History Commons^™

Pioneers Of Evacuation, Pioneers Of Resettlement: The Photographic Archive Of The Japanese American Incarceration And The Settler Colonial Imaginary, Christina Hobbs

Theses and Dissertations

This thesis reexamines the photographic archive of the Japanese American incarceration during World War II produced by the US government, arguing that these images “restage” the evacuation, incarceration, and resettlement periods through a settler colonial “pioneer” mythology, thereby obscuring the precarity of Japanese Americans' racial positionality between “settler” and “native.”

A Tale Of Two And A Half Mummies: An Intrusive Burial From The Tomb Of Karabasken (Tt 391), Hayley Ruth Goddard

Theses and Dissertations

In 2014, the South Asasif Conservation Project, directed by Elena Pischikova, discovered a previously unknown side chamber in the tomb of Karabasken (TT 391), a proto-Kushite tomb located in the South Asasif. Designated as Side Chamber 1A, it contained an intact burial assemblage. The contents of the tomb, all of which had suffered damage caused by repeated flooding, included three coffins which each contained a mummy. One of the mummies was most unusual, consisting of just the upper half of the body of a young man which was truncated at the waist.

This study is the first to assess and …

Ambiguity Of Vision: Reimagining The Hypervisible Void, Kiwha Lee Blocman

Theses and Dissertations

Asking questions about what Painting is in the 21st century and the dominant narratives it can challenge, my paintings complicate the viewer’s reading of pictorial hierarchy and the projection of human relations in the world. I de-hierarchize and decentralize the compositional components that make up a painting by using patterns to create spatial depth, not European perspectival conventions. In dialogue with modernists such as Matisse who drew from the visual vocabulary of “The Orient”, my central forms derived from architecture and ornamental fragments possess a body-like presence. Further, I reinvent ancient Asian printmaking processes with oil paint. Observing the tenets …

A Parar Para Avanzar: To Stop/To Stand/To Strike To Advance, Christina N. Barrera

Theses and Dissertations

This paper presents the first fragments of a political framework outlining how I situate my work, which lives between “craft” and “art” models of making and between colonized and colonizing traditions. My writing proposes ways of making and being informed by practices, strategies, and organizing that work towards greater autonomy and liberation under these conditions.

Rethinking Watteau In The Context Of Early Eighteenth-Century Bourgeois Culture, Bronwyn C. Roe

Theses and Dissertations

This thesis reexamines the work of Antoine Watteau through a social-art historical lens. Traditionally, Watteau's fêtes galantes have been closely aligned to the culture of the French nobility. However, a closer look into the artist's background, training, social milieu, and the class identity of his primary buyers reveals an alternative class alignment, inviting new interpretations for Watteau's most elusive work. This thesis challenges the close association between Watteau and the French nobility and aims to broaden the socio-visual landscape from which Watteau was drawing, namely that of a burgeoning bourgeois consumer culture. In particular, the culture of emulation, with its …

Off The Press: Exploring Reproducible War Art, Emily Rose Hankins

Theses and Dissertations

Aspects of modernity, such as the news cycle and ever-changing technologies, have played large roles in the construction of the history of wars through the power of reproducible war art imagery as seen in various public spheres and contexts. These include engravings and photographs of the war in news publications, propaganda posters promoting patriotism, protest posters pleading for peace, and prints and books made by artists for display in galleries. The inundation of these images become ubiquitous with the conflict, and the artists who have a hand in creating these images also have the power to construct and reconstruct histories, …