this style continues to be popular. This is particularly notable in the Cottagecore aesthetic movement. Much like Marie Antionette's use of this style, Cottagecore fashion carries deep ties to an escapist pastoral fantasy. However, more important is the continued legacy of Neoclassicism and the …

Architecture As Memory: Gothic Ruins In The Work Of Lyonel Feininger, 1928-1953, Daria Rose Evdokimova

Armstrong Undergraduate Journal of History

In the summer of 1928 Lyonel Feininger made his first drawings of the ruins of a local church in the German village of Hoff. Through a series of happenstance episodes these Gothic ruins grew to haunt the artist’s entire body of work: across various media (pencil, watercolor, ink, oil), across space (in person from the Baltic coast, and later in New York from memory), and time (the motif spans three crucial decades of the artist’s career). While everything else in Feininger’s life was sent into a chaotic flurry – the banning of his works by the Weimar government, shutdown of …

Using Color To Identify Neotropical Parrots In Early Modern European Art: Recognizing Limitations And Avoiding Pitfalls Through Integration Of Scientific And Artistic Knowledge, Deniz Martinez

The Confluence

Colorful Neotropical parrots were amongst the first and most frequent exotic animals to be imported by Europeans from the “New World” of the Americas, becoming key figures in what would become known as the Columbian exchange. There has been an ongoing effort to locate and identify images of Neotropical parrots in the visual record of early modern Europe, with the classification of many remaining unsettled in the scholarship. Proper identification of these images can be valuable data for reconstructing historical biogeography and transatlantic trade; especially compelling is the potential of certain “mystery parrots” in the visual record to support the …

Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe

Honors Program Theses

Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …

The Literary Controversies Of Michelangelo's Sistine Ceiling, Victoria Duehring

The Forum: Journal of History

This literary review will focus on Michelangelo’s most significant work of color: the Sistine ceiling. Michelangelo’s work has spawned a plethora of literature, but this paper will focus on three main controversial topics: assistants (or lack thereof), the ignudi’s purpose, and restoration. I will also apply a psycho-historical approach to these controversies and identify potential avenues for future research.

Carpets As Signifiers Of Historical Change: The Azerbaijani Carpet Industry From The Mid-Nineteenth To Late Twentieth Century, Jill Boggs

Senior Theses

The Azerbaijani carpet industry, long recognized as an important piece of Azerbaijan’s cultural heritage, transformed dramatically between the mid-nineteenth and twentieth centuries in response to political, economic, and social changes that took place under the Russian Empire and the Soviet Union. During this period, the carpet industry began to use modern weaving techniques and materials, favored factory production over traditional hand-woven designs, and created pieces for exportation rather than personal or community use. These developments contribute to two historical schools that view the Soviet Union as either a prison of nations, stifling non-Russian cultures, or a nursery of ethnic identities, …

Centering The Black Woman As A Subject Of Portraiture In Nineteenth-Century French Art, Llyleila Richardson

XULAneXUS

Until the 19th century, artistic depictions of black women by European artists were rare. Often they were relegated to the background as domestic attendants to European noblewomen, serving as symbols of the latter’s colonial wealth and further provide contrast with the darkness of their skin against the aristocratic fairness of their white mistresses. The transition into the 19th century was a turbulent period in European history, especially for France, as the country saw multiple revolts and governmental changes at home. Simultaneously colonization overseas continued to expand, creating previously unheard-of access to foreign cultures and ideas.

Black women became an interesting …

The Spiritual Nature Of The Italian Renaissance, Kaitlyn Kenney

Senior Honors Theses

This study seeks to investigate the influence of faith in the emergence and development of the Italian Renaissance, in both the artwork and writing of the major artists and thinkers of the day, and the impact that new expressions of faith had on the viewing public. While the Renaissance is often labeled as a secular movement by modern scholars, this interpretation is largely due to the political motives of the Medici family who dominated Florence as the center of this artistic rebirth, on and off again throughout the period. On close examination, the philosophical and creative undercurrents of the movement …

Saving Adele: A History Of The Portrait Of Adele Bloch-Bauer I, Ariel A. Furman

Quest

Individual Research Project

Research in progress for HIST 1302: United States History II

Faculty Mentor: Kyle Wilkison, Ph.D.

Nothing ruins an enriching intellectual experience quite like having it assigned. Consequently, Honors History 1302 students began by identifying their own passions and interests. They then chose topics of immediate and abiding personal interest and produced research projects that reflected that energy and commitment. Their research probed a marvelous variety of historical topics from culture, medicine, science, politics, and economics. They researched and wrote about anti-fascist American comic books during World War II, disturbing historic treatments for the mentally ill, advances in …

Art For Animals: Visual Culture And Animal Advocacy, 1870-1914 By J. Keri Cronin, Gina M. Granter

The Goose

Teview of J. Keri Cronin's Art for Animals: Visual Culture and Animal Advocacy, 1870-1914

Mapping The Presence Of Latin American Art In Canadian Museums And Universities, Alena Robin

Hispanic Studies Publications

This essay overviews how Canadian museums and universities have historically accessioned Latin American visual culture and identifies potential ways of sustaining interest, streamlining initiatives, and promoting access. The larger project aims at contributing to a hemispheric and transnational understanding of the history and growth in Canada of the field of Latin American art and its subfields of Pre-Columbian, colonial, modern, and contemporary art. While the study of art history among Canadian museums and universities has kept up with the decades-long interest in Latin American art and visual culture, there remain considerable challenges in bringing Latin American art to the forefront …

Fluxus: The Significant Role Of Female Artists, Megan Butcher

Honors College Theses

The Fluxus movement of the 1960s and early 1970s laid the groundwork for future female artists and performance art as a medium. However, throughout my research, I have found that while there is evidence that female artists played an important role in this art movement, they were often not written about or credited for their contributions. Literature on the subject is also quite limited. Many books and journals only mention the more prominent female artists of Fluxus, leaving the lesser-known female artists difficult to research. The lack of scholarly discussion has led to the inaccurate documentation of the development of …

Modern American Cover Art: The Great Gatsby Through Time, Jessica Harrell

Senior Theses

Book jackets and cover art are, more than anything, an advertising tool used to attract consumers, promote book sales, and establish company identity. F. Scott Fitzgerald’s The Great Gatsby is a staple in the canon of American literature whose cover art has drastically transformed in the ninety years since its original publication. This thesis traces these changes over time, focusing specifically on publishing history, art history, American culture, and thematic interpretations. In doing so, I found that the most substantial influences on these covers were publishing house identity, design trends, and available artistic techniques. Ultimately, The Great Gatsby’s cover …

Artists’ Expression Of Women’S Unresolvable Internal Conflict, Diedre Miles-Girod

Senior Theses

The Victorian period (1837 to 1901) was a time of great change in the United States. The country was growing with the Louisiana Purchase and the addition of several states to the Union. Railroads were connecting together the vast lands. Unprecedented economic and manufacturing changes were unfolding; it was the time of the Industrial Revolution. This period also brought about a revolution for women by opening up new possibilities in many spheres of life. However, these new possibilities, ironically, exacerbated a timeless women’s struggle of finding balance between their traditional roles as caregivers and their human need for self-­‐ expression. …

Introduction. Stars, Water Wings, And Hairs. Bernini’S Career In Metaphor, Claudia Lehmann, Karen J. Lloyd

Art Faculty Books and Book Chapters

Examining Bernini's works from 1665 on, from Paris and Rome, this book demonstrates the wealth of material still to be drawn from close visual and material examination, archival research, and comparative textual analysis. On the whole, this collection deals with Bernini's position as the leading creator of portraits - in oils, marble, monumental architecture, and metaphor - of some of the most powerful political players of his day. These studies speak to the growing distance of Gallic absolutism from the fading dreams of papal hegemony over Europe, and to the complexities of Bernini's role as mouthpiece, obstacle, and flatterer of …

Visceral Space: Dissection And Michelangelo's Architecture, Chloe Costello

Architecture Undergraduate Honors Theses

This thesis focuses on the architectural work of Renaissance master Michelangelo Buonarroti, who, perhaps, is better known for his painting and sculpture than for his architecture. Nevertheless, his buildings are revered by architectural historians, such as James Ackerman, for their mimicry of bodily motion and emotion. Under the influence of Renaissance humanism, it was not uncommon for architects to validate their designs by reference to the human body, for example, basing the dimensions of a basilica on ideal bodily proportions. But, Michelangelo's approach in his earliest architectural designs, such as the Medici Chapel (1521-1524) and the Laurentian Library (1523-1525) in …

Religious Iconography In "Twilight": Veneration And Fandom, Jacqueline E. Swaidan

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

The mysterious and dark atmosphere, the overwhelming focus on the main characters, and the constant contrast of dark and light in Twilight (2009) recall traditional Christian religious imagery. But more that that, this paper will argue that Twilight, the first of the romantic fantasy films adapted from the successful book series by Stephenie Meyer, draws explicitly on traditional Catholic religious imagery and ceremony to engender religious devotion in its fans. Images from the first Twilight film suggest that the creators of Twilight used religious imagery to captivate their audience. Christian constructs such as Eden’s eternity, Edward’s Christ-like abstinence, and …

George Barbier And The Art Deco Era: A Love Story, Elly Vander Kolk

Academic Symposium of Undergraduate Scholarship

No abstract provided.

Review Of 1900: Art At The Crossroads, Antoni Pizà

Publications and Research

There is probably little doubt that the fissure between "high" and "low" culture is more conspicuous nowadays than it ever was. Clement Greenberg, that dashing arbiter of contemporary art, had already sensed it in 1939 when he wrote the seminal essay quoted above, as Adorno also perceived it decades before him. Their foreboding premonitions, however, could not hinder the relentless success of popular culture and the retreat of so-called high art into the safe harbors of the university campus, the museum, and the private sphere.

Adorn The Halls: History Of The Art Collection At Thomas Jefferson University, Julie S. Berkowitz

Jefferson History Books

On March 11, 1871 Samuel D. Gross, M.D., the internationally celebrated surgeon and author, entreated fellow Jefferson alumni to "adorn the halls" with portraits of those who had "devoted their lives to the service of the school," and thus "inspire the pupil with ambition to excel in great and noble works." This clarion call to emulate European medical and scientific institutions by memorializing their great men was taken up almost immediately.

One hundred and twenty-five years later, Thomas Jefferson university is still securing portraits, accepting art donations and bequests, and exhibiting art works effectively. By manifesting an appreciation for the …