History Commons^™

The Cult Of Salomé: Decapitation Imagery And Cultural Anxiety In Belle Époque Europe., Sean C. Hall

Master of Liberal Studies Theses

The Belle Époque in Europe marked a time of great change. Many of the old, yet longstanding traditions were being challenged and modernity really took hold of society at that time. The changes in the social fabric with issues such as the roles of women were common topics of conversation. Women demanded new rights and began to even question the role of masculinity in this new age. This was the emergence of the “New Woman,” and with all of these great changes came great anxiety. This cultural anxiety felt by many was expressed in the arts of the period which …

Elevating The Wood Engraved Landscape: The Work Of Elbridge Kingsley, Elizabeth Anne Siercks

Theses and Dissertations

This is a graduate thesis catalog exploring the work of 19th wood engraver Elbridge Kingsley. Kingsley's contemporary influences are traced using primary sources and visual analysis. Kingsley's stylistic tendencies, in both his original and interpretive engravings, are linked to other 19th century American artists. A brief discussion of the history of wood engraving and its technique are included as it relates to the evolution of Kingsley's style, as evidenced in his published work and his prints for collectors.

The Publicity Of Monticello: A Private Home As Emblem And Means, Benjamin Block

Summer Research

This paper examines how the private home of Thomas Jefferson, Monticello, was, in fact, designed and constructed in many ways as a public building. By examining how Jefferson created the spaces that would have been visited by guests to Monticello, one can see that visitors were intended to have meaningful, affecting experiences at the home. I have broken down the study of these experiences into two parts: the first examines Monticello as a personal emblem of Jefferson’s aesthetic and political philosophy; the second explores Monticello as a means to crafting Jefferson's personal vision of America. I argue that Jefferson intended …

Stosunki Chrześcijańsko-Żydowskie W History, Pamięci I Sztuce: Europejski Kontekst Dzieł W Katedrze Sandomierskiej [Jewish-Christian Relations In History, Memory, And Art: European Context For The Paintings In The Sandomierz Cathedral], Magda Teter, Urszula Stępień

Magda Teter

[Polish] Obraz Infanticidium wiszący na zachodniej ścianie katedry sandomierskiej i ukazujący sceny rzekomego morderstwa dzieci chrześcijańskich przez Żydów był często przedstawiany w izolacji jako przykład antysemityzmu polskiego oraz stosunków pomiędzy Żydami a Kościołem katolickim. Stał się więc ten obraz swego rodzaju „miejscem pamięci” (lieu de mémoire), w którym „skrystalizowana” została także pamięć stosunków chrześcijańsko-żydowskich w Polsce, oraz tym samy źródłem napięć i protestów. Bogato ilustrowana książka pod redakcją Magdy Teter i Urszuli Stępień ma na celu przedstawienie wstępnego zarysu, ułatwiającego zrozumienie sandomierskich obrazów w ich szerszym kontekście artystycznym, historycznym, i historiograficznym, na tle wydarzeń zarówno europejskich, jak i lokalnych.

[English] …