Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- Claude Lazar (2)
- Nasser Soumi (2)
- 1978 (1)
- Alzaia (1)
- Arab (1)
-
- Arab art (1)
- Arcicoda (1)
- Aref Al-Rayess (1)
- Art (1)
- Art against apartheid (1)
- Artist solidarity (1)
- Beirut (1)
- Carletto Caliari (1)
- Cause palestinienne (1)
- Chile (1)
- Church history (1)
- Cima da Conegliano (1)
- Cultural property (1)
- Displacement of patrimony (1)
- Exhibition history (1)
- Ezzedine Kalak (1)
- French Revolution (1)
- Gontran Guanaes Netto (1)
- International Resistance Museum with Salvador Allende (1)
- International art exhibition for palestine (1)
- Ismail Shammout (1)
- JAALA (1)
- Japan Afro Asian Latin American Artists association (1)
- Jeune peinture (1)
- Lebanon (1)
Articles 1 - 3 of 3
Full-Text Articles in History
Sondage Autour De L’Exposition Internationale Pour La Palestine De 1978, Nasser Soumi
Sondage Autour De L’Exposition Internationale Pour La Palestine De 1978, Nasser Soumi
Artl@s Bulletin
En 1978, une Exposition Internationale pour la Palestine se tint à Beyrouth dans le but d’exposer les œuvres d’artistes internationaux solidaires du peuple palestinien, dans un quartier contrôlé par les Palestiniens et fréquenté par des militants libanais et arabes pro-Palestiniens. Lors de l’exposition, Nasser Soumi réalisa un sondage auprès du public palestino-libanais. A cette époque, son travail artistique ne correspondait pas à l’art révolutionnaire pratiqué par la majorité des artistes palestiniens. Sa préoccupation était la problématique existentielle de l’être humain—y compris celle des Palestiniens. Au-delà du public, il s’agissait donc à travers ce sondage de mieux se comprendre lui-même.
Past Disquiet: From Research To Exhibition, Kristine Khouri, Rasha Salti
Past Disquiet: From Research To Exhibition, Kristine Khouri, Rasha Salti
Artl@s Bulletin
An exhibition of an exceptional scale and scope took place in Beirut in the middle of the civil war and today, its archival and documentary traces have been almost entirely lost. The International Art Exhibition for Palestine opened in the Spring of 1978, comprising some 200 works donated by artists hailing from nearly 30 countries, to be a seed collection for a museum in exile. This is a transcript of a presentation of the transformation of research into an exhibition format and a virtual walkthrough of the show Past Disquiet: Narratives and Ghosts from the International Art Exhibition for Palestine, …
Tracing Paintings In Napoleonic Italy: Archival Records And The Spatial And Contextual Displacement Of Artworks, Nora Gietz
Artl@s Bulletin
Using a Venetian case study from the Napoleonic Kingdom of Italy, this article demonstrates how archival research enables us to trace the spatial life of artworks. The Revolutionary and Napoleonic policy of the suppression of religious corporations, followed by the appropriation of their patrimony, as well as the widespread looting of artworks, led to the centralisation of patrimony in newly established museums in the capitals of the Empire and its satellite kingdoms. This made the geographical and contextual displacement, transnationalisation, and change in the value of artworks inevitable.