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Full-Text Articles in History
Sara Rahbar And The Art Of Loving Otherwise, Michael Scott Lahti
Sara Rahbar And The Art Of Loving Otherwise, Michael Scott Lahti
Theses and Dissertations
Born in Iran and currently working in New York City, Sara Rahbar is a contemporary multimedia artist who gained some acclaim with her Flag series (2006-present), which was inspired by her experiences in the aftermath of 9/11. Many of these works merge Persian fabrics onto the American flag thus expressing her lived history and political views. To shed light on the political nature of Rahbar’s works writ large, I examine a textile from her War series (2009-2013), titled I Want to Shelter You (2013). Against a flat canvas bag, Rahbar attaches large-caliber bullet casings into a heart-shape to point out …
Layered Histories, Interpretive Desires, Rachelle Dang
Layered Histories, Interpretive Desires, Rachelle Dang
Theses and Dissertations
I aim to excavate source material from the past and reinterpret its significance in the present through art. I merge history with the contemporary through acts of appropriation and material exploration, creating conditions for the viewer to grapple with colonial legacies in an affective space of visual experience.
Theory For A Starving Obese, Ishai Shapira Kalter
Theory For A Starving Obese, Ishai Shapira Kalter
Theses and Dissertations
Theory for a Starving Obese (2017) is both a book and an installation. During the years 2015-2017 I began writing Theory for a Starving Obese; a collection of essays and art criticism about exhibitions that took place in white cubes in New York. I was following my dissatisfaction, and hoped to delve deeper into the question “What is Contemporary Art?” At the end of a process, I sent seventeen envelopes to artists who exhibited solo shows in New York and whose works I have criticized. Each envelope consists of one digital drawing (שרבוט, pronounced Shirbut), DVD with the …
Gender Politics, Presence And Erasure: Tattoo In In Pursuit Of Venus [Infected] And Les Sauvages De La Mer Pacifique, Emily Cornish
Gender Politics, Presence And Erasure: Tattoo In In Pursuit Of Venus [Infected] And Les Sauvages De La Mer Pacifique, Emily Cornish
Theses and Dissertations
This paper utilizes tattoo as a means for exploring the dialogue between contemporary Maori artist Lisa Reihana’s In Pursuit of Venus [infected] and Joseph Dufour’s nineteenth-century decorative wallpaper Les Sauvages de la Mer Pacifique. I argue that the tattooed body constitutes a re-insertion or re-infection within the pictorial program of In Pursuit of Venus [infected]. As such, tattoo becomes one focal point which allows us to work through four themes investigated by these two artworks: gender identity and ambiguity vis a vis practices that concern bodily adornment, the mutability of looking practices from one culture to another, encounters between different …
Sedimenting Solidarity: Signs From The Madison Protest, Melissa Deann Seifert
Sedimenting Solidarity: Signs From The Madison Protest, Melissa Deann Seifert
Theses and Dissertations
The 2011 Wisconsin protest inspired the wide ranging production of handmade and commercially-produced signage. Five hundred signs were collected and preserved by the Wisconsin State Historical Society and others were obtained by the Smithsonian Museum of American History. Art historians and prominent art institutes have dismissed the aesthetic qualities of handmade signs, instead cataloging them as ephemeral historical artifacts. I argue that signs work similarly to other art forms in the modern era, such as advertisements and poster art, which have gained scholarly attention. This project uses the Madison protest as a case study in order to track the often …
Nationalism: A Search For Unity, The Role Of The Mexican Government In Sponsoring Contemporary Fine Arts, Katharine Ferris Nutt
Nationalism: A Search For Unity, The Role Of The Mexican Government In Sponsoring Contemporary Fine Arts, Katharine Ferris Nutt
History ETDs
The following discussion is in part the history of nationalism in the fine arts of Mexico, as a spontaneous expression and as one artificially stimulated. Of equal concern, however, are the State's endeavors to channel nationalism by controlling the bellas artes through subsidy, decree, and law, and finally by the creation of a national institute or theater. The writer has endeavored to reveal both the advantageous and disadvantageous aspects of the government's control and to render some idea as to the extent to which cultural nationalism may forge permanent unity among the Mexicans.