History Commons^™

Rethinking Watteau In The Context Of Early Eighteenth-Century Bourgeois Culture, Bronwyn C. Roe

Theses and Dissertations

This thesis reexamines the work of Antoine Watteau through a social-art historical lens. Traditionally, Watteau's fêtes galantes have been closely aligned to the culture of the French nobility. However, a closer look into the artist's background, training, social milieu, and the class identity of his primary buyers reveals an alternative class alignment, inviting new interpretations for Watteau's most elusive work. This thesis challenges the close association between Watteau and the French nobility and aims to broaden the socio-visual landscape from which Watteau was drawing, namely that of a burgeoning bourgeois consumer culture. In particular, the culture of emulation, with its …

Les Six Continents: An Exploration Of Political Visual Rhetoric In Public Sculpture, Olivia Liu Guillotin

Senior Projects Spring 2022

Les six continents series stands as remnants of the 1878 Exposition Universelle and as a visual marker of the cultural, social, and economic culture of the time period. The series, serving as public art, continues to inform and participate in its environment and space, as it is on display by the entrance of the Musée d’Orsay today. Personified representations of Europe, Asia, Africa, North America, South America, and Oceania as allegorical female figures, the series offers insight into the colonial world where it emerged, and how its impact has visually been ingrained in contemporary society. By using these six statues …

Centering The Black Woman As A Subject Of Portraiture In Nineteenth-Century French Art, Llyleila Richardson

XULAneXUS

Until the 19th century, artistic depictions of black women by European artists were rare. Often they were relegated to the background as domestic attendants to European noblewomen, serving as symbols of the latter’s colonial wealth and further provide contrast with the darkness of their skin against the aristocratic fairness of their white mistresses. The transition into the 19th century was a turbulent period in European history, especially for France, as the country saw multiple revolts and governmental changes at home. Simultaneously colonization overseas continued to expand, creating previously unheard-of access to foreign cultures and ideas.

Black women became an interesting …

Sustaining The Republic: The Power Of Political Prints By Honoré Daumier, Édouard Manet, André Gill, And Alfred Le Petit, Maxime Valsamas

Arts & Sciences Electronic Theses and Dissertations

The fight for the liberty of the press was an ongoing struggle in France since the French Revolution in 1789 and it remained a factor until July 1881, when liberal press laws were enacted by the Republican officials in charge of governing the country at the time. The press was the life and soul of political life in nineteenth-century France. Prints formed a core currency of communication; they were the most important vehicle of visual information as they reached a far greater percentage of the population than did artworks in other media, and they had the force to unite people. …

Arts Et Métiers Photo-Graphiques: The Quest For Identity In French Photography Between The Two World Wars, Yusuke Isotani

Dissertations, Theses, and Capstone Projects

This dissertation examines the evolution of photography in France between the two World Wars by analyzing the seminal graphic art magazine Arts et métiers graphiques (1927-1939). This bi-monthly periodical was founded by Charles Peignot (1897-1983), the artistic director of the largest manufacturer of typefaces in interwar France, Deberny et Peignot. Arts et métiers graphiques has been recognized in previous literature as one of the principal vehicles for the modernization of photography in France, primarily because it functioned as an essential conduit for the radical practices developed outside the country. The interwar period is regarded as the watershed in the history …

French Classicism In Four Painters: Where It Went And Why, Kristen Tayler Westerduin

Senior Projects Spring 2019

Senior Project submitted to The Division of Language and Literature and The Division of Arts of Bard College. French Classicism in Four Painters: Where It Went and Why is an analytical approach to the history of classicism and its definitions since being proposed as a style by the ancient Greeks. This paper looks to artists such as Nicolas Poussin, Jacques-Louis David, Charles le Brun, and Eugène Delacroix to understand the evolution of the style’s interpretations within France between the 16^th and 19^th century.

The Partimento Tradition In The Shadow Of Enlightenment Thought, Deborah Longenecker

The Research and Scholarship Symposium (2013-2019)

This presentation investigates the relationship between partimento pedagogy and Rameau’s music theories as influenced by Enlightenment thought. Current research on partimento has revealed its importance in Neapolitan music schools of the eighteenth and nineteenth centuries. Along with counterpoint, partimento was a core subject in the study of composition in the Neapolitan schools; however, as pedagogy and theory began to be influenced by Enlightenment ideals such as the scientific method or a preference for clear systemization, the partimento tradition began to wane. In this presentation, I examine Rameau’s music theory as an example of Enlightenment thought in music, juxtaposing the central …

«"Une Proclamation De Foi : Les Retables Commandés Au Xvii Siècle Par Le Prieur Vincent Royer Pour L'Abbaye Prémontrée De Beauport" /A Proclamation Of Faith : The 17th-Century Altarpieces Commissioned By Prior Vincent Royer For The Premonstratensian Abbey Of Beauport», Harriet M. Sonne De Torrens Dr.

Harriet M Sonne de Torrens Dr.

No abstract provided.

Jacques-Louis David And The Enlightenment: The Intersection Of Art And Politics In Prerevolutionary France, Ashley B. Mullen

Senior Theses and Projects

An analysis of Jacques-Louis David's art and politics before and during the French Revolution.

The Self In Multiple: The Lithographic Portraits Of L'Artiste (1832-34), Sean Delouche

Mid-America College Art Association Conference 2012 Digital Publications

Portraits, especially those outside the medium of oil-on-canvas, have been a neglected and often disparaged subject in nineteenth-century French art history, despite their overwhelming prevalence during the time period. This paper contributes to our understanding of the modern manifestation of the portrait by examining a suite of lithographic portraits of cultural celebrities that appeared in the newly established art journal L’Artiste during the July Monarchy (1830-1848), the constitutional regime long associated with both the social and political rise of the bourgeoisie as well as the development of an extensive commercial and celebrity culture. Executed in the sketchy and lively medium …

(Review) Ladder Of Shadows: Reflecting On Medieval Vestige In Provence And Languedoc, Frederick S. Paxton

History Faculty Publications

The article reviews the book "Ladder of Shadows: Reflecting on Medieval Vestige in Provence and Languedoc," by Gustav Sobin, 236 p., Berkeley, CA : University of California Press, 2009. Series: An Ahmanson Foundation Book in the Humanities.

The Renascence Of Classical Thought And Form In The Carolingian Period, Sara James Laster

Institute for the Humanities Theses

The political stability established under the rule of Charlemagne (768-814) was conducive to the flourishing of the simultaneous resurgence of art and learning. Inspired by the achievements of the Roman Empire, Charlemagne wished to give his subjects a feeling of spiritual unity, a sense of continuity with the past, and an enhanced intellectual life. The classical intellectual tradition is traced from ancient times to the Carolingian present to demonstrate that classicism was a continuum. The thesis examines the classical tradition in the intellectual life of the Carolingian period, its conscious rejuvenation in the figurative arts, and its manifestation in the …