History Commons^™

1815 Log House: Interpretive Manual, Timothy Mullin

Library Presentations, Lectures, Research Guides

It is important to understand the different types of house museums and their purposes before we offer information about our own house museum.

There are three basic types of house museums: Documentary, Representative, Decorative. Each type has its purpose and distinct interpretive thrust.

Having very little information about the Felts family, it is impossible to present our museum as the documentary Felts House. A much more realistic interpretive goal is as a representative 1815 Log House. We have used what little bits of information we have about the Felts family, and the rest of our interpretation is taken from the …

Process Not Product: The Icomos Ename Charter (2008) And The Practice Of Heritage Stewardship, Neil A. Silberman

Selected Publications of EFS Faculty, Students, and Alumni

No abstract provided.

Jienan Yuan (Chien Yuan) Interview, Lauren Smith

Asian American Art Oral History Project

2009 interview with record producer and composer Chien Yuan by Lauren Smith

Anita Chang Interview, Lauren Smith

Asian American Art Oral History Project

2009 interview with filmmaker Anita Chang by Lauren Smith. For more information on the artist visit: http://anitachangworks.com/

Flo Oy Wong Interview, Angelika Piwowarczyk

Asian American Art Oral History Project

2009 interview with Chinese American multimedia artist Flo Oy Wong by Angelika Piwowarczyk

http://www.flo-oy-wongartist.com/

Danny Pudi Interview, Shariq Jefferi

Asian American Art Oral History Project

2009 interview with comedian Danny Pudi by Shariq Jefferi

Cynthia Tom Interview, Lauren Swift

Asian American Art Oral History Project

2009 interview with painter and president of the Asian American Women Artists Association Cynthia Tom by Lauren Swift

Chris Naka Interview, Cheryl Franzen

Asian American Art Oral History Project

2009 interview with new media and video artist Chris Naka by Cheryl Franzen

Vincent Chung Interview, Pete Koszulinski

Asian American Art Oral History Project

2009 interview with the Foundation for Asian American Independent Media's graphic designer Vincent Chung by Pete Koszulinski

Larry Lee Interview, Ami Shah

Asian American Art Oral History Project

2009 interview with installation artist and curator Larry Lee by Ami Shah

Larry Lee website

View Larry's work in the AAOH project gallery

Vincent Pham Interview, Devin Meyer

Asian American Art Oral History Project

2009 interview with Vincent Pham a Doctoral Student at the University of Illinois, Urbana-Champaign and co-author of Asian Americans and the Media (Polity, 2008).

Gordon Cc Liao Interview, Elise Osenbaugh

Asian American Art Oral History Project

2009 interview with poet Gordon CC Liao

Yasufumi Nakamori Interview About Ysuhiro Ishimoto, Katherine Cloutier

Asian American Art Oral History Project

2009 interview with Yasufumi Nakamori, friend of photographer Yasuhiro Ishimoto

Corrections And Updates To "Identifying Biblical Persons In Northwest Semitic Inscriptions Of 1200-539 B.C.E.", Lawrence J. Mykytiuk

Libraries Research Publications

This article does two things. First, it corrects things in the book, Identifying Biblical Persons in Northwest Semitic Inscriptions of 1200-539 B.C.E. (2004), abbreviated IBP below:
• Regarding potential forgeries, the article applies the principles for treatment of unprovenanced inscriptions set forth in Christopher A. Rollston, “Non-Provenanced Epigraphs II: The Status of Non-Provenanced Epigraphs within the Broader Corpus of Northwest Semitic,” Maarav 11 (2004): 71–76.
• It disqualifies proposed IDs in eight (8) inscriptions that are forgeries or probable forgeries, notably including the two bullae frequently attributed to the biblical Baruch.
Second, it evaluates 32 proposed identifications (IDs) of biblical …

I Am A Shirt, Gregory Williams

Student Publications

In order to understand the technological developments and achievements of the Islamic world, it is important to highlight the different processes, practices, and techniques used in creating objects, whether artistic or otherwise. This paper follows a plausible journey for a single shirt, from its initial creation as a piece of cloth to the epigraphic designs that gave it its deeply religious and mystical power to whoever wore it in Mughal India.

"Who Would Believe What We Have Heard?": Christian Spirituality And Images From The Passion In Religious Art Of New Spain, June-Ann Greeley

Philosophy, Theology and Religious Studies Faculty Publications

The colonial art of New Spain/Mexico provides the viewer with a locus of examination into the robust Christianity that emerged over time out of a native spirituality newly laden with the contours and images from the Old World theology of late medieval/early Catholic Reformation Spain. Franciscan and especially Jesuit missionaries, impelled by a devotional zealotry, championed an apocalyptic vision of hope and suff ering that was well suited for artistic expression. Religious art, whether or not patronized by European colonizers, became an instrument for the missionaries to teach and for the native artists to interrogate religious doctrine, and some artists, …

(Review) Mémoires Carolingiennes: L’Épitaphe Entre Célébration Mémorielle, Genre Littéraire Et Manifeste Politique, Frederick S. Paxton

History Faculty Publications

The article reviews the book "Mémoires carolingiennes: L'épitaphe entre célébration mémorielle, genre littéraire et manifeste politique (milieu VIIIe-début XIe siècle," by Cécile Treffort.

Assur Is King Of Persia: Illustrations Of The Book Of Esther In Some Nineteenth-Century Sources, Steven W. Holloway

Libraries

The marriage of archaeological referencing and picture Bibles in the nineteenth century resulted in an astonishing variety of guises worn by the court of Ahasuerus in Esther. Following the exhibition of Neo-Assyrian sculpture in the British Museum and the wide circulation of such images in various John Murray publications, British illustrators like Henry Anelay defaulted to Assyrian models for kings and rulers in the Old Testament, including the principal actors in Esther, even though authentic Achaemenid Persian art had been available for illustrative pastiche for decades. This curious adoptive choice echoed British national pride in its splendid British Museum collection …