History Commons^™

Shifting Approaches, Innovative Methods: Collection Histories As A Tool To Move Beyond William Fagg’S ‘Lower Niger Bronze Industry Mystery’, Imogen Coulson, Julie Hudson, Sam Nixon

Artl@s Bulletin

At the end of 2019, the British Museum launched a new research project focusing on copper alloy objects associated with the Lower Niger Bronze Industry. The aim was to increase knowledge of these objects through a combination of provenance and collection history research and scientific analysis. This paper will outline the earlier art historical-focused approach to the Lower Niger Bronzes corpus and will then describe the new research and its methodology. Initial findings will be presented through a case study of objects from the Forcados River in the Niger Delta region of present-day Nigeria. In doing so, we aim to …

Museum Preparedness In The Digital Age, Mary Jatkowski

School of Information Sciences Student Scholarship

In 2001, Neil Beagrie coined the term, “digital curation” at the Digital Preservation Coalition sponsored conference in London. This new term launched a field of study which has since beenadopted by various disciplines within the sciences and humanities. Cultural heritage organizations like libraries and archives adapted the new field, by refining and formalizing standards and practices of digital curation to cater to their diverse cultural and historical collections. LIS graduate programs have embraced the field of study with rigorous curricula like DigCCurr which trains students in the various aspects of curation and preservation, from metadata standards to selection and …

Looted Cultural Objects, Elena Baylis

Articles

In the United States, Europe, and elsewhere, museums are in possession of cultural objects that were unethically taken from their countries and communities of origin under the auspices of colonialism. For many years, the art world considered such holdings unexceptional. Now, a longstanding movement to decolonize museums is gaining momentum, and some museums are reconsidering their collections. Presently, whether to return such looted foreign cultural objects is typically a voluntary choice for individual museums to make, not a legal obligation. Modern treaties and statutes protecting cultural property apply only prospectively, to items stolen or illegally exported after their effective dates. …

Le Musée Des Écoles Étrangères Et Le Spectre De La Guerre En Europe Dans L’Entre-Deux- Guerres, Elena Maria Rita Rizzi

Artl@s Bulletin

Cet article examine si et comment la politique artistique du Musée des Écoles étrangères à Paris dans les années 1920 et 1930 put contribuer à définir l’ « art européen » ainsi que l’espace européen. Il étudie ensuite la seule toile exposée par le musée – Europe, réalisée par l’artiste Ismaël Gonzalez de La Serna vers 1935 – qui prêta une attention particulière au sujet. Tout en mettant cette oeuvre en rapport avec les oeuvres portant sur le même sujet réalisées à l’époque par d’autres artistes, il s’agit, enfin, de comprendre la faible circulation de cette image de l’Europe, qui …

Justice, Pandemics, And Museums In Cyberspace: Archaeology Museums’ Decolonization Projects During The Covid-19 Pandemic, Samuel Besse

Dissertations, Theses, and Capstone Projects

This paper explores three Archeology Museums (Historic St. Mary’s City, James Madison’s Montpelier, and the American Museum of Natural History), their attempts at addressing the colonial narratives that museums are built on, and how the Covid-19 pandemic and protests over George Floyd’s death affected these projects. I place a special effort on the online presence of these museums, as this is the main way visitors interacted with the museums during the pandemic. After discussing the origins of museum’s decolonization efforts and their efforts to make an online presence, I talk about the Covid-19 pandemic and the events around George Floyd’s …

Communication: Memorials: An Exhibit For The Communication Technology Behind A Range Of Memorials, Bradley Finnigan

Student Works

When memorials and monuments are visited, they are often viewed as a place to reflect or pay respects. What is likely often overlooked are the messages behind these memorials, intentionally molded into memorials by their designers. This exhibit highlights 11 memorials and monuments worldwide and showcases how they communicate complex messages through unconventional means. It encourages visitors to consider the thought that went into designing the memorial and offers a different perspective on how a message can be conveyed without the use of printed text. The included curatorial statement speaks more to these points.

North Of The Grid: The Black Experience Of 17th -19th Century Rural New York City, Stephanie E. Barnes

Dissertations, Theses, and Capstone Projects

In the United States, transatlantic slavery was a racial project and template for race-making which created a country that relied on institutions that were organized and performed through social stratification. Today, the nation still operates on systemically racist institutions that have benefited whites while disadvantaging ‘others.’ The narratives presented in American history are rooted in whiteness and benefit the white community while marginalizing nonwhites. Over two hundred years of slavery history in this country has been purposely manipulated and left out. My research focuses on using an historical archaeological framework to research and share the lives of free and enslaved …

Challenges Of Repatriation: Asante Artifacts At The American Museum Of Natural History, Abdul-Alim Farook

Dissertations, Theses, and Capstone Projects

Inspired by calls for the repatriation of famous artifacts like the Benin Bronzes and the Elgin Marbles, for this capstone project, I have analyzed and catalogued 250 sampled Asante artifacts at the American Museum of Natural History (AMNH). Through this analysis, I discuss the many ways museums in North America acquired their collections. By doing so, I explore the difficulties that arise in debates surrounding repatriation due to the manner in which these artifacts were acquired. I argue that due to the many different types of donors of the Asante artifacts to the American Museum of Natural History, the Asante …

History In Crisis: Museum Programming During The Covid-19 Outbreak, Lindsay Mcconnell

Honors Thesis

The subject of my research is how museums adapted their public programming in response to COVID-19. The goal of my research is to analyze how successfully museums shifted their community engagement programming to online platforms. Since I hope to work in the museum field of programming, I was motivated to conduct this research. Not much research can be found on this topic because COVID-19’s effects on museums are still unfolding. My research could provide a foundation of ideas to build on. To begin, I read articles about the relationship between museums and technology. I applied this knowledge to analyze how …

The Last Prisoners Of War: How Nazi-Looted Art Is Displayed In U.S. Museums, Monica May Thompson

Geifman Prize in Holocaust Studies

How art museums approach NLA is important today because much of the public relies on museums for their education. NLA cases are especially controversial because they are not only legal battles, but ethical ones so museums have to be extra careful approaching them. Even if the museum has won the legal battle the public may not see them as winning the ethical one therefore they might want to avoid displaying this information to the public. However, as we can see with the previous websites, it actually looks worse for museums not to be open and honest about their NLA pieces …

Imaging The Great Irish Famine: Representing Dispossession In Visual Culture, Preface & Introduction, Niamh Ann Kelly

Books/Book Chapters

‘Niamh Ann Kelly's lavishly illustrated book throws new light on the visual culture commemorative of hunger, famine and dispossession in mid-nineteenth-century Ireland. Located within the discipline of International Memorial Studies, the text and images both challenge and extend our understanding of Famine history. Examining the visual culture since the time of the Famine until the present, Kelly asks, how do we view, experience and represent the past in the present? To what extent does the viewer insert themselves in this complex process? Is there such a thing as ethical spectatorship? Kelly’s sophisticated yet sympathetic study of the “grievous history” …

How To Build A Museum, Anna L. Davies

Student Symposium

Who are museums for? This question drove our research. Originally motivated by a Travel-Learning Course in Spring 2017 to Manchester, London, and Liverpool, this project seeks to explore the narratives, motivations, and cultural implications for museum exhibits. We focused particularly on art museums. Our primary inspiration was the International Museum of Slavery at the Maritime Museum (Liverpool) and the London, Sugar and Slavery exhibit at the Museum of London Docklands (London). While both historical exhibits, we wanted to examine the symbolism and motivations for creating these exhibits as a form of public history and consciousness in Britain, and apply it …

Mapping The Presence Of Latin American Art In Canadian Museums And Universities, Alena Robin

Hispanic Studies Publications

This essay overviews how Canadian museums and universities have historically accessioned Latin American visual culture and identifies potential ways of sustaining interest, streamlining initiatives, and promoting access. The larger project aims at contributing to a hemispheric and transnational understanding of the history and growth in Canada of the field of Latin American art and its subfields of Pre-Columbian, colonial, modern, and contemporary art. While the study of art history among Canadian museums and universities has kept up with the decades-long interest in Latin American art and visual culture, there remain considerable challenges in bringing Latin American art to the forefront …

Remembrance As Presence: Promoting Learning From Difficult Knowledge At The Canadian Museum For Human Rights, Kelsey Perreault

Electronic Thesis and Dissertation Repository

This thesis explores the relationship between memorial museums and the Canadian Museum for Human Rights (CMHR), Winnipeg. Although the CMHR self-defines as an idea museum, using theories of remembrance, commemorative museum pedagogy, memory, and difficult knowledge, the CMHR is also easily situated in the growing global network of memorial museums. Angela Failler's theory of consolatory hope and my own theory of past-future dissonance suggest that there are several reasons the CMHR has not fulfilled its intended mandate of advocating for human rights in the present. Through a compare and contrast approach, this paper argues that the CMHR should look to …

Interview Panel With Adam Erby, Emilie Johnson, And Teresa Teixeira, Adam Erby, Emilie Johnson, Teresa Teixeira

Madison Historical Review

No abstract provided.

Making History: How Art Museums In The French Revolution Crafted A National Identity, 1789-1799, Anna E. Sido

Scripps Senior Theses

This paper compares two art museums, both created during the French Revolution, that fostered national unity by promoting a cultural identity. By analyzing the use of preexisting architecture from the ancien régime, innovative displays of art and redefinitions of the museum visitor as an Enlightened citizen, this thesis explores the application of eighteenth-century philosophy to the formation of two museums. The first is the Musée Central des Arts in the Louvre and the second is the Musée des Monuments Français, both housed in buildings taken over by the Revolutionary government and present the seized property of the royal family and …

Transformative Beauty: Art Museums In Industrial Britain, Amy Woodson-Boulton

Faculty Pub Night

No abstract provided.

A Spectacle Of Great Beauty: The Changing Faces Of Hagia Sophia, Victoria M. Villano

Master's Theses

No abstract provided.

Exchanging Totems: Totemism In Baldwin Spencer's Overseas Exchanges, Gareth Knapman

Gareth Knapman

Politique Culturelle : Tradition, Modernité Et Arts Contemporains Au Sénégal, 1960-2000, Kinsey Katchka

Présence Francophone: Revue internationale de langue et de littérature

This essay approaches contemporary arts in Senegal and their exhibition from the perspective of cultural policy. This is an especially salient approach in Senegal, where policy has played a significant role in exhibition and creative practice since the colonial period. This history is conventionally examined through a distinctly nationalist framework that reveals the government’s clear distinction between "tradition" and "modernity". State exhibition practice and rhetoric have reinforced this dichotomy, serving to position the Senegalese state as purveyor, definer, and arbiter of cultural heritage. However, diverse creative expressions throughout the capital city of Dakar call into question nationalist rhetoric’s rigid distinction …